KALI AUDIO LP-6 WHITE Αυτοενισχυόμενο studio monitor 6,5″ (Τεμάχιο)

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Project Lone Pine Kali\’s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank. Performance Transparency. Clarity. Accuracy. Kali Audio\’s Lone Pine Series studio monitors are designed to allow you to hear every detail that\’s happening in your mix. This starts with an exceptionally accurate frequency response. Whatever […]

 

Διαβάστε περισσότερα

Project Lone Pine

Kali\’s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank.

Performance
Transparency. Clarity. Accuracy.

Kali Audio\’s Lone Pine Series studio monitors are designed to allow you to hear every detail that\’s happening in your mix.

This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\’ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.

80W Class D Power

39 Hz Lower Frequency Response

< 3% System THD 94 dB @ 1M

112 dB Max SPL

3-D Imaging Waveguide

Hear three dimensional sound from a stereo pair of speakers.

Dual-Layer Voice Coil

Large diameter voice coil allows for low distortion and high dynamic range.

Low Noise Port Tube

Precisely engineered using airflow simulations for powerful bass without port noise.

The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.

Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the “Common Loudspeaker Format Viewer” application to view.

Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.

This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.

Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.

The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.

Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.

Boundary EQ Control

A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.

Happily, most of the common positions are fairly predictable and easily corrected.

Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.

Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.

Easy Connections

The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.

The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
3-D Imaging Waveguide

The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.

In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.

Low Noise Port Tube

We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.

On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.

The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.

Powered: Yes
Amp Class: D
Power Config: Bi-Amped
LF Power: 40 W
HF Power: 40 W
Total Power: 80 W
LF Driver: 6.5″ Woofer
HF Driver: 1″ Soft Dome Tweeter
Freq. Response (-10 dB): 39 Hz – 25 kHz
Frequency Range (±3 dB): 47 Hz – 21 kHz
Crossover: 1.5 kHz
Listening Distance: 2.2 Meters
Max SPL: 112 dB

Διαστάσεις

Height: 14.125 Inches (35.9 cm) Width: 8.75 Inches (22.2 cm) Depth: 10.25 Inches (26 cm) Weight: 15.54 lbs (7.01 kg)

Βάρος 7.00 kg

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NameKALI AUDIO LP-6 WHITE Αυτοενισχυόμενο studio monitor 6,5" (Τεμάχιο) removeM-AUDIO BX8 D3 ΗΧΕΙΟ MONITOR removeFOCAL Solo6 Be - ΕΝΕΡΓΟ STUDIO MONITOR 2 ΔΡΟΜΩΝ 6'' 150W removeADAM AUDIO A7X - ΕΝΕΡΓΟ ΗΧΕΙΟ MONITOR 2 ΔΡΟΜΩΝ 100W removeReloop ADM 5 - Ενεργό Studio Monitor 2 ΔΡΟΜΩΝ 30W 5'' ΖΕΥΓΟΣ removeEDIROL DM 2100 - 2.1 ΣΥΣΤΗΜΑ 2 ΔΟΡΥΦΟΡΟΙ 15W 1 SUB 50W remove
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Project Lone Pine

Kali\'s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank.

Performance Transparency. Clarity. Accuracy.

Kali Audio\'s Lone Pine Series studio monitors are designed to allow you to hear every detail that\'s happening in your mix.

This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\'ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.

80W Class D Power

39 Hz Lower Frequency Response

< 3% System THD 94 dB @ 1M

112 dB Max SPL

3-D Imaging Waveguide

Hear three dimensional sound from a stereo pair of speakers.

Dual-Layer Voice Coil

Large diameter voice coil allows for low distortion and high dynamic range.

Low Noise Port Tube

Precisely engineered using airflow simulations for powerful bass without port noise.

The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on. Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the "Common Loudspeaker Format Viewer" application to view. Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.

This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.

Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.

The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.

Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer. Boundary EQ Control

A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.

Happily, most of the common positions are fairly predictable and easily corrected.

Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.

Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.

Easy Connections

The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.

The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
3-D Imaging Waveguide

The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.

In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.

Low Noise Port Tube

We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.

On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as "chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.

