PRICE PER UNIT The ultimate main monitors The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best […]
The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible authenticity in music reproduction, any overemphasis of the bass frequencies should be avoided. Furthermore, it is essential for neutral sound characteristics at high volumes to achieve a wide dispersion in the horizontal plane and a somewhat narrower dispersion in the vertical plane, thus reducing reflections from the ceiling, the floor or a mixing console. Less reflection means superior imaging and better localization, facilitating the best possible transportability of mixes across the widest range of playback systems.
Advanced DʽAppolito-array
The arrangement of the seven discrete loudspeakers facilitates a gradual transition of the chassis dimensions. One of the most important aspects of these monitorʼs new approach is the horizontal symmetry of the drivers, which could be referred to as advanced D´Appolito array. If the drivers are filtered properly there are – besides the dispersion characteristics mentioned previously – two more advantageous results:
There is an absence of any sudden change in directivity with frequency, leading to harmonic dispersion behavior throughout the audio band. The absence of sudden changes in directivity is not visible in a frequency plot, but clearly audible – especially with a full range of materials, from single complex sources such as the human voice to the wide sonic palette of large orchestras.
The dynamic capabilities of the monitor are distributed over the audio band more equally, and louder recording or mixdown sessions with SPL´s of 120 dB are handled without offending the ear.
Impulse Coupling
In order to get a precise and undistorted reproduction, all drive units are mounted on an ultra stiff 25 mm thick aluminum honeycomb plate, which is acoustically dead – thereby providing an extremely mechanically stable bridge to the cabinet (IC). As the drivers are much better fixed this way their time behavior (and consequently their clarity) is audibly and measurably improved.
Amplifiers
Both the S6X and the S7A Mk2 ADAM use the new generation of switching amps and power supplies. These are combined in an extremely powerful (1000 and 1500 W rms respectively) yet cool amplifier assembly. Together with the built in overload protection circuits these amplifiers will run reliably and at constant safe operating temperatures not possible with conventional designs. The amplifiers are of extremely low output impedance, leading to a damping factor >4.000, enabling them to strictly control the motion of the drive units.
The front panel
Numerous controls on the front panel introduce a new degree of control for main monitors.
Along with the input gain, there are level controls for each of the four drivers, shelving filters on both ends of the frequency spectrum, and three full parametric EQs (20-200HZ) that can be used to combat standing waves in the control room. The EQ can be bypassed individually or as a group so that their overall effect can be analyzed in direct comparison to the unaffected signal.
In large film score mixing rooms, it may be desirable to have a representation of the sound in the theatres. To meet the ISO 2969 Standard, the Dolby™ X-curve has to be applied.
Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2 kHz. Both the S6X and S7A Mk2 have a switch that activates this filter, eliminating the need for external processing during the film mix.
S7A Mk2
The S7A Mk2 is the ʽbig brotherʼ of the S6X and ADAMʼs most spectacular studio monitor to date. With a whopping combined 1500 W of onboard power (rms), this monitor reaches SPL peaks of 128 dB at a distance of 1 meter. The big bass diaphragms produce even more volume even at lowest pitches down to 20 Hz.
Both 15” subwoofers are driven by 500 W rms each, while 250 W rms units are powering all the other frequency bands.
The benchmark
Quite simply, we feel that the S7A Mk2 is the benchmark of what is possible in the state of the art full range active professional monitoring. It incorporates all of the ADAM inventions and designs, as well as the best materials available. This fusion of power and capacity with precision and accuracy results in unparalleled performance in professional monitoring.
The S7A Mk2 is ADAMʼs contribution to the best possible studio monitor available. The proof is in the listening – we encourage you to hear for yourself.
