TOA L-1102 2 CHANNEL LIMITER/LEVELLER

564.32 με ΦΠΑ 24%

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Διαθεσιμότητα: Διαθέσιμο 1-3 Ημ. Διαθέσιμο 1-3 Ημ. Κωδικός προϊόντος: L-1102 Κατηγορία:
L-1102 Limmiter / leveller 2 channel, απόκριση συχνότητας 20Hz-20kHz, 4 κιλά και δυνατότητα μετατροπής των in/out σε balanced 1U.

 

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L-1102
Limmiter / leveller 2 channel, απόκριση συχνότητας 20Hz-20kHz,
4 κιλά και δυνατότητα μετατροπής των in/out σε balanced 1U.
Βάρος 4.00 kg

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TOA L-1102 2 CHANNEL LIMITER/LEVELLER removeWAVES MAXX BCL ΕΠΕΞΕΡΓΑΣΤΗΣ ΣΗΜΑΤΟΣ removeDBX 266XS COMPRESSOR/GATE 2CH removeBEHRINGER FX2000 3D EFFECTS VIRTUALIZER removeARX COMBO DUAL CHANNEL COMPRESSOR/LIMITER removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR remove
NameTOA L-1102 2 CHANNEL LIMITER/LEVELLER removeWAVES MAXX BCL ΕΠΕΞΕΡΓΑΣΤΗΣ ΣΗΜΑΤΟΣ removeDBX 266XS COMPRESSOR/GATE 2CH removeBEHRINGER FX2000 3D EFFECTS VIRTUALIZER removeARX COMBO DUAL CHANNEL COMPRESSOR/LIMITER removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR remove
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SKUL-1102MAXX BCLDBX 266XSE005295COMBOE005314
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Price 564.32 με ΦΠΑ 24% 2,596.63 με ΦΠΑ 24% 162.00 με ΦΠΑ 24% 189.00 με ΦΠΑ 24% 297.60 με ΦΠΑ 24% 174.00 με ΦΠΑ 24%
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Διαθέσιμο κατόπιν παραγγελίας

Διαθέσιμο κατόπιν παραγγελίας

Διαθέσιμο κατόπιν παραγγελίας

Διαθέσιμο κατόπιν παραγγελίας

Διαθέσιμο κατόπιν παραγγελίας

Διαθέσιμο κατόπιν παραγγελίας

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Description
ContentL-1102 Limmiter / leveller 2 channel, απόκριση συχνότητας 20Hz-20kHz, 4 κιλά και δυνατότητα μετατροπής των in/out σε balanced 1U.

Το MaxxBCL συνδυάζει υψηλής ποιότητας μετατροπείς με ανεπανάληπτους αλγόριθμους
επεξεργασίας και μας προσφέρει μια νέα προσέγγιση στα θέματα : bass enhancement,
dynamics processing, and format conversion.
Το MaxxBCL περιλαμβάνει το Renaissance compressor, το MaxxBass και το L2.
Ιδανικό για Live, Recording & Broadcasts application.
Ένα εργαλείο που δεν θα πρέπει να λείπει από ένα mastering studio


Νέα έκδοση S Compressor gate/expander 2 εισόδων κύκλωμα "autodynamic" είσοδοι - έξοδοι XLR κατάλληλος για γενική χρήση.

Bring a more professional sound to your mix

Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
 Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time

VIRTUALIZER 3D FX2000 - Υψηλής απόδοσης 3D Multi-Engine Επεξεργαστής εφέ.
• 71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
• Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
• Awesome modulation, dynamic, psychoacoustic and EQ algorithms
• Authentic amp simulation, distortion and special effects
• 11 effect combinations with selectable serial / parallel configuration
• Up to 7 adjustable parameters plus 2-band EQ per effect
• 24-bit A/D and D/A converters with 64/128-times oversampling
• True stereo processing for realistic channel separation in stereo image
• 100 factory presets plus 100 user memory locations
• Extensive MIDI implementation
• Accurate LED level meters for perfect level setting and optimum performance
• Servo-balanced XLR and ¼'' TRS inputs and outputs
The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.
The FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.
• Reverbs: Cathedral - Gold plate - Small hall - Studio - Concert - Stage - Spring & Reverse Reverb - Ambience and more...
• Delays: Stereo - Tape Echo - Ping Pong and more...
• Modulation and Pitch Shifter FX: Stereo/Vintage/Jet Stream Flanger - Stereo/Analog/Vintage/Ultra/ Chorus - Stereo/Vintage/Dual Phaser - Rotary - Pitch Shifter - Vibrato and more...
• Dynamic FX: Compressor – Expander – Gated Reverb – An. Compr/Lim. — Ultramizer – Denoiser – De-Esser and more...
• Psychoacoustic FX: Exciter – Enhancer – Stereo Imager and more...
• Filter/EQ FX: Auto/LFO Filter – Parametric/Graphic EQ.
• The FX2000 is also equipped with distortion, amplifier and speaker simulation including Vocal/Tube distortion, Guitar Amp and more...
• Special FX:Vinylizer - Sampler - Vocoder - Voice Canceler - Resonator.

Features
Enhance switch to restore spectral balance of compressed signal
Switchable Mode - Dual Channel or Stereo linked
Above or Below Threshold LEDs
Balanced XLR and Jack Inputs and Outputs
Intuitive, user friendly layout
Flawless performance

Innovation
The ARX COMPO? is a unique compressor/limiter designed for use in any
professional audio dynamics control application, packaged in a compact 1
RU chassis.The COMPO operates as two independent compressor/limiters,
with 'industry standard' variable Threshold, Ratio and Output gain controls.
A Stereo Link switch on the front panel lets both channels track as a stereo
pair in a Master/Slave configuration.
Enhance Switch
The COMPO features an 'Enhance' switch, which provides frequency restoration
to preserve the spectral balance of the audio signal, compensating for the sagging
Low and High frequency response of compressed program material.
The best way to think of it is as a 'smart' loudness control.
Wide Scale metering
There is comprehensive LED indication of all operating functions and status. Above
or Below Threshold LEDs on each channel give you instant visual confirmation of
compressor activity, as well as easy to read LED Gain Reduction meters.
Balanced Inputs and Outputs
On the rear panel, each channel has true differential Balanced inputs and outputs,
on both XLR and TRS jack connectors. Other features include an Active/Bypass
switch for each channel, and passive RFI filters on the inputs.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to
the unit via a removable power lead and standard 3 pin IEC connector, with built-in
fuse and voltage change switch.
ARX Quality
With its smooth compression, intuitive user friendly layout, high density precision
circuitry, and extensive user-variable operating parameters, the ARX COMPO is the
ideal installation 'set and forget' compressor, and is also equally at home in Studio,
Broadcast and Sound Reinforcement environments.

Every day, ARX Audio interface products solve audio problems for thousands of people
around the world.


T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 22 dB
Frequency Response 20Hz to 20KHz ±0.4dB
Signal to Noise ratio -85 dB Unweighted, -99 dB 'A' weighted
Distortion .02% THD @ 0dB,1KHz
Dynamic Range 107 dB
Enhance Section
Low Enhance 50 Hz, High Enhance 10 KHz
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm
Input/OutputConnector type XLR, Balanced Jack

Front Panel Controls
Channel A Active/Bypassed IN/OUT switch
Threshold, Ratio and Output Gain controls
Numbered marker panel for labelling compressor assigns
5 segment LED Gain Reduction display
Above/Below Threshold status LEDs
Enhance switch and status LED
Stereo link switch and status LED
Channel B controls identical to Channel A
Rear Panel Connectors
Balanced XLR Input and Output connectors.
Balanced TRS jack Input and Output connectors.
AC input connector, with voltage switch and fuse.
 

The Multicom Pro-XL MDX4600 gives you 4 channels of first-class dynamic
control in a single rack space. With a multitude of new features like the
advanced program-adaptive expander gate, extensive metering plus a variety
of configuration options, the Multicom Pro-XL puts a lot of dynamic processing
power in your rack.

Features
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression
circuitry combines the advantages of hard-knee and soft-knee characteristics
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise
suppression
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable low contour filter prevents "pumping" due to low-frequency dominated
compression
Stereo couple function selectable for channels 1/2 and 3/4
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 8-segment LED meters for input/output levels and gain reduction
Selectable operating level (+4 dBu/-10 dBV)
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Manufactured under ISO9000 certified management system

Weight4.00 kg4.50 kg3.00 kg3.00 kg5.20 kg3.45 kg
DimensionsΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/Δ
Additional information
Βάρος 4.00 kg
Βάρος 4.50 kg
Βάρος 3.00 kg
Βάρος 3.00 kg
Βάρος 5.20 kg
Βάρος 3.45 kg