The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
Powered: Yes
Amp Class: D
Power Config: Bi-Amped
LF Power: 40 W
HF Power: 40 W
Total Power: 80 W
LF Driver: 6.5" Woofer
HF Driver: 1" Soft Dome Tweeter
Freq. Response (-10 dB): 39 Hz - 25 kHz
Frequency Range (±3 dB): 47 Hz - 21 kHz
Crossover: 1.5 kHz
Listening Distance: 2.2 Meters
Max SPL: 112 dB

Διαστάσεις

Height: 14.125 Inches (35.9 cm) Width: 8.75 Inches (22.2 cm) Depth: 10.25 Inches (26 cm) Weight: 15.54 lbs (7.01 kg)

Χαρακτηριστικά της σειράς D3 > Σχεδίαση με δύο ενισχυτές για δυναμικό και ακριβή ήχο, > Ειδικά σχεδιασμένος οδηγός στα tweeter, για καλύτερη στερεοφωνική εικόνα, > Σύστημα 'Acoustic Space Control', για προσαρμογή των χαμηλών συχνοτήτων στον κάθε χώρο, > Βελτιωμένο σύστημα Bass Reflex, για εκτεταμένη απόκριση χαμηλών συχνοτήτων, > Είσοδοι XLR balanced και 1/4” balanced/unbalanced, για εύκολη σύνδεση με audio interfaces,mixers, synthesizers, DJ gear >Έλεγχος στάθμης ακρόασης, >Φωτεινή ένδειξη LED στο εμπρός μέρος, που γίνεται πιό έντονη όταν το ηχείο τοποθετείται στη σωστή γωνία ακρόασης. Χαρακτηριστικά BX8 > Συνολική ισχύς 150 watts (80 watts για woofer, 70 watts για tweeter), > Woofer 8 ιντσών από Kevlar, > Tweeter θόλου 1.25 ιντσών (από φυσικό μετάξι) με εξαιρετική λεπτομέρεια στον ήχο, > Απόκριση συχνότητας: 37Hz - 22kHz. Η τιμή αφορά σε τεμάχιο

Ενεργά επαγγελματικά ηχεία 2 δρόμων nearfield με 2 ενσωματωμένους ενισχυτές (150+100W RMS). Με μεγάφωνα Focal 6,5” κώνου ΅ΆWΆΆ σε διάταξη sandwich για το woofer και ανεστραμμένου θόλου καθαρού Βηρυλλίου για το tweeter. Το γούφερ είναι κατασκευασμένο σε μορφή κώνου ΅ΆWΆΆόπως και τα μεγάφωνα στις περίφημες consumer σειρές Utopia της Focal και το τουίτερ είναι το ίδιο περίφημο τουίτερ βηρυλλίου ανεστραμμένου θόλου από τις ίδιες σειρές.

Η τιμή του προϊόντος αφορά τεμάχιο και όχι ζευγάρι

Χάρη στην εξαιρετική κρουστική απόκριση το tweeter παίζει flat μέχρι τα 40kHz. Παρά το μέγεθός του έχει μεγάλο και αληθινό ήχο με δυναμική περιοχή SPL της τάξης των 113dB@1M. Τα Solo6 ενσωματώνουν τον άριστο τεχνικό σχεδιασμό και την κατασκευαστική εμπειρία των 30 χρόνων των Focal.

 

Specifications
Frequency response : 40Hz - 40kHz
Maximum SPL : 113dB SPL (peak @ 1m)

Input :

Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV

Bass/mid-range : 150W rms, BASH® technology
Treble : 100W rms, AB class

Electric supply :

Local supply power: 230V (1.6A fuse)
115V (3.5A fuse)
Connection: removable IEC supply wire

Visualization and control :

Input sensitivity selector
Adjustable tweeter and woofer levels with potentiometers
Power On/off switch
Voltage selector

warning light : Power on LED

Electric supply :

Local supply power: 230V (1.6A fuse)
115V (3.5A fuse)
Connection: removable IEC supply wire

Woofer : 6W4370B, 6-1/2" (16.5cm) Focal "W" composite sandwich cone speaker
Tweeter : Focal TB871 Beryllium inverted dome tweeter
transducer shielding : Integral through cancellation magnets or by magnet design
Box : 7-1/2" (19mm) MDF panels

Finish :

Dark red natural veneering side panels, black body

Dimensions (HxWxD) : 13 x 9-7/16 x 11-7/16 " (330x240x290mm)
Weight : 24.2lb (11kg)

 

ΤΙΜΗ ΤΕΜΑΧΙΟΥ

ADAMs A7 & A7X: the evolution of a legend

The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the worldʼs largest internet forums. Still today, the A7 are the reference monitors in many smaller studios.

With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.

Driver technology

The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Amplifiers / controls

Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies.
To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

Mid-Woofer
Number1
Basket Ø7" (175 mm)
Voice coil Ø1.5" (38 mm)
Cone materialCarbon/Rohacell/Glass Fiber
Tweeter
Number1
TypeX-ART
Diaphragm area4 inch² (2420 mm²)
Equiv. Diaphragm Ø2" (56 mm)
Velocity transform ratio4:1
Diaphragm weight0.17 g
Built-in Amplifiers
Mid-Woofer1
TypePWM
Amp. power RMS / music100 W / 150 W
Tweeter1
TypeA/B
Amp. power RMS / music50 W / 75 W
Control panel
Input Sensitivity-∞ to +14 dB
High Shelf EQ > 5 kHz±6 dB
Low Shelf EQ ±6 dB
Tweeter gain±4 dB
Input connectors
AnalogXLR / RCA
General data
Frequency response42 Hz - 50 kHz
THD 90dB/1m > 100 Hz≤0.5 %
Long term output≥106 dB
Max. peak≥114 dB
Crossover frequencies2500 Hz
Input impedance30 KOhm
Weight20.3 lb (9,2 kg)
Magnetically shieldedNo
Height x Width x Depth13.5" (337 mm) x 8" (201 mm) x 11" (280 mm)
Warranty5 Years
Delivery contents

Power cord, Manual

 

 

 

 

ΔΕΝ ΠΩΛΕΙΤΑΙ ΑΝΑ ΤΕΜΑΧΙΟ , ΤΟ ΕΝΑ ΑΠΟ ΤΑ ΔΥΟ ΠΕΡΙΕΧΟΥΝ ΕΝΙΣΧΥΤΕΣ ΤΟ ΑΛΛΟ ΕΙΝΑΙ ΠΑΘΗΤΙΚΟ

Τα ενεργά ηχεία της Reloop  "ADM-5" είναι η τέλεια προσθήκη για κάθε στούντιο στο σπίτι του DJ. Kαταλληλα για χρήση με Μidi controller η με υπολογοστή. Σε αντίθεση με πολλά ηχεία που ειναι κατασκευασμένα από πλαστικό, τα ADM-5  είναι κατασκευασμένα από υψηλής ποιότητας ξύλο με αποτέλεσμα την ακριβή αναπαραγωγή μπάσσου και τον καθαρό ήχο. 'Εχουν μαγνητική θωράκιση ωστε na δυνατή τοποθέτηση των ηχείων κοντά σε υπολογιστές ή οθόνες.



Τεχνικλα χαρακτηριστικα:

    Professional 2-way active DJ monitors
    Output: 2 x 30 w RMS
    Frequency response: 35 Hz - 20 kHz
    S/N Ratio: > 75dB
    Impedance: 8 ohm
    Magnetically shielded bass drivers
    Speakers: 13.34 cm (5.25“) bass, 2.54 cm (1“) tweeter
    Dimensions: 232 x 320 x 180 mm
    Weight: 5.0 kg (per piece)

DM-2100: 2.1-ch Speaker System Features The DM-2100 2.1-ch Speaker System is an affordable way to add accurate reference monitoring with a subwoofer for enhanced bass response. The left and right speakers each offer 15 watts of power, while the 50-watt subwoofer provides a powerful low-end boost. And with 24-bit/96kHz digital inputs, the DM-2100 is perfect for use with Roland/BOSS digital studios and instruments, or with computer systems and more.

  • Affordable 2.1-channel monitoring system with 24-bit/96kHz digital inputs
  • Powered bass reflex speakers with 15 watts per side and flat frequency response
  • Active subwoofer with 50-watt amplifier for increased low end
  • Front-mounted controls convenient located on right speaker
  • Coaxial and optical digital inputs, plus analog inputs (RCA and 1/4-inch type)
  • Sleek black wooden cabinets with magnetic shielding

Rated Output Power50W + 15W + 15WSpeakerSubwoofer: 16cm, Satellite Units: 9.2cmNominal Input LevelLine 1: -10dBu, Line 2: -10dBuInput Impedance18k ohmControlsR Channel: Bass Control Knob, Treble Control Knob, Volume 1 (Digital In/ RCA pin), Volume 2 (1/4” phone), Power Switch, Digital Input Select Switch, Phase SwitchConnectorsR Channel: Line 1 Jack (L, R; RCA pin), Line 2 Jack (L (MONO), R; 1/4” phone), Optical Input Connector, Coaxial Input Connector, Dedicated connector for power control and audio signal, Channel Input Jack (R; RCA pin),
L Channel: Channel Input Jack (L; RCA pin),
Sub Woofer: Dedicated connector for power control and audio signal, Channel Output Jacks (L, R; RCA pin), AC In JackDigital InputSampling Rate 32/44.1/48/96 kHz, D/A Convertor 24 bitsPower SupplyAC117, 230 or 240VAccessoriesSpeaker Cables (RCA pin type), Dedicated Cable for power control and audio signal, Power CableSize and Weight ( Satellite Units )Width130 mm5-1/8 inchesDepth160 mm6-5/16 inchesHeight200 mm7-7/8 inchesWeight

Size and Weight ( SubWoofer )Width240 mm9-1/2 inchesDepth300 mm11-13/16 inchesHeight330 mm13 inches
Weight7.00 kg13.00 kg11.00 kg10.00 kg3.50 kg15.00 kg
DimensionsΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/Δ
Additional information
Βάρος 7.00 kg
Βάρος 13.00 kg
Βάρος 11.00 kg
Βάρος 10.00 kg
Βάρος 3.50 kg
Βάρος 15.00 kg