Subwoofer
Number
2
Basket Ø
15″ (380 mm)
Voice coil Ø
4″ (100 mm)
Cone material
Paper
Woofer
Number
2
Basket Ø
9″ (228 mm)
Voice coil Ø
2″ (50 mm)
Cone material
HexaCone
Midrange
Number
2
Type
X-ART
Cone material
HexaCone
Diaphragm area
26 inch² (16800 mm²)
Equiv. Diaphragm Ø
5.5″ (146 mm)
Velocity transform ratio
3.5:1
Diaphragm weight
0.7 g
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2″ (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Subwoofer
1
Type
PWM
Amp. power RMS / music
1000 W / 1400 W
Subwoofer
1
Type
PWM
Amp. power RMS / music
500 W / 700 W
Woofer
1
Type
PWM
Amp. power RMS / music
500 W / 700 W
Woofer
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Midrange
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Tweeter
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Control panel
Input Sensitivity
±10 dB
EQ 80 Hz (Quality / Hz / Level)
3 x 0.2 – 20 / 20 – 200 / ±12 dB
High Shelf EQ > 6 kHz
±6 dB
Low Shelf EQ
±6 dB
Sub Gain
±4 dB
Mid-Woofer Level
±2 dB
Mid level
±2 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR
Location
Front / Rear switchable
General data
Panel
Front
X-Curve-Filter
yes
Frequency response
20 Hz – 50 kHz
THD > 80 Hz
≤0.5 %
Long term output
≥128 dB
Max. peak
≥138 dB
Crossover frequencies
65 / 800 / 3100 Hz
Input impedance
10 KOhm
Weight
575.4 lb (261 kg)
Height x Width x Depth
35.5″ (900 mm) x 47″ (1200 mm) x 26.5″ (670 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
Weight
260.00 kg
Reviews
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Perfect for Home Studios and Multimedia Applications
2-Way Studio Monitors with 2 x 8 Watts Power Output
Dedicated Volume, Mic Level, Bass and Treble Controls
Powerful 4'' Woofers and High-Resolution 1.5'' Tweeters
1/8'' TRS Stereo and RCA Stereo Input Connectors
Content
PRICE PER UNIT
The ultimate main monitors
The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible authenticity in music reproduction, any overemphasis of the bass frequencies should be avoided. Furthermore, it is essential for neutral sound characteristics at high volumes to achieve a wide dispersion in the horizontal plane and a somewhat narrower dispersion in the vertical plane, thus reducing reflections from the ceiling, the floor or a mixing console. Less reflection means superior imaging and better localization, facilitating the best possible transportability of mixes across the widest range of playback systems.
Advanced DʽAppolito-array
The arrangement of the seven discrete loudspeakers facilitates a gradual transition of the chassis dimensions. One of the most important aspects of these monitorʼs new approach is the horizontal symmetry of the drivers, which could be referred to as advanced D´Appolito array. If the drivers are filtered properly there are – besides the dispersion characteristics mentioned previously – two more advantageous results:
There is an absence of any sudden change in directivity with frequency, leading to harmonic dispersion behavior throughout the audio band. The absence of sudden changes in directivity is not visible in a frequency plot, but clearly audible - especially with a full range of materials, from single complex sources such as the human voice to the wide sonic palette of large orchestras.
The dynamic capabilities of the monitor are distributed over the audio band more equally, and louder recording or mixdown sessions with SPL´s of 120 dB are handled without offending the ear.
Impulse Coupling
In order to get a precise and undistorted reproduction, all drive units are mounted on an ultra stiff 25 mm thick aluminum honeycomb plate, which is acoustically dead - thereby providing an extremely mechanically stable bridge to the cabinet (IC). As the drivers are much better fixed this way their time behavior (and consequently their clarity) is audibly and measurably improved.
Amplifiers
Both the S6X and the S7A Mk2 ADAM use the new generation of switching amps and power supplies. These are combined in an extremely powerful (1000 and 1500 W rms respectively) yet cool amplifier assembly. Together with the built in overload protection circuits these amplifiers will run reliably and at constant safe operating temperatures not possible with conventional designs. The amplifiers are of extremely low output impedance, leading to a damping factor >4.000, enabling them to strictly control the motion of the drive units.
The front panel
Numerous controls on the front panel introduce a new degree of control for main monitors.
Along with the input gain, there are level controls for each of the four drivers, shelving filters on both ends of the frequency spectrum, and three full parametric EQs (20-200HZ) that can be used to combat standing waves in the control room. The EQ can be bypassed individually or as a group so that their overall effect can be analyzed in direct comparison to the unaffected signal.
In large film score mixing rooms, it may be desirable to have a representation of the sound in the theatres. To meet the ISO 2969 Standard, the Dolby™ X-curve has to be applied.
Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2 kHz. Both the S6X and S7A Mk2 have a switch that activates this filter, eliminating the need for external processing during the film mix.
S7A Mk2
The S7A Mk2 is the ʽbig brotherʼ of the S6X and ADAMʼs most spectacular studio monitor to date. With a whopping combined 1500 W of onboard power (rms), this monitor reaches SPL peaks of 128 dB at a distance of 1 meter. The big bass diaphragms produce even more volume even at lowest pitches down to 20 Hz.
Both 15” subwoofers are driven by 500 W rms each, while 250 W rms units are powering all the other frequency bands.
The benchmark
Quite simply, we feel that the S7A Mk2 is the benchmark of what is possible in the state of the art full range active professional monitoring. It incorporates all of the ADAM inventions and designs, as well as the best materials available. This fusion of power and capacity with precision and accuracy results in unparalleled performance in professional monitoring.
The S7A Mk2 is ADAMʼs contribution to the best possible studio monitor available. The proof is in the listening – we encourage you to hear for yourself.
Subwoofer
Number
2
Basket Ø
15" (380 mm)
Voice coil Ø
4" (100 mm)
Cone material
Paper
Woofer
Number
2
Basket Ø
9" (228 mm)
Voice coil Ø
2" (50 mm)
Cone material
HexaCone
Midrange
Number
2
Type
X-ART
Cone material
HexaCone
Diaphragm area
26 inch² (16800 mm²)
Equiv. Diaphragm Ø
5.5" (146 mm)
Velocity transform ratio
3.5:1
Diaphragm weight
0.7 g
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Subwoofer
1
Type
PWM
Amp. power RMS / music
1000 W / 1400 W
Subwoofer
1
Type
PWM
Amp. power RMS / music
500 W / 700 W
Woofer
1
Type
PWM
Amp. power RMS / music
500 W / 700 W
Woofer
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Midrange
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Tweeter
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Control panel
Input Sensitivity
±10 dB
EQ 80 Hz (Quality / Hz / Level)
3 x 0.2 - 20 / 20 - 200 / ±12 dB
High Shelf EQ > 6 kHz
±6 dB
Low Shelf EQ
±6 dB
Sub Gain
±4 dB
Mid-Woofer Level
±2 dB
Mid level
±2 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR
Location
Front / Rear switchable
General data
Panel
Front
X-Curve-Filter
yes
Frequency response
20 Hz - 50 kHz
THD > 80 Hz
≤0.5 %
Long term output
≥128 dB
Max. peak
≥138 dB
Crossover frequencies
65 / 800 / 3100 Hz
Input impedance
10 KOhm
Weight
575.4 lb (261 kg)
Height x Width x Depth
35.5" (900 mm) x 47" (1200 mm) x 26.5" (670 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
Features
Professional 2-way active DJ monitors
Output: 2x 30 W RMS
Frequency response: 35 Hz - 20 kHz
S/N Ratio: > 75 dB
Impedance: 8 ohm
Magnetically shielded bass drivers
Speakers: 13.34 cm (5.25“) bass, 2.54 cm (1“) tweeter
Technical Data
Dimensions: 232 x 320 x 180 mm
Weight: 5.0 kg (per piece)
Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams
Built-in 150- and 75-Watt power amps with enormous power reserve
Ultra high-resolution ferrofluid-cooled tweeter
Long-throw 8 ¾" woofer with special polypropylene diaphragm and deformation-resistant aluminum die-cast chassis
Controlled dispersion characteristics and extremely large "sweet spot” owing to the unique BEHRINGER wave guide technology
Active crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions and subwoofer operation
Separately controlled limiter for low and high frequency overload protection
Automatic standby mode (defeatable)
Magnetic shielding allows placement near computer monitors
Delivered as "matched pairs” with individual frequency diagrams
Low-vibration and environment-friendly E1 MDF cabinet
Servo-balanced inputs with XLR and ¼” TRS connectors
Conceived and designed by BEHRINGER Germany
DM-2100: 2.1-ch Speaker System
Features The DM-2100 2.1-ch Speaker System is an affordable way to add accurate reference monitoring with a subwoofer for enhanced bass response. The left and right speakers each offer 15 watts of power, while the 50-watt subwoofer provides a powerful low-end boost. And with 24-bit/96kHz digital inputs, the DM-2100 is perfect for use with Roland/BOSS digital studios and instruments, or with computer systems and more.
Affordable 2.1-channel monitoring system with 24-bit/96kHz digital inputs
Powered bass reflex speakers with 15 watts per side and flat frequency response
Active subwoofer with 50-watt amplifier for increased low end
Front-mounted controls convenient located on right speaker
Coaxial and optical digital inputs, plus analog inputs (RCA and 1/4-inch type)
Sleek black wooden cabinets with magnetic shielding
Rated Output Power50W + 15W + 15WSpeakerSubwoofer: 16cm, Satellite Units: 9.2cmNominal Input LevelLine 1: -10dBu, Line 2: -10dBuInput Impedance18k ohmControlsR Channel: Bass Control Knob, Treble Control Knob, Volume 1 (Digital In/ RCA pin), Volume 2 (1/4” phone), Power Switch, Digital Input Select Switch, Phase SwitchConnectorsR Channel: Line 1 Jack (L, R; RCA pin), Line 2 Jack (L (MONO), R; 1/4” phone), Optical Input Connector, Coaxial Input Connector, Dedicated connector for power control and audio signal, Channel Input Jack (R; RCA pin),
L Channel: Channel Input Jack (L; RCA pin),
Sub Woofer: Dedicated connector for power control and audio signal, Channel Output Jacks (L, R; RCA pin), AC In JackDigital InputSampling Rate 32/44.1/48/96 kHz, D/A Convertor 24 bitsPower SupplyAC117, 230 or 240VAccessoriesSpeaker Cables (RCA pin type), Dedicated Cable for power control and audio signal, Power CableSize and Weight ( Satellite Units )Width130 mm5-1/8 inchesDepth160 mm6-5/16 inchesHeight200 mm7-7/8 inchesWeight
Using the newly developed 4” HexaCone midrange and 9” HexaCone woofer combined together with the X-ART tweeter creates the unique S3X-V control monitor.
