SHURE BETA98D/S – Μικρόφωνο για Snare/Tom

The Beta 98D/S is a high performance mini-condenser microphone designed to excel at professional sound reinforcement or recording. Its ultra-uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. In addition, an optional cardioid cartridge lets you easily adapt the mic to different applications. For toms, snares and percussion instruments, no other microphone stands up to the performance and versatility of the new Shure Beta 98D/S.

As the successor to the popular SM98A, the Beta 98D/S features several notable improvements. Dynamic range is 4 dB greater, as is headroom, while maximum SPL is 5 dB higher (now 160 dB!). Physically, the mic utilizes a thicker, beefier Triple-Flex? cable (detachable).

With the unique A98D microphone drum mount (supplied), no other rim-mounted microphone stays more securely in place. This hardware has been redesigned for quicker, more secure, rim-mounting without the need for a drum key. Its flexible gooseneck lets you position the mic in practically any configuration, so you get a virtually unlimited choice of sound options. Its unobtrusive design and compact size help the Beta 98D/S reduce stage clutter to an absolute minimum. (The microphone is also available without the drum mount - model Beta 98/S.) And because it bears the Shure name, you can be certain that the Beta 98D/S will withstand just about any abuse it may run across and keep delivering great sound.

The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

• A highly consistent cardioid polar pattern
• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Premium electronic components, including gold-plated internal and external connectors
• Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
• Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

• Extended frequency response
• Low self noise
• Exceptional reproduction of low-frequency sounds
• Can withstand high sound pressure levels (SPL)
• High output level
• No crossover distortion
• Uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.

Other features include:

• Mew A98D flexible drum mount
• SPL handling to 160dB
• frequency response of 20 to 20,000Hz and included preamplifier
• shock mount and windscreen

Δυναμικό μικρόφωνο καρδιοειδές ειδικό για έγχορδα (κοντραμπάσο), μπότα, κλπ., 20Hz-16kHz

Απόκριση Συχνότητας : 20.....16000 Hz
Ευαισθησία σε ελεύθερο πεδίο, χωρίς φορτίο (1kHz) : 1,0 mV/Pa
Τερματισμένη Αντίσταση : 1000 Ohm
Διαστάσεις : d 60 x 153 mm
Βάρος :  550 g χωρίς καλώδιο