KORG KROME-61 EX Digital Workstation-Synthesizer 61 πλήκτρων

999.99 με ΦΠΑ 24%

Σε απόθεμα

EAN: N/A
Υπολογισμός δόσεων
CompareAdd to wishlist Υποβολή Καλύτερης Τιμής
Διαθεσιμότητα: Κατόπιν Παραγγελίας Κατόπιν Παραγγελίας Κωδικός προϊόντος: KROME-61 EX Κατηγορία:
Digital Workstation-Synthesizer νέας γενιάς με 61 δυναμικά πλήκτρα. Ήχοι πιάνου δανεισμένοι από το KRONOS. 120 voices πολυφωνία/60 σε dual mode. Έγχρωμη οθόνη αφής 7 ιντσών, 896 programs και 512 combi, drum track με ξεχωριστή έξοδο για εύκολη μίξη, 16 κανάλια Sequencer, διπλό πολυφωνικό arpeggiator, μονάδα εφφέ με 5 insert 2 master και 1 total, σασί […]

 

Διαβάστε περισσότερα

Digital Workstation-Synthesizer νέας γενιάς με 61 δυναμικά πλήκτρα. Ήχοι πιάνου δανεισμένοι από το KRONOS. 120 voices πολυφωνία/60 σε dual mode. Έγχρωμη οθόνη αφής 7 ιντσών, 896 programs και 512 combi, drum track με ξεχωριστή έξοδο για εύκολη μίξη, 16 κανάλια Sequencer, διπλό πολυφωνικό arpeggiator, μονάδα εφφέ με 5 insert 2 master και 1 total, σασί από αλουμίνιο, USB σύνδεση με υπολογιστή, θύρα SD για αποθήκευση δεδομένων. Περιλαμβάνεται software editor-librarian για editing στους ήχους του Krome μέσω Pc. Βάρος 7,2Kg.

Βάρος 7.20 kg

Αξιολογήσεις

Δεν υπάρχει καμία αξιολόγηση ακόμη.

Δώστε πρώτος μία αξιολόγηση “KORG KROME-61 EX Digital Workstation-Synthesizer 61 πλήκτρων”

Η ηλ. διεύθυνση σας δεν δημοσιεύεται. Τα υποχρεωτικά πεδία σημειώνονται με *

Quick Comparison

KORG KROME-61 EX Digital Workstation-Synthesizer 61 πλήκτρων removeKORG MICROKORG XL+ 37 Keys Analog Modeling Synthesizer removeYAMAHA MOXF8 Synthesizer removeKORG KROSS 88 MUSIC WORKSTATION 88 ΔΥΝΑΜΙΚΑ ΠΛΗΚΤΡΑ removeKORG PA600QT ΑΡΜΟΝΙΟ/WORKSTATION 61 Δυναμικά πλήκτρα removeWALDORF Blofeld Desktop Synthesizer Module remove
Image
SKUKROME-61 EXMICROKORG XL+I000.00056KROSS-88PA600 QTBlofeld
Rating
Price 999.99 με ΦΠΑ 24% 422.00 με ΦΠΑ 24% 1,229.00 με ΦΠΑ 24% 982.00 με ΦΠΑ 24% 1,001.00 με ΦΠΑ 24%452.32 με ΦΠΑ 24%
Stock

Σε απόθεμα

Σε απόθεμα

Σε απόθεμα

Εξαντλημένο

Σε απόθεμα

Διαθέσιμο κατόπιν παραγγελίας

AvailabilityΣε απόθεμαΣε απόθεμαΣε απόθεμαΕξαντλημένοΣε απόθεμαΔιαθέσιμο κατόπιν παραγγελίας
Add to cart