A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long time, non-fatiguing listening sessions.
Reviews: "Wonderfully detailed...”
“Wonderfully detailed, with an exceptionally transparent mid-range. [...] ADAM make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. [...] I think it would be fair to say theyʽre the best sounding ADAM monitors Iʽve reviewed.” (Sound On Sound, 12/2009)
“No doubt, the S3X-V deserve the title Reference Monitor. With this series, ADAM Audio proves to have a very good feeling for meeting the specific demands of the sound engineerʽs guild, creating studio standards at the same time. [...] A precision tool combined with a luxury good.” (www.96kHz.de, 03/2010)
Woofer
Number
1
Basket Ø
9" (228 mm)
Voice coil Ø
2" (50 mm)
Cone material
HexaCone
Midrange
Number
1
Basket Ø
4.5" (116 mm)
Voice coil Ø
1" (25 mm)
Cone material
HexaCone
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Woofer
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Midrange
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 100 W
Control panel
Input Sensitivity (coarse)
-20 to +8 dB (4 dB steps)
Input Sensitivity (fine)
-1.5 to +2 dB (0.5 dB steps)
EQ 80 Hz
0 to +6 dB (1 dB steps)
High Shelf EQ > 6 kHz
±4 dB (1 dB steps)
Low Shelf EQ
±4 dB (1 dB steps)
Tweeter gain
±2 dB (0.5 dB steps)
Input connectors
Analog
XLR
Digital (optional)
AES/EBU / SPDIF / word clock
General data
Panel
Front
Frequency response
32 Hz - 50 kHz
THD > 80 Hz
≤0.6 %
Long term output
≥114 dB
Max. peak
≥124 dB
Crossover frequencies
350 / 2800 Hz
Input impedance
10 KOhm
Weight
34 lb (15,4 kg)
Magnetically shielded
Optional
Height x Width x Depth
19" (485 mm) x 11" (281 mm) x 11.5" (295 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
Behringer MS-16 2x8W 2-Way Active Personal Monitor System
The Behringer MS16 Studio Monitors feature an active 2-way design with powerful 4'' woofers and 1.5'' tweeters, powered by two 8 watt amplifiers. Offering two line inputs and a microphone input, the Behringer MS16 monitors are perfect for both home studios and general multimedia applications.
Full Description
Compact and Ideal For Home Studio
The Behringer MS16 Studio Monitors, Pair are the ideal studio monitor for your home studio project. Whether that be mixing, producing, or even listening the MS16 Studio Monitors turn your computer into a personal home studio. Its powerful 4" woofers provide thumping bass, whilst the high resolution tweeters provide clean high frequencies. Also featured are dedicated volume, bass and treble controls for extra flexibility. They also make excellent add-on speakers for electronic keyboards and playing a live performance.
Input Connections
The MS16 Studio Monitors feature multiple input options featuring a 1/8" stereo input for connecting up CD, MD and MP3 players. The dual RCA jacks allow for stereo keyboard modules and tape decks. Furthermore there is a 1/4" inch to allow connections for a dynamic microphone or electric guitar enabling you to sign or play along with prerecorded tracks.
Features
Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring, etc.
Powerful 4'' woofers and high-resolution tweeters powered by two 8 watt amplifiers
Dedicated Volume, Bass and Treble controls for more flexibility
Stereo RCA inputs for sound cards, keyboards, etc. that can be used simultaneously with a second stereo source (e. g. CD/MD player) through 1/8'' TRS stereo input
Separately adjustable 1/4'' TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications
1/8'' TRS headphone connector with auto-mute loudspeaker function
Magnetically shielded for placement near computer monitors
Designed and engineered in Germany
Specifications
Woofer: 4''
Tweeter: 1.5''
Output Power: 2 x 8 Watts
Frequency Response: 80Hz - 20kHz
Speaker Impedance: 4?
Input 1:
Connector: 1/8'' TRS Stereo
Input Level: -10dBm, 10k?
Input 2:
Connector: RCA Stereo
Input Level: -10dBm, 10k?
Mic Input:
Connector: 1/4'' TRS
Input Level: -50dBm, 50?
Dimensions: 9.5'' x 5.5'' x 6'' / 241mm x 140mm x 150mm (H x W x D)
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Reviews
There are no reviews yet.