PRESONUS STUDIO 192 Mobile Κάρτα Ήχου

The PreSonus® Studio 192 Mobile USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.   The Studio 192 Mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.   Connect a Studio 192 Mobile and you’ll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.   At PreSonus, we know that the microphone preamplifier is a key component in the sonic quality of a recording. The Studio 192 Mobile includes two custom-design, high-voltage, Class A XMAX preamps with discrete components for accuracy and transparency.   XMAX preamplifiers are built with three key elements:   Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps. High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound. Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency. The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency.   The Studio 192 Mobile’s XMAX preamps offer another advantage: They are recallable. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our analog XMAX preamp design, providing the convenience of digital recall without sacrificing fidelity. The preamps can be controlled from the unit’s front panel, from UC Surface control software, from Studio One’s mixer, from Studio One Remote, and via MIDI in Pro Tools, Logic, or Live so you can save the settings with your recordings.   With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One® 3, and you’ll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad®.   The Studio 192 Mobile’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.   Managing both a monitor-mixing application and your DAW can be challenging if you don’t have multiple screens. Because UC Surface can be run wirelessly on a Windows touchscreen computer or iPad, you don’t have to share screen real estate with your DAW. This also allows your musicians to dial in their monitor mixes remotely without adding an expensive personal monitor system.   In addition to creating high-quality monitor mixes, UC Surface can also be used to turn your Studio 192 Mobile into a speaker-management system by providing speaker switching plus main-mix mono and dim functions. Listening to your mix on multiple pairs of reference monitors can reveal new insights. Enabling speaker-switching mode in UC Surface allows you to listen to your main mix through three different output pairs on your Studio 192 Mobile and switch between them.   Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 Mobile includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.   The Fat Channel suite of studio-grade signal processors evolved from our classic ACP88 compressor/gate and was first incorporated into our StudioLive mixers. The musical, natural sound of the combined signal path quickly made StudioLive mixers famous for their ability to help create great-sounding mixes.   The Fat Channel includes a highpass filter, noise gate with key listen, compressor, 4-band parametric equalizer, and limiter. Fifty factory presets, created by professionals, are included to help you quickly create the sound you want. Fat Channel presets can be created in UC Surface or in Studio One and can be shared between the two. You can also share settings with other Studio One, StudioLive, and Studio 192 users.   The Studio 192 Mobile has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.   The Studio 192 Mobile gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, Fat Channel DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other.  

Χαρακτηριστικά:

• Compatible with most recording software for Mac and Windows
• Simultaneous I/O up to 22 inputs/26 outputs (8x14 at 192 kHz)
• Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface
• 2 front-panel combo microphone/instrument inputs
• 2 XMAX remote-controllable mic preamps with individually switched 48V phantom power
• 2 balanced, line level, direct-to-ADC inputs, available via dual-purpose rear-panel combo jacks
• 4 balanced ¼” TRS outputs for monitor mixing and speaker switching
• ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
• Stereo S/PDIF coaxial input and output
• 1 high-volume headphone output with dedicated DAC
• BNC word clock input and output with low-jitter clocking
• USB 3.0 audio interface
• USB 2.0 compatible
• 24-bit resolution and up to 192 kHz sampling rate
• Top-quality 118 dB A/D/A converters
• Road-rugged construction with all-metal chassis and metal knobs
• 1U rack-mountable
• 18 VDC external power supply (included)

Κάρτα ήχου FireWire, Phantom power 48v, 2 αναλογικά inputs ?” jack balanced 24bit/192khz, 2 insert stereo jack , 4 αναλογικά outputs jack. Έξοδο ακουστικών,S/PDIF digital I/O 24bit/96khz. Stereo έξοδο ακουστικών, MIDI I/O και 1 coaxial είσοδο /έξοδο S/PDIF που υποστηρίζει και ψηφιακή αναπαραγωγή DTS και AC-3 surround. Διαθέτει drivers για PC και Mac OS X και υποστήριξη ASIO 2. Περιλαμβάνει πάκετο προγραμμάτων της Steinberg για ηχογράφηση ενορχήστρωση με το Cubase LE 48 audio και midi κανάλια, τα Vst Instruments Groove Agent SE με ρυθμούς, Halion SE sampler με βιβλιοθήκη ήχων και άλλα Vst Instruments.   Τεχνικά Χαρακτηριστικά  

The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.

The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.

The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.

Υβριδική επαγγελματική κάρτα ήχου 24bit / 192kHz Firewire & USB2 με 10 εισόδους και 10 εξόδους (8 αναλογικές και 2 ψηφιακές). 2 είσοδοι με υποδοχές combo για κιθάρα και μικρόφωνο με προενίσχυση phantom power και 6 είσοδοι line με υποδοχές 1/4 jacks balanced & unbalanced, 8 αναλογικές έξοδοι με υποδοχές 1/4 jacks balanced & unbalanced, καθώς και δύο γενικές έξοδοι.   Ψηφιακή είσοδος και έξοδος S/PDIF, MIDI IN – OUT, έξοδος ακουστικών και δυνατότητα συγχρονισμού μέσω SMPTE. Διαθέτει CueMix FX το οποίο είναι ένας ευέλικτος μίκτης 10 εισόδων και 14 εξόδων με ενσωματωμένα εφφέ DSP, συμπεριλαμβανομένου reverb με sends / returns, EQ και Compression σε κάθε είσοδο και έξοδο. Το reverb παρέχει 5 διαφορετικούς τύπους δωματίων, ρυθμιστικά συχνοτήτων και διάρκεια μέχρι 60 δευτερόλεπτα. Compression με δύο τύπων, ένα κλασσικό με έλεγχο threshold, ratio, attack, gain και το Leveler, ένα ακριβές μοντέλο του θρυλικού LA-2A optical compressor. Modeled EQ που παρέχει παραμετρικό EQ 7 περιοχών και 4 τύπους φίλτρων για να καλύπτεται ένα μεγάλο φάσμα ηχητικού υλικού.   Όπως και τα άλλα audio interfaces της MOTU, έτσι και το Ultralite MK3 διαθέτει τη δυνατότητα συνύπαρξης με άλλα interfaces της εταιρείας για περισσότερες εισόδους και εξόδους. Στο πακέτο περιλαμβάνεται το μουσικό λογισμικό AudioDesk το οποίο είναι ένας μουσικός σταθμός εργασίας για Mac OS X με δυνατότητα 24bit ηχογράφησης, αναπαραγωγής και editing, καθώς και 32bit μίξη, επεξεργασία και mastering. Είναι συμβατό με όλα τις μουσικές εφαρμογές και διαθέτει οδηγούς ASIO, WDM και Core Audio με μηδενικό latency για PC (Windows XP, Vista και 7) & Mac OS X.   Αναλυτικά: Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2. CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output. 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels. Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds. Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control. Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.   CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis. Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel. “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer. Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls. Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency. Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain. Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks   Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations. Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code. Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer. Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software. Expandable — add additional interfaces for more I/O as your needs grow. Separate TRS main outs with front panel volume control. Stereo 24-bit 96kHz S/PDIF in/out.   Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software. 100% compatible with all host-based effects processing in today's popular audio programs. Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync. Plug-and-play operation with your Mac or PC via FireWire or USB2. Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available. Front panel headphone jack with volume control.   Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation. Cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

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