Προσθήκη στο καλάθι

Προσθήκη στο καλάθι

Προσθήκη στο καλάθι

Διαβάστε περισσότερα

Προσθήκη στο καλάθι

Προσθήκη στο καλάθι

Description
Content

Digital Workstation-Synthesizer νέας γενιάς με 61 δυναμικά πλήκτρα. Ήχοι πιάνου δανεισμένοι από το KRONOS. 120 voices πολυφωνία/60 σε dual mode. Έγχρωμη οθόνη αφής 7 ιντσών, 896 programs και 512 combi, drum track με ξεχωριστή έξοδο για εύκολη μίξη, 16 κανάλια Sequencer, διπλό πολυφωνικό arpeggiator, μονάδα εφφέ με 5 insert 2 master και 1 total, σασί από αλουμίνιο, USB σύνδεση με υπολογιστή, θύρα SD για αποθήκευση δεδομένων. Περιλαμβάνεται software editor-librarian για editing στους ήχους του Krome μέσω Pc. Βάρος 7,2Kg.

Eιδική έκδοση του microkorg XL σε μαύρο χρώμα. Διαθέτει: 37 πλήκτρα Natural Action νέας γενιάς, επιπλέον ήχους από το SGproX piano και organs από τα Μ1 και VOX, MMT multi modeling technology μέθοδο σύνθεσης, αναβαθμισμένη μηχανή εφφέ από τη σειρά KAOSS, 8 νότες πολυφωνίας, 16 channel vocoder, display, 128 programs, arpeggiator, step sequencer, USB θύρα για σύνδεση με PC. Περιλαμβάνεται τροφοδοτικό και XLR Goosneck MIC.

Νέο μοντέλο από την μικρή σειρά της οικογένειας MOTIF με νέα ποιοτικά και ποσοτικά χαρακτηριστικά. Το MOXF8 ενσωματώνει την sound engine της σειράς MOTIF, έχει δυνατότητα επέκτασης με μνήμη Flash ( εως 1GB ), performance mode, τεχνολογία VCM ( Virtual Circuitry Modeling ), ενσωματωμένο sequencer με 226,000 νότες χωρητικότητα, 128 νότες πολυφωνία, AWM2 τεχνολογία παραγωγής ήχων, 1512 ήχους, 72 drum kits, πληθώρα effects ( reverb, chorus, vocoder κτλ.), USB συνδεσιμότητα, βαρυκεντρισμένο κλαβιέ.

Το MOXF8 συνοδεύεται από το software Cubase AI7 το οποίο ''κατεβάζετε'' από το site της Steinberg με το οποίο μπορείτε να ηχογραφήσετε τις μουσικές σας δημιουργίες καθώς και από δύο VST όργανα της Steinberg και της Yamaha, το Prologue ( Virtual Analog Synthesizer ) και το YC-3B ( Tone Wheel Organ VSTi).  

Τύπος Κλαβιέ: Graded Hammer Keyboard
Αριθμός Πλήκτρων: 88
Pitch Bend: Ναι
Modulation: Ναι
Τεχνολογία Παραγωγής Ήχων: AWM2, με Expanded Articulation
Αριθμός 'Hχων: 1152 voices + 72 drum kits, 384 user
Πολυφωνία: 128
Εφφέ: Ναι
Σύνδεση USB: Ναι
Tύπος Oθόνης: Backlit LCD
Μέγεθος Οθόνης: 240 x 64 dot
MIDI: Ναι
Έξοδος Ακουστικών: Ναι
Είσοδος Μικροφώνου: Όχι
Είσοδοι/ Έξοδοι: Output ( L/R) standard jack, Input ( L/R) standard jack, Midi In/Out/Thru, Foot controller, Sustain
Internet Direct Connection (IDC): Όχι
Διαστάσεις (Π x Y x B): 132 εκ. x 16,8 εκ. x 40,5 εκ.
Bάρος: 14,9 κιλά
Χρώμα: Μαύρο
Αξεσουάρ: Τροφοδοτικό, καλώδιο USB, Οδηγίες ( Αγγλικά ), Οδηγίες DOWNLOAD για CUBASE AI
 

Φορητό workstation με 88 δυναμικά βαρυκεντρισμένα (Natural Weighted Hammer Action) πλήκτρα. EDS μέθοδος σύνθεσης ήχων, 80 νότες πολυφωνία, 640 program και 384 combi, 5 insert και 2 master εφέ, διπλό πολυφωνικό arpeggiator, 16 κανάλια sequenser, usb, MIDI IN/OUT, sd υποδοχή, λειτουργία με ρεύμα - μπαταρίες. Βάρος: 12,4Kg.

Features:

  • Great-feeling 88-key Natural Weighted Hammer Action keybed
  • Pro-quality EDS-i sound engine built-in, with a total of seven effects available simultaneously
  • Ideal for a broad range of musical styles
  • Extremely lightweight - only 27.3 lbs, and can be powered by 6 AA batteries
  • Amazing piano, EP, and drum sounds
  • Many sounds utilize twice as much PCM memory as previous instruments
  • Ideal for a broad range of musical styles
  • Sound Selector makes it easy to find the sound you're looking for
  • Favorites function lets you register 64 sounds or audio songs for one-touch access during gigs
  • External input jacks let you connect a mic or external audio source
  • Quick Layer/Split function for on-the-fly versatility
  • Stereo audio recorder allows you to record and overdub your performances and vocals
  • Step sequencer inherited from the Electribe
  • Onboard 16-track MIDI sequencer, drum track, and arpeggiator
  • Connects to your computer via USB for plug-in integration with your favorite DAW
  • Stylishly distinctive red and black two-tone design looks great onstage
  • KROSS Editor and Plug-In Editor may be downloaded from the Korg website
Specification Detail
Sound Engine Type(s) EDS-i (Enhanced Definition Synthesis-integrated)
Number of Keys 88
Type of Keys NH (Natural Weighted Hammer Action)
Other Controllers Pitchbend, Mod Wheel
Polyphony 80 voices (80 Oscillators) / Single Mode; 40 voices (40 Oscillators) / Double Mode
Wave Memory Approximately 112MB
Number of Presets 421 multi-samples; 890 drum samples
Expansion No expansion
Number of Effects 134
Effects Types Multi
Arpeggiator Yes
Sampling No
Audio Playback Via 1/8" stereo inpput jack
MIDI Sequencer 16 Channels
USB Type B x 1 (USB-MIDI Interface)
Number of Audio Inputs 2
Audio Input Types 1 x 1/4" TS (mic), 1 x 1/8: TRS (line)
Number of Audio Outputs 3
Audio Output Types 2 x 1/4" TS, 1/8" headphone
Number of Digital Inputs 0
Digital Input Types No digital inputs
Number of Digital Outputs 0
Digital Output Types No digital outputs
MIDI I/O Via USB; DIN In/Out
Pedal Inputs Damper (Half Damper supported), assignable switch, assignable pedal
Height 5.32“
Width 57.01“
Depth 15.08“
Weight 27.34 lbs.
Power Supply 120V external AC adapter included

 

 

Eπαγγελματικό αρμόνιο-synthesizer με ενσωματωμένη ROM που περιλαμβάνει αραβικούς και ethnic ήχους και ρυθμούς. 61 δυναμικά πλήκτρα ρυθμιζόμενης ευαισθησίας, enhanced RX (Real eXperience) και DNC (Defined Nuance Control), 96 MB pcm user memory, μεγάλη έγχρωμη οθόνη αφής (800x480 pixels), εξωτερική λειτουργία για την αλλοίωση της κλίμακας, 128 νότες πολυφωνίας, 360 preset ρυθμοί, 1200 user ρυθμοί, 256 ήχοι, 320 μνήμες Performance, 4 Master stereo Effects, πλήρης επεξεργασία ήχων και ρυθμών, συμβατό με GM και kαraoke files, Guitar 2 mode, 2 ανεξάρτητα sequencer με crossfader, ενσωματωμένο mp3 player, συμβατό με i3, i30, PA-60, PA-50, PA-80, PA-1X, PA-1X PRO. Διαθέτει 2 ηχεία με bass reflex system 15Watt, πεταλιέρα EC-5 (optional). Διατίθενται ελληνικοί ρυθμοί και ήχοι.



Pa600QT Professional Arranger

The Pa600QT is an affordable, compact, and powerful addition to Korg's internationally acclaimed PA series. Providing you with the most up-to-date collection of quality sound and styles combined, the PA600QT is a perfect songwriting and performance partner. It even has the option to include custom sound and performance sets (sold separately) from around the world - a true first!

This Pa600QT (Quarter Tone) version contains all the functionality of the standard Pa600, and adds a mini-keyboard on the left side, which can be used to customize quarter tone scales and quickly access scale presets. Along with all the Sounds and Styles that are found on the standard Pa600, The Pa600QT also contains additional Sound and Style data that is specific to Middle Eastern music genres. Ouds, bouzuks, kanouns, various percussion instruments, and many more sounds are joined by dozens of extra Styles that are suitable for traditional and modern music.

Listen and Believe.

Pa600QT Features:

  • Enhanced RX (Real eXperience) and DNC (Defined Nuance Control) sound engine offers improved realism and vivid sound.
  • Massive internal Factory PCM provides an extraordinarily powerful wave memory, delivering amazingly high quality sounds.
  • Two assignable switches and a four-way joystick ensure total control for the many available levels of sound articulation (DNC).
  • Quarter tone variation buttons providing instant access to quarter tone notes.
  • Elegantly designed and compact cabinet, including a pristine amplification system.
  • Large, bright, backlit TouchView™ color TFT display (800x480).
  • Easy layout and intuitive graphical interface with new Search function for easy retrieval of any musical resource or file.
  • New resource selection feature with copy/paste, rename and delete.
  • Over 360 factory Styles, each including three Intros/Endings, four variations and four Fill In + Break, plus ten Favorite and three User banks for storage of your favorite customized or user created Styles. The Pa600QT also contains additional Sound and Style data that is specific to Middle Eastern music genres.
  • Enhanced Guitar Mode 2 for even more realistic guitar parts, plus synchronized pads.
  • Chord Sequencer function that can record any chord progression on-the-fly.
  • Improved General Midi set for Standard Midi Files, compatibility with popular lyric formats including graphical (+G), plus Text Viewer, Marker and Score.
  • MP3 player with Transpose and Tempo Change.
  • 4 Stereo Master Effects (125 FX algorithms).
  • Fully programmable SongBook database based on Styles, SMF, karaoke, and MP3, with instant recall of any song setting and user-definable custom lists.
  • Mass storage with USB
  • Localized data (sold separately) provides Sounds and Styles relevant to specific countries and regions.

The Pa600QT is a brilliant Professional Arranger that distills the sonic essence and functionality of the Pa series into a compact and affordable new instrument. Like its big brothers - the Pa800 and the Pa3X - the Pa600QT uses our RX (Real eXperience) and DNC (Defined Nuance Control) technology to deliver sound quality that's unprecedented in an arranger keyboard. With its new compact cabinet, large TFT color TouchView display, enormous factory and user PCM memory, huge style database and excellent amplification system, Korg has raised the standard of excellence in the entry-level price range. Listen and Believe.

 

Keyboard 61 keys with Velocity- Quarter tone buttons

Sounds

Factory: More than 950 (including Stereo Piano and GM 2 Sounds), 64 Drum Kits
User: 256 Sounds, 128 Drum Kits
Dynamic Nuance Control (DNC) Technology with Articulations
Full editing of Sounds and Drum Kits
Realtime sound control using assignable Switches

Tone Generator

128 voices - Filters with Resonance

PCM User Memory

96 MB

Effects & EQ

4 Stereo Master FX / 125 Effects types
Three band EQ for each track
Limiter - Master 4 band Parametric EQ

Controllers

Joystick – 2 Assignable Switches

Styles

Factory: More than 360 preloaded Styles, freely reconfigurable

User: Up to 1,200 available Style locations including the Favorite/User banks

Structure

Eight Style tracks, 4 Single Touch Settings and one Style Performance per Style

Style controls

3 Intros, 4 Variations, Break, 3 Endings, Autofill (4 fills), Synchro Start/Stop, Tap Tempo/Reset, Manual Bass, Bass Inversion, Memory, Accompaniment Mute, Snare & Kick Designation, STS Mode, Chord Sequencer

