Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ ΦΠΑ
Peavey EQ-215 Stereo Equalizer Vintage (Μεταχειρισμένο)
- Στερεοφωνικό equalizer 15 περιχών
- Μέτρια εξωτερική κατάσταση (γραντζουνιές,λείπει ένα κουμπί από ένα fader)
- Λειτουργεί άψογα
- Made in U.S.A.
- Τιμή χωρίς Φ.Π.Α.
€140.00
Μόνο 1 απομένουν σε απόθεμα
EAN: N/A
Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ ΦΠΑ
Peavey EQ-215 Stereo Equalizer Vintage (Μεταχειρισμένο)
Βάρος | 2.00 kg |
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Peavey EQ-215 Stereo Equalizer Vintage -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- remove | BSS AUDIO FCS-966 Opal Constant Q Γραφικός Ισσοσταθμιστής-Used- remove | Outline FSC1 Formula Stack Controller -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- remove | BSS FDS-334 MINIDRIVE LOUDSPEAKER MANAGEMENT SYSTEM 2IN/4OUT -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- remove | TC ELECTRONIC M-2000 μονάδα effect ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ (Made in Denmark) remove | DBX Quantum II Ψηφιακός επεξεργαστής ΕΚΘΕΣΙΑΚΟΣ remove | |||||||||||||
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Name | Peavey EQ-215 Stereo Equalizer Vintage -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- remove | BSS AUDIO FCS-966 Opal Constant Q Γραφικός Ισσοσταθμιστής-Used- remove | Outline FSC1 Formula Stack Controller -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- remove | BSS FDS-334 MINIDRIVE LOUDSPEAKER MANAGEMENT SYSTEM 2IN/4OUT -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- remove | TC ELECTRONIC M-2000 μονάδα effect ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ (Made in Denmark) remove | DBX Quantum II Ψηφιακός επεξεργαστής ΕΚΘΕΣΙΑΚΟΣ remove | ||||||||||||
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SKU | EQ215SH | FCS966SH | FSC1 | FDS-334 | M2000 | DBX QUANTUM II | ||||||||||||
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Price | €140.00 | €285.00 | €550.00 | €480.00 | €300.00 | €979.60 με ΦΠΑ 24% | ||||||||||||
Stock | Μόνο 1 απομένουν σε απόθεμα | Μόνο 2 απομένουν σε απόθεμα | Μόνο 2 απομένουν σε απόθεμα | Μόνο 1 απομένουν σε απόθεμα | Μόνο 1 απομένουν σε απόθεμα | Μόνο 1 απομένουν σε απόθεμα | ||||||||||||
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Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ ΦΠΑ
Peavey EQ-215 Stereo Equalizer Vintage (Μεταχειρισμένο)
| Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ Φ.Π.Α. BSS Opal FCS-966 Constant Q Graphic Eq Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening. Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response. These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity. All these effects can be easily made without disturbing the critical fader settings already made. Constant Q Filters The modern generation of graphic eq's uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions. More Gain Control Per Filter Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control. High Pass Filter Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges. Metering BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control. Centre Bypass When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance. Input/Outputs All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals. Relay Bypass The EQ IN buttons switch the EQ path into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors. Control Descriptions Faders 30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders. HP Filter Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz. LF Contour Smooth shelving filter, +/-6dB of gain at 50Hz HF Contour Smooth shelving filter, +/-6dB of gain at 14kHz. GAIN Used for overall unity gain adjustment. Adjustable from - infinity to +10dB. CLIP Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points. LED Meter Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps. | Outline FSC1 Processor-2nd Hand- FEATURING Customized functions FOC1 dedicated controller for Flyone loudspeaker system SC1 dedicated controller for Spectra loudspeaker system NC1 dedicated controller for Integra loudspeaker system MEC1 dedicated controller for Media loudspeaker system FSC1 dedicated controller for Formula Stack louds. System TFC1 dedicated controller tor Topfly loudspeaker system MRC1 dedicated controller for Road loudspeaker system