TASCAM TA-1VP ΕΠΕΞΕΡΓΑΣΤΗΣ, ΔΙΟΡΘΩΤΗΣ ΦΩΝΗΣ

Η Tascam, με τη συνεργασία της Antares, παρουσιάζει το TA-1VP. Το TA-1VP, είναι η πιο ολοκληρωμένη λύση, για επεξεργασία / διόρθωση φωνής σε συνθήκες στούντιο ή σε συναυλίες. 

Δυνατότητες του TA-1VP

>> (Auto Tune). Τονική διόρθωση φωνής (ή οργάνου), σε πραγματικό χρόνο, δίχως αλλοίωση του ήχου.
>> (Microphone Modeller). Προσωμοίωση του ήχου, των πιο γνωστών κορυφαίων μικροφώνων. Δώστε στη φωνή, τον ήχο του μικροφώνου που θα θέλατε να είχατε.
>> Προσωμοίωση προενίσχυσης λυχνίας.
>> Compressor.
>> Gate.
>> De-esser. Με ρυθμιζόμενη συχνότητα.
>> EQ. Παραμετρικό EQ 2 περιοχών.
>> MIDI. Έλεγχος της συσκευής μέσω MIDI.
>> Όλες οι παράμετροι, μπορούν να αποθηκευτούν και να ανακληθούν, για γρήγορη ρύθμιση της συσκευής.
>> Βιβλιοθήκη με έτοιμες ρυθμίσεις.

The Avalon VT-737SP features a combination of TUBE preamplifiers,
opto-compressor,sweep equalizer, output level and VU metering in a
2U space.
PREAMPLIFIER
The VT-737SP has three input selections: 1. The VT-737SP features a
higher-performance microphone input transformer with +48v phantom
selection. 2. Instrument DI high source input with jack located on front
panel. 3. Balanced line input, discrete high-level Class A. The Class A
preamplifier utilizes two cascaded, dual vacuum tube triodes configured
with minimum negative feedback. A high gain switch boosts the overall
gain of the preamplifier. The four high quality tubes are configured as
singled ended anode coupled followers. A passive-variable high pass filter
and hard-wire relay bypass completes the input signal conditioning. The
phase reverse relay is available on all three inputs.
OPTO-COMPRESSOR
The opto-compressor features a minimum signal path design with twin Class
A vacuum tube triodes for gain matching. The optical attenuator acts as a
simple passive level controller. Full dynamic control from soft compression to
hard- knee limiting can be achieved with threshold, ratio-compression, attack
and release controls plus gain reduction selection on the large VU meter. Special
spectral control including de-ess is available with the dual sweep mid EQ to side-
chain switch. The EQ section can be flipped pre or post the opto-compressor
via a front panel switch for alternate effects and tone shaping. Two VT-737SPs
can be linked via a rear panel link cable for stereo tracking. The compressor
bypass is a sealed silver relay for the most direct signal path.
SWEEP-EQUALIZER AND OUTPUT LEVEL
The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors
for optimum sonic performance. The high and low frequency bands provide the
smooth characteristics of an all passive design, while the dual mid bands include
variable frequency and switched Q-width selection. The enhanced range of the mid
bands is extended into the high and low bands by the use of X10 frequency multipliers.
The bypass switch incorporates a sealed silver relay for the most direct signal path.
When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for
"tone enhancement“. The output level control provides a variable control of the overall
signal path. The output amplifier utilizes another dual triode vacuum tube driving a
100% discrete, Class A, high-current, balanced and DC coupled low noise output
amplifier.

AVALON VT-737SP FEATURES
Vacuum tube triode signal path, transformer balanced microphone input, high-voltage
circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power
supply with toroidal transformer, soft-start tube life extender, stereo link for compressors,
all discrete Class A equalizer with musical passive filter design, sealed silver relays for
signal routing, large control knobs with professional conductive plastic potentiometers,
VU meter for output level monitoring and compressor gain reduction.

VT-737SP SPECIFICATIONS
Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete
Class A
Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument:
Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB
Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced
XLR Instrument+30dB unbalanced front panel jack socket
Line +36dB balanced XLR
Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A
Output type and gain XLR connector, output trim gain -45dB to20dB
Noise 20kHz unweighted -92dB
Noise microphone EIN -116dB, 22Hz to 22kHz unweighted
Distortion THD, IMD 0.5%
Frequency response -/2.5dB 10Hz to 120kHz input filter included
Frequency response -3dB 1Hz to 200kHz line in-out
VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB
High cut filter Variable 6dB per octave 30Hz to 140Hz
Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link
Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1
Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds
Equalizer type Discrete Class A, variable active and switched passive design
Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf
High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid -
variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz,
30Hz, 60Hz, 150Hz, +/- 24dB range, shelf
AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum
Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm)
Weight 22lbs (10kg)
Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm)
Weight-packed 26lbs (11.8kg)

Πετάλι με εφφέ reverb για φωνή. Με 8 preset (Hall, Plate, Theater, Club, Room, Studio, Ambience, Arena) . Ρύθμιση Dry/Wet. Είσοδος έξοδος μικροφώνου (XLR). Είσοδος micro USB για filmware update.

Easily adds studio reverb polish to live vocals by offering pro acoustic spaces from lush halls to tight ambience.

Get more control over studio quality reverb with the easy-to-use VoiceTone Single R1 Vocal Tund Reverb pedal.

Big League Reverb
With reverb algorithms ported from TC-Helicon's flagship VoicePro processor, VoiceTone R1 is capable of surrounding your voice in a warm ambience. Initial reflections, decay time and tail tone have been optimally balanced in the eight pre-set reverb styles so you can find the perfect sonic pillow for each song.

As simple as plugging in your mic
Gaining access to the studio quality sounds and intelligent processing of the VoiceTone R1 is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect.

Strong family genes
The TC-Helicon VoiceTone Singles series includes four vocal processing pedals, each with a single mission - to allow any vocalist to deliver jaw-dropping performances. VoiceTone Singles are the ultimate combination of tone and simplicity. Each of the four effects has inherited algorithms from the award-winning VoiceLive 2, so although VoiceTone Singles come in small packages they deliver a big sound.

• Brings studio reverberation to live performance
• Connects between your mic and mixer
• High quality signal path and tough enclosure
• Can be chained to additional VoiceTone Singles
• Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
• Studio quality mic-pre with phantom power
• Balanced XLR output
• Recessed gain knob that prevents accidental bumps on stage
• USB for connecting to VoiceSupport for added tips, tricks, support and updates
• Die-cast steel design
• Rubberized base
• Audio performance to rival high-end front-of-house mixers

• Hall
• Plate
• Theater
• Club
• Room
• Studio
• Ambience
• Arena

• Power supply
• USB cable
• User guide
• 1 year warranty parts and labor

• XLR balanced ins and outs
• Mode switch for stereo 2-way or mono 3-way operation
• Low frequency summed (subwoofer) output
• x10 range switch on both channels
• 40Hz high pass (low cut) filter both channels
• Phase reverse switch on all outputs
• Individual level controls on all outputs
• 24dB per octave Linkwitz-Riley filters (the professional standard)
• Stereo/Mono status LEDs indicate the selected mode
• dbx® 2 year parts and labor as standard
• CSA NRTL/C approved
• CE compliant

Νέα έκδοση S Compressor gate/expander 2 εισόδων κύκλωμα "autodynamic" είσοδοι - έξοδοι XLR κατάλληλος για γενική χρήση.

Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

• Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
• New gate timing algorithms ensure the smoothest release characteristics
• Program-adaptive expander/gates
• Great sounding dynamics control for any type of program material
• Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
• Stereo or dual-mono operation
• Balanced inputs and outputs on 1/4" TRS and XLR connectors
• Side Chain insert
• Classic dbx® "Auto" mode

User´s Manual

Πετάλι πολυεφφέ για φωνή και μουσικά όργανα. Με 16 ψηφιακά εφφέ 2 κανάλια . Ρύθμιση Dry/Wet. Είσοδος έξοδος μικροφώνου (XLR). Είσοδος Line για όργανα.

• Microphone input for dynamic and condenser microphones
• 16 digital effect presets in 16-bit quality
• Low-noise instrument input with high input impedance for acoustic guitars, bass guitars or other instruments
• Separate FX sends for both channels, additional FX loop for the instrument input
• HPF and +48 V phantom power for microphone input
• Signal/peak LEDs for both channels and clip LED for the effects
• FX MUTE pedal for muting effects
• MUTE ALL pedal for muting outputs
• Balanced and unbalanced output
• Operated on 9 V battery or optional power supply (LDFX300PS)

For a singer-songwriter performing on stage or giving a concert in a living room, sound is everything.

LD Systems FX 300 will blow you away right from the moment you start your show, even if you've had little to no time to carry out a soundcheck. This small yet handy device not only serves as an effect pedal for altering the sound of your voice and instrument but is also an easy-to-use two-channel mixer. Its best feature by far are the pedals that let you control the mute functions with your feet or hand. And if you've got something to say, you can simply mute all effects with the FX MUTE pedal so your voice can be heard loud and clear without any reverb or delay and everyone in the room can understand your message. To prevent the signal of your microphone or instrument from reaching the outputs, all you need to do is tap the MUTE ALL pedal - a lifesaver during breaks or when wrapping up your set.

The FX 300 is outfitted with 16 digital effects presets in 16-bit quality, two inputs with a separate gain setting and a balanced and unbalanced output. The +48 V phantom power provided at the microphone input allows condenser microphones to be used in addition to dynamic microphones. The high-impedance, low-noise instrument input is not only great for acoustic or bass guitars but also for all other instruments. Plenty of headroom ensures you no longer have to worry about distorted signals. And with a 9 V battery that lasts up to five hours, LD Systems FX 300 has got you covered even if there's no outlet in sight.