Others

Guitar Mode 2, Parallel and Fixed NTT, Style Record with Step Record, Track and Event Edit functions

Performance/STS

320 Realtime Performance locations
STS: Memorize Realtime tracks
Up to 4 x Styles, up to 4 x SongBook entries
My Setting special Performance

Realtime Tracks

Four Keyboard tracks (Upper 1, 2, 3, Lower)

Pads

4 Pad tracks + Stop button – Pad Record

Song Play

Single Player with Select, Start/Stop, Home, Rewind and Fast Forward controls
Jukebox function - Compatible with SMF (formats 0 and 1) and MP3 with Vocal Remover -
Lyrics (compatible with CDG), Score, Marker

Display

7” 800 x 480 TFT Graphical Color TouchView

Sequencer

Quick Record (Backing Sequence), Multitrack and Step Record functions

Full featured sequencer - 16 tracks - Up to 100.000 events - SMF format

Song Book

Fully programmable music database, based on Styles, SMF, Karaoke, MP3 with automatic selection of Style Play and Song Play modes - User-definable custom lists - Filtering options

Search

Style, Song, Performance, SongBook, Sound and Lyrics TXT

Compatibility

"i-Series“: Style

"Pa series”: Style, Performance, Sound, PCM, Song, SongBook and Pad

General Controls

Master Volume, Real Time-Acc/Seq Balance Volume, Ensemble, Octave Transpose, Master Transpose, Fade In/Out, Tempo Lock, Style Change, Quarter Tone Arabic Scale (with dedicated buttons in Quarter Tone version), User Scale memorized inside Performance/STS, Search, Lyrics, Score, Marker, Dial, Tempo, Metronome, Split

Connections

Control Inputs: Damper Pedal, Assignable Pedal/Footswitch

Line Out: 2 Unbalanced Jack Left/Mono and Right, Headphones

Line In: 2 Unbalanced Line In Jacks

MIDI: In, Out Midi connectors - USB to Midi using the USB Device port - 8 user definable MIDI Preset

USB

USB-MIDI Interface
To Device: 1 (Rear)
To Host: 1 (Rear)
2.0 Hi Speed connections

Mass storage/Disk

USB

Speaker System

Amplification: 15W x 2

Speakers: 100 mm x 2 Double Cone Speakers in Bass Reflex Box

Power

Power Supply: AC 100-240 V

Power Consumption: 20 Watt

Dimensions

1,030 x 378 x 127 (W x D x H) mm without music rest

Weight

10 kg

Accessories

Ownerʼs Manual, Music Stand, Accessory DVD (including Video Manual), AC Cable

Options

See the Option page

 

Please note: Cosmetic and Technical specifications are subject to change without notice.

 

 


Waldorf is back in the game. With the Blofeld. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with "Wave" in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.

Oscillators
Each of the three oscillators offers authentic circuit-models of analog waveforms: Pulse with variable pulse-width, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave.

Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series.

Not only that, the Blofeld includes all ROM Wavetables from the mighty flagship Waldorf Wave as well as Microwave II/XT. Plus, lo and behold, the desperately requested "Upper Wavetable" from the good old PPG Wave! But, for the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.

What's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers.

Brilliance also affects the sawtooth and pulse oscillator models. From warm and soft (for those typical L.A. string pads) to the hard shapes you need for punchy and biting bass sounds. But note, Brilliance is not a simple filter applied after the oscillators, the model itself is modified.

Each of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts, you can add a little dirt to the oscillator sound, with higher amounts you get typical FM effects.

On top of all that, oscillator 2 can be hard-synced to oscillator 3.

Ring Modulation and Noise Generator
Oscillators 1 and 2 can be ring-modulated to create bell-like or metallic sounds, eerie sound effects as well as pumping basses and leads.

