TC HELICON VOICE TONE T1 EΠEΞEPΓAΣTHΣ ΦΩNHΣ

H σειρά Voice Τone της ΤC Helicon, προσφέρει μια εντυπωσιακή γκάμα από ειδικές ρυθμίσεις και εφέ για τη φωνή. Δίνει επαγγελματική βάση στις εμφανίσεις σας, προσφέροντας αυτό ακριβώς που χρειάζεται ακόμα και ο πιο απαιτητικός χρήστης.

Voice Τone Τ1

    Εξαιρετική ποιότητα ήχου χωρίς παραμορφώσεις
    Υψηλής ποιότητας multi-band EQ
    Compressor & de-esser
    Δυνατότητα σύνδεσης με άλλα μοντέλα Voice Tone

Xαρακτηριστικά:

Αναλογικές εισόδους:

    Connectors, balanced: Mic.: XLR
    Mic Input Level @ 0 dBFS: -42dBu to +1dBu
    EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
    Mic input SNR: >104 dB
    Αντίσταση εισόδου κιθάρας : 1 MOhm
    Επίπεδο εισόδου κιθάρας @ 0 dBFS: -7 dBU to 17 dBu
    Είσοδος κιθάρας SNR: >115dB

Αναλογικές εξόδους:

    Αντίσταση εξόδου Bal./Unbal.: 200/100 Ohm
    Output Full Scale: +1 dBu
    Δυναμικό εύρος : >104 dB, 20 Hz to 20 kHz
    Απόκριση συχνότητας: +0/-0.3 dB, 20 Hz to 20 kHz

Control

    USB for firmware and control
    Mic Control using TC-Helicon

Μέγεθος

    Ύψος: 5.4 inches (140 mm)
    Πλάτος : 3.5 inches (90 mm)
    Βάθος: 2.3 inches (60 mm)

Βάρος

    Βαρος : 0.92 lb. (0.42 kg)

DBX-1074                                
4 ch noise gate με δυνατότητα λειτουργίας σε ρυθμιζόμενο εύρος
συχνοτήτων XLR in/out, insert points.

• Four independent channels of gating
• Independent key filtering
• Independent Threshold and Release controls
• Differentially balanced gold-plated XLR and 1/4" inputs and outputs
• True RMS level detection
• Stereo Coupling mode
• Switchable +4dBu or -10dBv operation per channel
  
  

  Input Connectors	XLR (Pin 2 and tip hot)
  Input Type	Electronically balanced/unbalanced, RF filtered
  Input Impedance	Balanced > 50 kOhm, unbalanced >25 kOhm
  Max Input	> +22 dBu balanced or unbalanced
  CMRR	40dB: Typically >55 dB at 1 kHz
  Key Input	Electronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm
  Output Connectors	XLR (Pin 2 hot)
  Output Type	Servo-balanced/unbalanced, RF filtered
  Output Impedance	Balanced 60 Ohm, unbalanced 30 Ohm
  Max Output	> +22 dBm balanced, > +20 dBm unbalanced
  Bandwidth	20 Hz to 20 kHz, +0/-0.5 dB
  Frequency Response	0.35 Hz to 200 kHz, +0/-3 dB
  Noise
  Dynamic Range	> 115 dB, unweighted
  THD+Noise	0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
  Interchannel Crosstalk
  Stereo Coupling	True RMS Power Summing
  Operating Voltage	100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
  Power Consumption	30 Watts
  Fuse	100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
  Power Connector	IEC receptacle
  Unit Weight	6.9 lbs.
  Shipping Weight	9.3 lbs.

  
  

Ισοσταθμιστής 2 x 15 περιοχών, με ρύθμιση threshold και noise reduction ανά κανάλι, 2/3RDS octave, 2U. 

DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction

 It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

SPECIFICATIONS:

DBX-166XL   
Compressor - limited- gate /expander 2 εισόδων κύκλωμα overeasy,
peakstopplus, είσοδοι- έξοδοι XLR κατάλληλος για studio & live χρήση.

Overview Bring a more professional sound to your mix

Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.

dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

• Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
• New gate timing algorithms ensure the smoothest release characteristics
• Program-adaptive expander/gates
• Great sounding dynamics control for any type of program material
• Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
• Stereo or dual-mono operation
• Balanced inputs and outputs on 1/4" TRS and XLR connectors
• Side Chain insert
• Classic dbx® "Auto" mode

User´s Manual

Πετάλι πολυεφφέ για φωνή και μουσικά όργανα. Με 16 ψηφιακά εφφέ 2 κανάλια . Ρύθμιση Dry/Wet. Είσοδος έξοδος μικροφώνου (XLR). Είσοδος Line για όργανα.

• Microphone input for dynamic and condenser microphones
• 16 digital effect presets in 16-bit quality
• Low-noise instrument input with high input impedance for acoustic guitars, bass guitars or other instruments
• Separate FX sends for both channels, additional FX loop for the instrument input
• HPF and +48 V phantom power for microphone input
• Signal/peak LEDs for both channels and clip LED for the effects
• FX MUTE pedal for muting effects
• MUTE ALL pedal for muting outputs
• Balanced and unbalanced output
• Operated on 9 V battery or optional power supply (LDFX300PS)

For a singer-songwriter performing on stage or giving a concert in a living room, sound is everything.

LD Systems FX 300 will blow you away right from the moment you start your show, even if you've had little to no time to carry out a soundcheck. This small yet handy device not only serves as an effect pedal for altering the sound of your voice and instrument but is also an easy-to-use two-channel mixer. Its best feature by far are the pedals that let you control the mute functions with your feet or hand. And if you've got something to say, you can simply mute all effects with the FX MUTE pedal so your voice can be heard loud and clear without any reverb or delay and everyone in the room can understand your message. To prevent the signal of your microphone or instrument from reaching the outputs, all you need to do is tap the MUTE ALL pedal - a lifesaver during breaks or when wrapping up your set.

The FX 300 is outfitted with 16 digital effects presets in 16-bit quality, two inputs with a separate gain setting and a balanced and unbalanced output. The +48 V phantom power provided at the microphone input allows condenser microphones to be used in addition to dynamic microphones. The high-impedance, low-noise instrument input is not only great for acoustic or bass guitars but also for all other instruments. Plenty of headroom ensures you no longer have to worry about distorted signals. And with a 9 V battery that lasts up to five hours, LD Systems FX 300 has got you covered even if there's no outlet in sight.

DPR-504 Νoise gate τεσσάρων καναλιών