Yamaha SPX-900 Πολυεφφέ -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- (Made in Japan)

 Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ Φ.Π.Α.

Offering 50 preset effect programs, the SPX900 also provides simultaneous processing of up to 5 effects at one time. With a sampling frequency of 44.1 kHz, it delivers a full frequency response from 20 Hz to 20 kHz. Exceptionally clean, professional quality sound makes the SPX900 the most appropriate choice for sophisticated sound and recording systems.

Any of the 50 preset programs can be edited, re-titled, and stored in any of the 49 RAM (user memory) locations. Each program has a range of "main" parameters that tailor the effect to a specific application. Individual two-band EQ and dynamic filter parameters are also provided for each effect program. In addition, the SPX900 offers a group of internal parameters that provide custom control over each effect. Finally, level parameters balance between direct sound, and set overall output level.

An EXTERNAL CONTROL ASSIGN function makes it possible to assign two selected parameters from each program to two external controllers. The selected parameters can be remotely controlled in real-time.

For sophisticated remote control, and automation capability the SPX900 is extensively MIDI equipped. It allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at one time. Switchable MIDI THRU/OUT terminal is provided. When switched to OUT edited programs stored in internal RAM can be dumped to a second SPX900, a MIDI data recorder, or other storage device, and later reloaded via the MIDI IN terminal.

A broad range of different reverb effects are offered, simulating the type of natural reverberation experienced in a variety of acoustic spaces. A number of reverb programs stretch the acoustic environment, providing effects such as long tunnel or deep canyon reverberation. REV 6 WHITE ROOM, REV 11 TUNNEL, REV 12 CANYON and REV 13 BASEMENT offer a range of parameters allowing you to adjust the room's dimensions and relative sound absorption of the wall features. Reverb programs also include a programmable gate which can be selectively triggered by the input signal, a MIDI message, or a trigger footswitch. Reverb programs include: REV 1 HALL, REV 2 HALL & GATE, REV 3 ROOM 1, REV 4 ROOM 2, REV 5 ROOM 3, REV 6 WHITE ROOM, REV 7 VOCAL 1, REV 8 VOCAL 2, REV 9 PLATE, REV 10 PLATE & GATE, REV 11 TUNNEL, REV 12 CANYON, REV 13 BASEMENT.

Early reflection programs simulate the first few reflections that occur just after a sound is produced - before the reflections become dense enough to be called reverberation - adding punch and presence to vocals and instruments. Early reflection programs can be used to create short reverb type effects or longer "dense echo" type sounds. PROGRAMMABLE ER allows you to individually specify delay time, level and stereo position of up to 19 early reflections. GATE REVERB combines early reflections the early reflections with a programmable, triggerable gate so you can "shape" the effect sound as required. The REVERSE GATE produces a contemporary reverse-reverb effect that can sound like a tape being played backwards. Features also include PERCUSSION ER.

DELAY L, R; and DELAY L, C, R are sophisticated delay programs that make it possible to create a wide range of dynamic delay effects. STEREO ECHO offers independently variable left, right and center channel delays.

A variety of modulation effects can be produced: STEREO FLANGE produces a pleasant "swirling" sound that effectively thickens and adds warmth to the sound of an instrument or track. CHORUS serves to thinken the sound creating the effect of several instruments at once. SYMPHONIC creates a more intense, multi-voice chorus effect. PHASING is a gentler, swirling effect, lending a smooth animated quality to the original sound. TREMOLO produces a fluctuation in the volume of the signal.

ADR-NOISE GATE uses a "gate" to pass or shut off the input signal in a number of useful ways. It can function as a "noise gate," gating out system noise when no signal is present. It is also possible to create reverse gate type effects in which the signal level increases gradually after the effect is triggered.

Pitch Change programs alter the pitch of an input signal in semitone increments over a 4-octave range (plus or minus 2 octaves). Pitch change permits makes it possible to produce two independently pitch-shifted notes in additon to the direct signal, so you can create three-part harmonies with a single input note. Both pitch-shifted notes appear at the center of the stereo sound field. PITCH 1 & 2 produce 2 pitch-shifted notes in addition to the original input note independently fed to the left and right channel outputs. PITCH CHANGE 3 offers the most complex pitch change effect by creating three pitch-shifted notes in addition to the direct sound. MONO PITCH is ideal when a single shifted note is desired.

These are sampling programs which permit recording a sound segment in the memory. The entire sound or specific portion of it may then be played back as required. A maximum of 1.35 seconds makes it possible to capture long sounds with outstanding fidelity. The FREEZE program allows single playback of the sampled sound, or continuous looped playback.

An advanced pan program allows the creation of a 2-dimensional "rotory" pan in addition to standard stereo pan effects enabling the sound to sweep toward and away from the listener in addition to side-to-side movement. The TRIGGERED PAN program automatically pans the sound image across the stereo sound field - with programmable attack, pan, and release rates.

Compression limits the dynamic range of an input signal, boosting soft signals and reducing high signals to keep them within the specified range. It can help reduce volume fluctuations as a vocalist moves closer to or away from a microphone, or limit the maximum level of a signal to prevent system overload. The COMPRESSOR program also includes a downward expander capability for effective, real-time, noise reduction.

This feature is capable of producing an extremely broad range of guitar-style overdrive sounds. In addition to distortion level, it offers equalization parameters that offer a wide palette of overdrive colors, from "chunky" rhythm to driving leads.