The noise generator delivers white noise that can be filtered low or high pass, depending on the Noise Colour setting.

The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.

Filters
The Blofeld has two multimode filters per voice that can be routed in series or in parallel. Each Filter has its own Pan parameter for easy creation of stereo sounds.

The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB/oct or 24dB/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all our products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM).

Furthermore, the Blofeld features the same comb filter types (with positive and negative feedback) that we first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modelling.

Overdrive, Saturation, Distortion, Shaping
You name it. The Blofeld offers a freely controllable "Drive" behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low/medium/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as "binary distortion“, a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because the Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of Filter 1 by dampening or emphasizing certain frequencies with filter 2.

Effects
The Blofeld has two effect slots with various types. In Multimode, the first effect slot is available per Part, while the second one is used for all 16 Parts (i.e. global) with controllable mix levels. Part 1 determines the settings of the second effect.

The first effect slot offers such modulation effects as chorus, flanger as well as a combined type called "Triple FX“. The latter gives you several effects at once, but with a reduced parameter set.

The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.

Envelopes
Four envelopes with different types and trigger modes affect any sound parameters you choose.

Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the Amp Envelope is triggered anew (i.e. on each note). Think "organ percussion register“, for instance.

The Envelope types include the standard ADSR as well as an enhanced ADSR-variant (with controllable attack level and two decay and sustain stages), two different loop envelopes and a "one shot" Envelope.

The Loop types can be used to act as additional LFOs, while the One Shot is perfectly suited for percussion sounds (which typically ignore the note release).

LFOs
Each of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample & hold and random.

LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).

One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.

Modulation Matrix
Here's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters.

Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level – everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers) etc.

You can of course "modulate the modulators" i.e. control LFO speeds and individual envelope rates and levels. But in Blofeld you can even specify that these sources modulate themselves – recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.

And how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here. You get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, Osc 1, 2 and 3 frequency and PWM (pulse width modulation), filter 1 and 2 cutoff, panorama and amp level modulation. And let's not forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. Makes a total of 33 simultaneous connections if we counted correctly.

Modifiers
What if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as "LFO1*MW" (LFO 1 controlled by Modulation Wheel) and "LFO2*Press" (LFO 2 controlled by monophonic Aftertouch), there's nobody doing the "LFO3*MW" thing for you.

But, don't worry, that's where the Modifiers come into play. In seconds you can set up a new modifier, with the two sources set to LFO 3 and modulation wheel, and the "operation" set to "*" (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.

Okay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your service.

Arpeggiator
Okay, Blofeld's arpeggiator could very well become the biggest chapter of this page but let's try to keep it short...

It features variable clock divisions from 1/64 triplets to more than 1000 bars, with variable swing/shuffle, a range of up to 10 octaves. Up, down and alternate figures, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And Hold or One-Shot, if you like.

But more importantly, it has the most powerful Pattern Editor we have ever seen.

You can set each Step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.

Then you can adjust the Accent of each step (including silence), activate or deactivate Glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.

No wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator-heaven, as has already happened to thousands of Waldorf customers. Dig it!
Sound

Now, how does all that sound? You probably know that Waldorf synthesizers are well loved for their sound character, and the Blofeld is certainly no exception. But who are we to tell you? Better listen to the Waldorf Blofeld demos or just believe us: it sounds great. Now go and get one!
Technical InfoMost important features
Unbeatable price tag

Sturdy Metal Enclosure

7 endless stainless steel Dials

Graphic Display 128 x 64 pixels, b/w, white background LED

More than 1000 Sounds

3 Oscillators per voice

Frequency Modulation between the Oscillators

All Q Oscillator Models

All Microwave II/XT/XTk Wavetables

2 independent Multi Mode Filters per voice

Filter FM

2 Drive stages per voice with selectable Drive Curves

3 fast LFOs per voice

4 fast Envelopes per voice

Powerful Arpeggiator

Freely programmable Arpeggiator Pattern with up to 16 Steps per Sound

General Features
Up to 25 Voices

16 part multi timbral

More than 1000 Sounds

Sturdy Metal Enclosure

7 endless stainless steel Dials

5 Buttons

Graphic Display 128 x 64 pixels, b/w, white background LED

MIDI LED

Volume Control

Power Switch

Stereo Output

Headphone Output

MIDI In

USB Connector for MIDI In / Out:
- uses standard USB MIDI Driver provided by host computer OS
- Windows ME minimum, Windows XP or newer recommended
- Mac OS X 10.2 minimum, Mac OS X 10.3 or newer recommended