TLC1 : dedicated controller for Tripla loudspeaker system Dynamically invariant filter transfer function RMS limiters on each output Subwoofer dedicated output Adjustable band gain Polarity inversion switches Muting switches DESCRIPTION Designed with the most advanced audio technologies the Outline Controller Series are true professional active dedicated control units for some Outline loudspeaker system models. Developed to meet the most demanding requirements of the sound reinforcement applications, the Outline Controller Series provides nonstop operation with absolute stability and reliability. Only IEC approved components and parts are used in these active controllers and they are manufactured to satisfy and to be in according with safety objects stated for “electrical device” working within the limits of pertinent CE, European Community directive. Based on a plugin filter card design, the Outline Controller Series allows the operation to those Outline loudspeaker systems that needs this kind of external assistance to perform of its best. The Outline FOC1, SC1, MEC1, NC1 two ways with subbass output controllers, are designed for the Outline Flyone, Spectra, Media, Integra loudspeaker system. The Outline FSC1, TFC1, MRC1, TLC1, three ways with subbass output are designed for the Outline FormulaStack, TopFly, RoadSystem, Tripla loudspeaker system. All models have customized band splitting, filter transfer function and signal time alignment tailored to the loudspeaker system for which are designed. All models have dynamic control with loudspeaker protection purposes, obtained with RMS limiters with adjustable threshold that are available on each output. All models have a very low frequency output that can be used to drive the Outline Bass Series or Sub Series low frequency units. All models have level control on each output, polarity inverters, muting switches, subsonic filters, RMS limiters and active balanced input and outputs with XLR connectors. Perspex security cover are included. Dimensions of all models are 483mm width, 44mm height, 210mm depth. SPECIFICATIONS Product name: Outline FOCI, SC1, NCI, MEC1, FSC1, TFC1, MRC1, TLC1 Product type: Dedicated active controller Channels: 1 Ways: FOCI: 2 ways + subwoofer SC1: 2 ways + subwoofer NCI: 2 ways + subwoofer MEC1 : 2 ways + subwoofer FSC1: 3 ways + subwoofer TFC1: 3 ways + subwoofer MRC1: 3 ways + subwoofer TLC1: 3 ways + subwoofer Crossover frequencies: fixed customized Filter slope: fixed customized Filter transfer function: fixed customized Input impedance: 20 kΩ balanced Frequency response: 20-20000 Hz ± 0.3 dB Output impedance: 600Ω balanced Total harmonic distortion (THD): <0.01% Total intermodulation distortion (SMPTE): <0.01% Signal to noise ratio: > 100dBA Subsonic filter: Butterworth 18 Hz, 18 dB octave Controls: Front panel: Power on, output level, polarity, output mute, limiting threshold, input gain adjust Rear panel switches: Balanced/unbalanced input and outputs, limiters on Display: Front panel: Power on, signal present, limiting action, input overloading Connectors: XLR, Pin 1 ground, Pin 2 hot, Pin 3 cold Power supply: AC from 100 -to 240V/50-60 Hz Power consumption: 20W Dimensions and net weight: Front panel Standard EIA 19" 1 U 483mm width, 44mm height, 210 mm depth, all models 3.3 net weight. Dimensions volume and gross weight: all models, 55cm width, 8cm height, 30cm depth, volume 0.01 m3, 4.3 gross weight. |
Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ Φ.Π.Α.
FDS-334 MINIDRIVE
The BSS FDS-334T is a 2 input / 4 output loudspeaker management system with
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ΣΤΗΝ ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΤΑΙ ΦΠΑ Ψηφιακό effect δύο μηχανών (True stereo Twin Engine processing) με 250 presets ανάμεσα στα οποία περιλαμβάνονται Delay, Reverb, Ambience, Pitch, Dynamics, EQ και πολλά ακόμα. Το Μ2000 παρέχει μία ευρεία γκάμα υψηλής ποιότητας effect τα οποία δίνουν την δυνατότητα δημιουργίας μαγικών effect. Η διπλή μηχανή που διαθέτει δίνει την δυνατότητα χρησιμοποίησης δύο effect ταυτόχρονα τα οποία αποδίδονται από δύο ανεξάρτητα effect sends. User Friendly Interface To φιλικό προς τον χρήστη interface της TC καθώς και η λειτουργία Wizard Recall δίνουν στον χρήστη την δυνατότητα πολύ γρήγορα να βρει το κατάλληλο προς χρησιμοποίηση effect σύμφωνα με την εφαρμογή του. Το μόνο που έχει να κάνει είναι να εισάγει τα δεδομένα πχ. Ένα απαλό effect για φωνητικά ή extra pitch για κιθάρα και ο wizard εμφανίζει αυτόματα την λίστα με τα κατάλληλα προς χρησιμοποίηση effects. Εκπληκτικά effect Το Μ2000 σας δίνει πρόσβαση σε εξαιρετική σειρά Reverb, Pitch-shifting, Delay, EQ και άλλα effects. Ανάμεσα στα συμπεριλαμβανόμενα Reverb θα βρείτε το μοναδικό Co-efficient Optimized Room Emulator ή C.O.R.E. Reverb™ (συντομογραφία) το οποίο βασίζεται στην διάσημη τεχνολογία Reverberation της TC. Άλλη μία μοναδική δυνατότητα του M2000 είναι το Dynamic Morphing. Η λειτουργία αυτή σας επιτρέπει να βάλετε Chorus σε φωνητικά (εφαρμογή σε χαμηλά επίπεδα έντασης) ενώ ταυτόχρονα σε υψηλά επίπεδα έντασης μεταμορφώνεται (Dynamic morphing) σε flanging αποδίδοντας στο ηχητικό σήμα μία ξεχωριστή δυναμική διάσταση. Τεχνικά Χαρακτηριστικά Ψηφιακές είσοδοι και έξοδοι
Αναλογικές Είσοδοι
PCMCIA Interface
Control Interface
Γενικά
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Κατέβασε τεχν. εγχειρίδιο
ΕΚΘΕΣΙΑΚΟ ΚΟΜΜΑΤΙ ΣΕ ΠΟΛΥ ΚΑΛΗ ΚΑΤΑΣΤΑΣΗ ΜΑΖΙ ΜΕ ΤΗ ΣΥΣΚΕΥΑΣΙΑ ΤΟΥ, ΚΑΛΩΔΙΑ/MANUALS ΣΦΡΑΓΙΣΜΕΝΑ Το DBX QUANTUM II είναι ένας δυναμικός επεξεργαστής 4-band κατάλληλος για ροαδιόφωνο ή τηλεόραση στην τελική επεξεργασία ήχου. The DBX QUANTUM II Multiband Compressor. Superior 4-band dbx dynamics processing, all the mastering processes you need right at your fingertips. The DBX QUANTUM II Digital Multi-Band Processor is the latest evolvement of the first studio mastering tool that offered sampling rates up to 96kHz, with a true 48-bit digital signal path, and the superior dbx dynamics processing that has been making the hits for 30 years. Insert the Quantum II into the master outputs of any console or workstation and turn out a professional master every time. The patented dbx dynamics processing is now available in a 4-band multiband system. The 4-way crossover splits the signal into 4-bands, and each band may be individually gated, compressed, and limited. The patented dbx TYPE IV Conversion System allows you to retain the warmth and body of the signal, while adding punch and depth. In addition, the intuitive user interface puts all the mastering processes you need right at your fingertips. The Quantum II's intuitive operating system allows you easy access to the strongest mastering toolbox ever produced. A quick surf through the menu driven system gives you a glimpse of the packed feature set. Use the 4 band crossover with independent slope selection to split the incoming signal into 4 bands that are then each controlled separately for individual gating, compression, and limiting. The 5-band parametric EQ offers unprecedented control, with variable Q, adaptable or constant Q, and Lo and High shelving features, making the Quantum II the most versatile and useful tool to use for any mastering application. The Quantum II also comes with the patented TYPE IV Conversion System. The TYPE IV conversion system transfers the character of any analog signal to the digital domain in a way that defies description. With the help of TSE Tape Saturation Emulation, the Quantum II retains the original warmth of analog recording, while giving it the clarity and versatility we need in today's digital world of music production and mastering. You can also dither your signal down to 24, 20, or 16 bits, using dbx custom dither algorithms. For more versatility use full MIDI/SysEx control, and internal/external sync capability. In addition, software upgrades can be downloaded from the dbx website and installed through the MIDI ports. The Quantum 2 now features the latest Crystal 8420 Digital Audio Transceiver chip, allowing the processor to use digital clocks from any source, Internal, AES/EBU, S/PDIF or Word clock on BNC. It also allows sample rate conversion to and from any sample rate 44.1, 48, 88.2, 96 kHz. An RS-232 connection on the rear panel, with the included software control program, allows computer control of parameters, making the Quantum MKII version much easier to work with. The main features of the DBX QUANTUM II include:
ΤΙΜΗ ΧΩΡΙΣ ΦΠΑ 24% | ||||||||||||
Weight | 2.00 kg | 3.00 kg | 7.00 kg | 3.00 kg | 3.00 kg | 2.00 kg | ||||||||||||
Dimensions | Μ/Δ | Μ/Δ | Μ/Δ | Μ/Δ | Μ/Δ | Μ/Δ | ||||||||||||
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