This program adds appropriate harmonics to the input signal, adding "sparkle" to the sound. This effect is often used to bring "buried" sounds to the foreground without making them louder, or to add "life" to dull-sounding tracks.

Multi-effect programs combine compressor, distortion, equalizer/dynamic filter, reverb, echo, chorus, symphonic or Aural Exciter effects with programmable parameters for each effect. A nearly limitless range of processing possibilities from subtle to extreme can be achieved through Multi-effect programs.

Dual effect programs provide different, independent effects for the left and right channel outputs allowing for the creation of many unique stereo effects.

Longer throw faders provide more precise adjustments when equalizing a room. The SR830QXLR offers 2 channels of equalization each with 15 bands of 45mm faders. The all steel chassis construction can handle the abuse of the road, or the solace of a permanent installation.

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Peavey EQ-215 Stereo Equalizer Vintage (Μεταχειρισμένο)

• Στερεοφωνικό equalizer 15 περιχών
• Μέτρια εξωτερική κατάσταση (γραντζουνιές,λείπει ένα κουμπί από ένα fader)
• Λειτουργεί άψογα
• Made in U.S.A.
  
• Τιμή χωρίς Φ.Π.Α.
  

Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ ΦΠΑ

Gepco Passive D.I. Box-2nd Hand-

Κατέβασε

τεχν. εγχειρίδιο

ΕΚΘΕΣΙΑΚΟ ΚΟΜΜΑΤΙ ΣΕ ΠΟΛΥ ΚΑΛΗ ΚΑΤΑΣΤΑΣΗ

ΜΑΖΙ ΜΕ ΤΗ ΣΥΣΚΕΥΑΣΙΑ ΤΟΥ, ΚΑΛΩΔΙΑ/MANUALS  ΣΦΡΑΓΙΣΜΕΝΑ

DBX Quantum 2 Digital Multi Band Processor

Το DBX QUANTUM II είναι ένας δυναμικός επεξεργαστής 4-band κατάλληλος για ροαδιόφωνο ή τηλεόραση στην τελική επεξεργασία ήχου.

The DBX QUANTUM II Multiband Compressor. Superior 4-band dbx dynamics processing, all the mastering processes you need right at your fingertips.

The DBX QUANTUM II Digital Multi-Band Processor is the latest evolvement of the first studio mastering tool that offered sampling rates up to 96kHz, with a true 48-bit digital signal path, and the superior dbx dynamics processing that has been making the hits for 30 years. Insert the Quantum II into the master outputs of any console or workstation and turn out a professional master every time. The patented dbx dynamics processing is now available in a 4-band multiband system. The 4-way crossover splits the signal into 4-bands, and each band may be individually gated, compressed, and limited. The patented dbx TYPE IV Conversion System allows you to retain the warmth and body of the signal, while adding punch and depth. In addition, the intuitive user interface puts all the mastering processes you need right at your fingertips. The Quantum II's intuitive operating system allows you easy access to the strongest mastering toolbox ever produced. A quick surf through the menu driven system gives you a glimpse of the packed feature set. Use the 4 band crossover with independent slope selection to split the incoming signal into 4 bands that are then each controlled separately for individual gating, compression, and limiting. The 5-band parametric EQ offers unprecedented control, with variable Q, adaptable or constant Q, and Lo and High shelving features, making the Quantum II the most versatile and useful tool to use for any mastering application. The Quantum II also comes with the patented TYPE IV Conversion System. The TYPE IV conversion system transfers the character of any analog signal to the digital domain in a way that defies description. With the help of TSE Tape Saturation Emulation, the Quantum II retains the original warmth of analog recording, while giving it the clarity and versatility we need in today's digital world of music production and mastering. You can also dither your signal down to 24, 20, or 16 bits, using dbx custom dither algorithms. For more versatility use full MIDI/SysEx control, and internal/external sync capability. In addition, software upgrades can be downloaded from the dbx website and installed through the MIDI ports. The Quantum 2 now features the latest Crystal 8420 Digital Audio Transceiver chip, allowing the processor to use digital clocks from any source, Internal, AES/EBU, S/PDIF or Word clock on BNC. It also allows sample rate conversion to and from any sample rate 44.1, 48, 88.2, 96 kHz. An RS-232 connection on the rear panel, with the included software control program, allows computer control of parameters, making the Quantum MKII version much easier to work with.

The main features of the DBX QUANTUM II include:

• Superior 4-band dbx dynamics processing, all the mastering processes you need right at your fingertips
• 96 kHz, 24 bit A/D, D/A, and Digital I/O on AES/EBU or S/PDIF
• 48 bit internal signal path for increased head room and low level resolution
• Patented TYPE IV A/D Conversion system with TSE
• 4 band stereo compressor-gate-limiter
• 5 band EQ – Hi and Lo shelves, 3 band fully parametric and MS EQ
• Normalizer – lets you control overall signal dynamics
• Stereo adjust – control your stereo image
• Sync input/output using dbxʼs own proprietary clock chips for extremely low jitter sync
• Dither outputs to 16, 20, or 24 bits
• Sample rate conversion - Full Up/Down
• Software updateable via Internet and RS 232
• 4 band crossover with variable slopes
• GUI Control
• Input Connectors: 2 x Female XLR and 1/4 inch jack TRS (Pin 2 and tip hot) plus 1 x 5-Pin DIN MIDI Input Jack
• Output Connectors: 2 x Male XLR and 1/4 inch jack TRS (Pin 2 and tip hot) plus 1 x 5-Pin DIN MIDI Out/Thru Jack

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