TL AUDIO C-1 DUAL VALVE COMPRESSOR

The new C-1 compressor maintains its position as the most flexible, polished
sounding high end compressor on the market today. Now featuring a spectacular
raven blue 6mm CNC milled aluminium front panel, General Electric US military
specification valves, high retention gold plated ceramic valve bases and circular
back-lit VU meters, the new C-1 is even fatter sounding and more rugged than
its legendary predecessor.
All controls are continuously variable (unlike some other units with switched
parameters) and high quality onboard mic preamps allow direct-to-tape recording
of microphone sources. Stereo front panel instrument inputs mean a keyboard or
guitar can feed straight into the C-1 and down to tape with a minimum of fuss.
Whether the C-1 is tracking vocals and instruments or adding roundness and warmth
to a complete mix, it will become an indispensable part of your signal path within hours.
The C-1 features a low noise solid state preamp followed by two valve stages per channel.
The valves are General Electric ECC83/12AX7A types, run from a stabilised 250v DC power
supply. The first valve stage acts as a voltage amplifier, with the second stage forming part
of the gain control element. The gain control is performed by our own unique transconductance
stage which avoids the use of VCAs - thus improving transparency and minimising distortion,
which is virtually constant at 0.05% over the full bandwidth. The frequency response of
the C-1 is virtually flat between 20Hz and 40kHz, and measured between -3dB points,
the C-1's bandwidth is a staggering 5Hz to 70kHz!

Main Features
2 channels of soft knee, variable ratio compression
Balanced mic and line level inputs
Balanced line outputs, switchable for -10dB or +4dB operation
Unbalanced jack I/O connections
Stereo front panel instrument inputs with gain control and sensitivity
switch (for guitar or keyboards etc.)
Sidechain insert points for frequency conscious compression
48v phantom power
90Hz high pass filter switch (12dB / octave). Applies to all inputs
Continuously variable Input Gain, Threshold, Attack / Release times,
Compression Ratio and Gain Make Up
Program dependent compression characteristic- attack and release times
automatically adjust in response to program material
?Stereo Link? mode - gangs Threshold, Attack, Release and Ratio controls
for processing stereo signal sources
Back-lit circular VU meters allow monitoring of either output level or gain reduction
Bypass switch with LED
Frequency response 20Hz to 40kHz +0 / -1dB

Specifications
Mic Input: Impedance: > 10k. Gain range: +16 to +60dB. Input noise (EIN): -126 dBu
(22Hz-22kHz). Max input level: +10dBu. Balanced XLR connector. Line Input: (Balanced)
Impedance: > 5k. Gain range: -10dB to +35dB. Max input level: +30dBu. XLR connector.
(Unbalanced) Impedance: > 5k. Gain range: -10dB to +35dB. Max input level: +24dBu.
Jack connector. Auxiliary input: Two unbalanced jack connectors for stereo operation,
or Input A may be used to drive both channels. Max input level: +10dBu. Switchable
sensitivity for guitar or keyboards. Output: Balanced output impedance: +22dBu into 600. Unbalanced output impedance: 47. Max level: +20dBu into 10k.
Sidechain insert point: stereo jack, tip=send, ring=return. Nominal level -2dBu. Output
impedance: 47, Return input impedance: 10k. Compressor Functions (all continuously
variable):- Threshold: -20dBu to +20dBu. Attack: 0.5mS to 50mS. Release: 40mS to 4S.
Ratio: 1:1.5 to 1:30. Gain Make Up: 0dB to +20dB. Frequency response: 20Hz to 40kHz
+0 / -1dB. Distortion: 0.05% (10Hz-40kHz). Dynamic Range: 100dB. Power supply: 110-120v
or 220-240v AC. Power consumption: 30VA typical. Dimensions: 483 x 205 x 88mm (19" 2U).
Weight: 5kg Shipping Weight: 6kg.

Μονοκάναλο feedback destroyer (αντιμικροφωνικό) με ενσωματωμένο προενισχυτή μικροφώνου, delay line, noise gate και compressor. Ανιχνεύει αυτόματα τους μικροφωνισμούς και τους εξαφανίζει. Διαθέτει επίσης low cut filter, phantom power, balanced in/out.

Χαρακτηριστικά:

    Μονοκάναλο feedback destroyer (αντιμικροφωνικό) με ενσωματωμένο προενισχυτή μικροφώνου, delay line, noise gate και compressor
    Αυτόματα ανιχνεύει και εξολοθρεύει 8 συχνότητες μικροφωνισμών
    Ultra low noise mic/line είσοδος με gain control και +48V phantom power τροφοδοσία για πυκνωτικό μικρόφωνο
    Delay line μέχρι 2,5 sec και με ρύθμιση μέτρων ποδιών και msec
    Noise gate με αυτόματες και manual ρυθμίσεις
    Αυτόματο compressor
    Low cut filter με ρύθμιση συχνότητας
    Είσοδος – έξοδος σε balanced JACK 6,35 και XLR
    Frequency response: 10H – 21KHz
    Noise: 92dB (line), 89dB mic
    THD: 0.007%
    Μετατροπείς: 24bit Sigma-Delta, 64/128-times oversampling
    Η συσκευασία περιλαμβάνει: fbq100, users manual
    Τροφοδοσία: AC 220V / 50Hz
    Διαστάσεις: 56 x 88 x 132 mm
    Βάρος: 380 gr

Νέα έκδοση S Compressor gate/expander 2 εισόδων κύκλωμα "autodynamic" είσοδοι - έξοδοι XLR κατάλληλος για γενική χρήση.

Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

• Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
• New gate timing algorithms ensure the smoothest release characteristics
• Program-adaptive expander/gates
• Great sounding dynamics control for any type of program material
• Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
• Stereo or dual-mono operation
• Balanced inputs and outputs on 1/4" TRS and XLR connectors
• Side Chain insert
• Classic dbx® "Auto" mode

Product Features:

Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
64 user memories for complete setups and/or individual module configurations
Separate mic/line input with phantom power for RTA and Auto-EQ applications
Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
Open architecture allowing future software updates via MIDI
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany