LD Systems LAX3USB 3 Channel USB Mixer

LD Systems LAX3USB 3-Channel USB Mixer with Phantom Power

The LAX 3 USB by LD Systems is the ultracompact interface for hard disc recording on home computers with a sampling rate of 44.1 kHz. It simply connects to the USB 2.0 port of the computer, which also supplies it with power. A power adapter with USB-A connector and a USB cable are included as an alternative power supply. The LAX 3 USB is compatible with all Windows and Apple operating systems from Windows XP and Mac OS X 10.5 upward.

The electronically balanced microphone channel with 20-volt phantom power and a maximum amplification of 50 dB has a combo socket and can also be used used as a mono line in channel. The line input L/R of the stereo channel 2/3 uses RCA sockets. Keyboards or drum machines, for example, can be connected here. The bass and treble of the microphone channel can be boosted or cut by up to 15 dB. Additional sliders set the position of the microphone channel in the stereo spectrum and the balance of the stereo channel. In addition, the LAX 3 USB has in- and outputs for an external sound source or recording device; the input can be switched to the master output and/or headphone/monitor output. The mix volume is controlled by two master controls separately for the master output and the headphone/monitor output.

For a perfect start in the world of digital home recording, we recommend the Open Source software Audacity, which is available as a free download.

Compatible with:

• Windows XP / Vista / Windows 7 / Windows 8
• Mac OS X 10.5 or higher

Specifications:

• Type: live
• Number of channels: 3

Mono channels:

• Mono mic/line input channels: 1
• Mono mic/line input channels: XLR, 6.3 mm combo socket
• Mono mic input type: electronically balanced
• Frequency response mono mic input: 10 Hz to 100 kHz(0, -3dB)
• Amplification range mono mic input: 0dB - 50dB
• THD mono mic input: 0,01%
• Impedance mono mic input: 2,600 ohms
• Mono line input type: electronically balanced
• Frequency response mono line input: 10 Hz to 100 kHz(0, -3dB)
• Amplification range mono line input: 0dB - 50dB
• THD mono line input: 0,01%
• Impedance mono line input: 10,000 ohms
• Mono channel equalizer treble: +/- 15 dB 12,000 Hz
• Mono channel equalizer bass: +/- 15 dB 80 Hz
• Control elements mono mic and line input channels: Gain, Channel Volume, Pan, 2 Band-EQ (High,Low)
• Phantom power: +20V

Stereo channels:

• Stereo line input channels: 1
• Stereo line input channels: RCA or USB (switchable)
• Stereo line input type: electronically balanced
• Frequency response stereo line input: 10 Hz to 100 kHz(0, -3dB)
• Amplification range stereo line input: -35 to +15dB
• THD stereo line input: 0,01%
• Impedance stereo line input: 10,000 ohms
• Stereo channel equalizer treble: +/- 15 dB 12,000 Hz
• Stereo channel equalizer bass: +/- 15 dB 80 Hz
• Control elements stereo line input channels: Channel Volume, Balance, 2 Band-EQ (High,Low), Line In/USB switchable

Main Section:

• Stereo tape output channel: 1
• Stereo tape output channels: RCA
• Stereo tape output channel: 1
• Stereo tape output channels: RCA
• Unbalanced stereo main outputs: 1
• Unbalanced stereo main outputs: 3.5 mm stereo jack
• Impedance unbalanced stereo main outputs: 120 ohms
• Max. level unbalanced stereo main outputs: +17dBu
• Headphone output: 1
• Headphone output connections: 3.5 mm stereo jack
• Control elements main section: Master volume, CD/tape to phones, headphone volume, CD/tape to main
• Indicators: Power, Master Clip, Mono channel peak
• Power supply: Power adapter 5V DC , 500mA; alternatively by USB (USB cable included)
• Width: 98 mm
• Depth: 136 mm
• Height: 34 mm

Eπεκτάση για τη μονάδα MCU Pro 8 καναλιών.

Κατέβασε

τεχν. εγχειρίδιο

• Premium ultra low-noise, high headroom analog mixer
• State-of-the-art XENYX Mic Preamp comparable to stand-alone boutique preamps
• Neo-classic "British" 2-band EQ for warm and musical sound
• Main mix, stereo CD/tape plus separate headphone outputs
• CD/tape inputs assignable to headphone output or main mix outputs
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 24 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 27kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

Κονσόλα μίξης 16 καναλιών ( 16 mono ή 12 mono & 4 stereo ). Δύο Ενσωματωμένες μονάδες εφφέ 100 προγραμμάτων η κάθε μία με δυνατότητα ρύθμισης 4 παραμέτρων ανα εφφέ. Phantom power. Equalizer 3 περιοχών σε κάθε κανάλι με παραμετρικό στα μεσαία στα mono κανάλια. Ρύθμιση VOICE FILTER στα 12 mono κανάλια για χρήση σε φωνές & ακουστικά όργανα. Μaster equalizer 11 περιοχών στην έξοδο. Low cut 80hz στα 12 mono κανάλια. Κάθε κανάλι παρέχει 2 εξόδους Mon και 2 εξόδους Aux. Master B out. Ενσωματωμένη κάρτα ήχου USB 4In/4Out για εγγραφή & αναπαραγωγή μέσω υπολογιστή με το πρόγραμμα Cubase LE το οποίο παρέχεται δωρεάν. Το πλαστικό καπάκι προστασίας παρέχεται ξεχωριστα και δεν συμπεριλαμβάνεται. Βάρος 12 Kgr.

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

SPIRIT LX7 16CH MKII
  
Κονσόλα μίξης 16 mono, 4 stereo, 4 group, EQ 4 περιοχών
με 2 παραμετρικά, direct outputs, 100mm faders, 6 AUX.
χρήσεις: live p.a. / home studio