Υβριδική κονσόλα μίξης (Analog/Digital) με 24 κανάλια. 8 κανάλια Sub Group, υψηλής ποιότητας προενισχυτές μικροφώνου, compressor, 31band analyzer, έγχρωμη οθόνη, 8 bus, 20 effects 32bit, phantom power 48v, 24mic inputs XLR, 24 Line, 2 OUT XLR/Jack, 2 Monitor Out XLR/Jack, 4 AUX, TalkBack input XLR, USB. Χρώμα μαύρο. Βάρος 9.3Kg.
8 Channels of sub groups (4 stereo groups)
HiVolt mic preamps with a high degree of headroom
One-knob compressor on all mic channels
Feedback control system
31-Band spectrum analyzer and optimized "break" system
Velvet Sound™ A/D & D/A converters
LCD Display
Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change the AUX or main mix
Mute groups for quickly creating various input combinations and for the muting of multiple channels
8-Bus configurations for recordings and live mixes with SoundLink
20x 32-Bit digital effects (10 each simultaneously with storable settings)
ALPS Faders and rotary controls
+48 V Phantom power
24 Microphone inputs: XLR
24 Line inputs: 6.3 mm Jack
2 Main outputs: XLR/Jack 6.3 mm
2 Monitor outputs: 6.3 mm Jack
8 Group outputs: 6.3 mm Jack
4 AUX outputs: XLR (2x Musician's Phones output (6.3 mm jack))
Footswitch input
Talkback input: XLR
USB
Integrated power supply
Dimensions (W x H x D): 480 x 187 x 530 mm
Weight: 9.3 kg
Κoνσόλα μίξης 6 mono(mic-line-insert)/ 2 stereo, 2 AUX pre ή post, μεταλλικό σασί, 60mm faders, νέας γενιάς προενισχυτές ίδιοι με σειρά GB,+48V phantom power, EQ 3 περιοχών με παραμετρικό στις μεσαίες συχνότητες, διακόπτης PFL και MUTE για κάθε κανάλι, balanced XLR έξοδοι.
Low-cost high-performance mixers
Key Features
6 Mono & 2 Stereo Input Channels
6x GB30 Microphone Preamplifiers
Recording and Live Sound Audio Console
Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft's large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft's GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs
6x Mono 2x Stereo
Mic/Line Inputs
6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response
20 Hz to 20 kHz +/-1.5 dB
Dynamic Range
Not specified by manufacturer
Signal-to-Noise Ratio
Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD)
Mic sensitivity 30 dB, +14 dBu @ mix output:
Καλώδιο οπτική ίνας 200μ με Fibrecast connectors και τύμπανο περιέλιξης
Κονσόλα μίξης 16 καναλιών ( 16 mono ή 12 mono & 4 stereo ). Δύο Ενσωματωμένες μονάδες εφφέ 100 προγραμμάτων η κάθε μία με δυνατότητα ρύθμισης 4 παραμέτρων ανα εφφέ. Phantom power. Equalizer 3 περιοχών σε κάθε κανάλι με παραμετρικό στα μεσαία στα mono κανάλια. Ρύθμιση VOICE FILTER στα 12 mono κανάλια για χρήση σε φωνές & ακουστικά όργανα. Μaster equalizer 11 περιοχών στην έξοδο. Low cut 80hz στα 12 mono κανάλια. Κάθε κανάλι παρέχει 2 εξόδους Mon και 2 εξόδους Aux. Master B out. Ενσωματωμένη κάρτα ήχου USB 4In/4Out για εγγραφή & αναπαραγωγή μέσω υπολογιστή με το πρόγραμμα Cubase LE το οποίο παρέχεται δωρεάν. Το πλαστικό καπάκι προστασίας παρέχεται ξεχωριστα και δεν συμπεριλαμβάνεται. Βάρος 12 Kgr.
Κατασκευαστής
DYNACORD
Application
Concert, Installation, Portable PA
Κανάλια (ch)
16
Τύπος Κονσόλας
Αναλογική
Είσοδοι (Mic)
16
Μονάδα Effect
Ναι
Διάταξη Κονσόλας
Οριζόντια
Aux
4
Σύνδεση USB
Ναι
Equalizer
Ναι
Έξοδος Ενισχυτή
Stereo
Σειρά
CMS series
Μοντέλο
CMS 1600-3
Part Number
F01U218736
MIC/LINE Input Channels The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The +48V phantom power for condenser microphones can be switched in groups of six. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range 0-60 dB. The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case: 2 (FX) are assiged to the two effects devices; 2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section; 2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal. Each channel offers a Signal Present and Peak LED for level control. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. Stereo MIC/LINE Input Channels The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips. MASTER In the Master Section, too, the CMS3 mixers are lavishly equipped. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music. A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO INTERFACE The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu. For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. PC MIDI Interface The CMS3 also offers a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. Professional Effects, OLED Display and Processing Menus The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology. The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus. Innovative Solution for Protection and Transportation Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort. For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER). Accessories For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available. Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.
Καλώδιο οπτική ίνας 150μ με Fibrecast connectors και τύμπανο περιέλιξης.
SPIRIT LX7 24CH MKII
Κονσόλα μίξης 24 mono, 4 stereo, 4 group, EQ 4 περιοχών
με 2 παραμετρικά,direct outputs, 100mm faders, 6 AUX.
χρήσεις: live p.a. / home studio
The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Πολιτική χρήσης
Αυτός ο ιστότοπος χρησιμοποιεί cookies για να βελτιώσει την εμπειρία σας ενώ περιηγείστε στον ιστότοπο. Από αυτά τα cookies, κάποια cookie κατηγοριοποιούνται ως απαραίτητα να αποθηκεύονται στο πρόγραμμα περιήγησης σας, καθώς είναι απαραίτητα για τη λειτουργία βασικών λειτουργιών του ιστότοπου. Χρησιμοποιούμε επίσης cookies τρίτων που μας βοηθούν να αναλύσουμε και να κατανοήσουμε πώς χρησιμοποιείτε αυτόν τον ιστότοπο. Αυτά τα cookies θα αποθηκευτούν στο πρόγραμμα περιήγησης σας μόνο με τη συγκατάθεσή σας. Έχετε επίσης την επιλογή να εξαιρεθείτε από αυτά τα cookies. Ωστόσο, η εξαίρεση από ορισμένα από αυτά τα cookie μπορεί να επηρεάσει την εμπειρία περιήγησης σας.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
Αξιολογήσεις
Δεν υπάρχει καμία αξιολόγηση ακόμη.