External Power Supply

Per Voice
3 Oscillators
Virtual Analog Models:
- Pulse with Pulse Width Modulation and adjustable Brilliance
- Sawtooth with adjustable Brilliance
- Triangle
- Sine

Wavetables:
- Q Alt 1 and Alt 2 Wavetable with adjustable Brilliance
- All Wavetables from Microwave II/XT/XTk Series with adjustable Brilliance
- Separate Wavetable selectable for Oscillator 1 and 2

Frequency Modulation between the Oscillators

Oscillator Synchronization

Ring Modulator for Osc 1 / 2

Noise Generator with Noise Colour

2 independent Multi Mode Filters:
- Filter FM
- Resonance up to Self-Oscillation
- Low Pass 24 dB / 12 dB
- Band Pass 24 dB / 12 dB
- High Pass 24 dB / 12 dB
- Notch 24 dB / 12 dB
- Comb Filter with positive / negative Feedback
- PPG Low Pass Filter

2 Drive stages per voice with adjustable Drive Gain and selectable Curves:
- Clip
- Hard
- Medium
- Soft
- Sine Shaper
- etc.

Modulation Matrix with 16 Slots, freely programmable:
- Modulation Speed far into Audio Range
- Modulation Sources include all internal Modulation Sources plus various MIDI messages
- Modulation Destinations for almost all continuous sound parameters

Various pre-routed Modulation Destinations with selectable Sources:
- Pitch Modulation
- Oscillator 1 / 2 / 3 Frequency Modulation
- Oscillator 1 / 2 / 3 Pulse Width Modulation
- Filter 1 / 2 Cutoff Modulation
- Filter 1 / 2 Frequency Modulation
- Pan 1 / 2 Modulation
- Amp Modulation

4 Modifiers for transforming Modulation Sources with various Algorithms

3 fast LFOs:
- Syncable to MIDI Clock
- Note Retrigger with adjustable Start Phase
- Monophonic LFO
- Keytrack

4 fast Envelopes with selectable types:
- Single Trigger / Retrigger per Envelope
- ADSR
- ADS1DS2R (2 Decay/Sustain stages plus adjustable Attack Level)
- One Shot
- Loop S1S2 (Loop between Sustain 1 and 2)
- Loop All (Loop over all stages)

Poly, Mono, Dual or Unisono Mode with selectable Voice Count

Per Part
Powerful Arpeggiator:
- Hold and One Shot modes
- Syncable to MIDI Clock
- Direction Up, Down, Alternate
- Range up to 10 Octaves
- Various methods to modify Note Sort Order

Freely programmable Arpeggiator Pattern with up to 16 Steps per Sound.
programmable per Step:
- Accent
- Timing
- Length
- Glide on/off
- Pause
- Chord
- Previous note
- Random not from Note List
- first and/or last note from Note List

1 Effect slot per part

1 Effect slot globally for all parts

Effect types:
- Chorus
- Flanger
- Phaser
- Overdrive
- Triple FX (S&H, Ring Modulation, Chorus)
- Delay (only available on global Effect slot)
- Clocked Delay (only available on global Effect slot)
- Reverb (only available on global Effect slot)

Weight7.202.0015.0012.5011.005.00
DimensionsΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/Δ
Additional information
Βάρος 7.20 kg
Βάρος 2.00 kg
Βάρος 15.00 kg
Βάρος 12.50 kg
Βάρος 11.00 kg
Βάρος 5.00 kg