AKAI MPK Mini Play Midi Keyboard

• 25 velocity-sensitive synth-action mini keys
• Built-in sound module features 128 sounds and 10 drum kits
• Built-in speaker and headphone out for personal monitoring
• Dedicated Octave Up and Octave Down buttons
• Innovative 4-way thumbstick for ergonomic control of pitch and modulation
• 8 backlit, velocity-sensitive MPC-style pads with Note Repeat and Full Level
• 4 assignable Q-link knobs for mixing, tweaking plug-ins, and more
• USB powered, no power adapter required
• Can also be powered via 3 x AA batteries
• Includes Akai VIP 3.0 virtual instrument workstation software/plug-in
• Includes Reason Lite DAW license

monotron DELAY key features:

    Space Delay with Time and Feedback controls offers analog-style echoes

    New Pitch LFO with selectable Waveshape, Rate, and Intensity controls

    VCF with Cutoff Control

    Wide-range ribbon controller keyboard

    Original Analog (VCF) Filter taken from the classic MS-10 & MS-20

    Aux input jack lets you apply filter and delay to any audio source

    Built-in speaker and battery power for Go Anywhere Analog sound

    Headphone jack for private use


Classic Analog Synth / Space Delay Combination
A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The monotron DELAY is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter, and LFO, it also provides a Space Delay that's indispensable for swooping, cosmic sounds. The monotron DELAY even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo.  As with the filter, the delay effect can be added to any external sound via the Aux In jack.  This fat and warm delay will add an authentic edge to your analog sounds!

Dual-Waveform LFO
The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes – a new square wave plus the traditional triangle wave. Both the Rate (Speed) and the Intensity (Depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

Wide-Range Ribbon Keyboard
The monotron DELAY's ribbon controller keyboard features a wide, four-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the monotron DELAY a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron DELAY ideal for delivering a striking visual impact in nearly any club environment.

The PC-80 is the easiest and most cost-effective way to put together your home studio or music lab. This 61-note keyboard offers power, flexibility, and a highly-expressive key mechanism. Unlike many compact USB keyboards, the PC-80 is designed to genuinely feel like a musical instrument. Each key is felt-lined and spring-loaded using a recently developed key mechanism that represents Rolandʼs 30 years of experience in the field. Never before has there been a USB MIDI Keyboard Controller built with the quality and technology of the PC-80. The PC-80 has built-in audio capabilities, and comes complete with a standalone GM2 software synth. This allows the PC-80 to function as a complete synth, all through one USB connection to the computer. Through this one connection, the PC-80 can draw power, send and receive MIDI, and send and receive audio.

• 61 full-size, velocity-sensitive keys
• High-quality keyboard mechanism
• Split or Layer mode
• Octave-Shift buttons
• 12 selectable velocity curves
• 3-digit, 7-segment LED and rotary encoder
• Pitch-bender/modulation lever
• Expression & Sustain pedal ports
• USB-Bus powered
• AC adaptor included
• MIDI out port
• 24-bit/96kHz audio capability
• CoreAudio, WDM, ASIO 2.0, and OS-standard driver support
• Powerful low-latency driver performance
• Zero-latency Direct Monitoring
• Audio input (L/R)
• 2W + 2W built-in stereo amplifier and speaker
• 2 x 1/4" headphone ports
• Bass Enhancer
• Subwoofer output
• Software Synthesizer button provided
• Mac OSX and Windows XP/2000 support
• Up to 18-part multi-instrument playback: 2 parts for playing PC-80 and 16 parts for SMF playback
• Up to 256-voice polyphony: 128 for playing PC-80, 128 for SMF playback
• Built-in reverb, chorus/delay, and EQ
• SMF player/metronome functions

• USB-MIDI controller works with virtually all audio software
• Eight backlit, velocity-sensitive drum pads can send note or program change
• Eight Q-Link knobs for controlling virtually any parameters in software
• Plug-and-play USB connection for Mac and PC requires no driver installation
• Small enough to fit in a backpack or laptop bag
• Four programmable memory banks
• Comes with editor software for Mac and PC
• USB bus powered – no additional power cable needed

• LPD8 controller
• USB cable
• Software CD

PC-300: USB MIDI Keyboard Controller Features The new Roland ED PC-300 is the world's first USB MIDI keyboard controller. This 49-key controller is designed to connect directly to your USB equipped Mac or PC providing you adapter-free connection powered through USB bus, plug and play operation, and easy installation. The PC-300 has forty-nine full-size, expressive, touch-sensitive keys for recording every musical nuance. The data slider can be assigned to any MIDI controller from volume, to reverb, to pan position. The PC-300 has an optional port for sustain and hold pedals for use with the Roland DP-6 or Roland DP-2. To help you put the future of desktop media production into your hands the Roland ED PC-300 ships with a hybrid Audio and MIDI sequencing software program called Cubasis A/V by the world's leading music software company Steinberg. The PC-300 also has a new sleek design as well as a stylish champagne gold color. If you need an affordable keyboard controller with built-in USB MIDI interface, look no further than the new Roland ED PC-300.

Specifications
Physical controls

Assignable controls:
• 8 Encoders (Infinite Rotation) with touch-sensitivity and 11 segment Led rings
• 8 Pots (270 Rotation) with touch-sensitivity
• 8 Sliders with touch-sensitivity
• 32 Buttons with integrated LEDs (37 in MIDI mode]
• 8 soft feel Trigger pads
• Xpression Pad (as on existing SL)
• Xpression Stick (as on existing SL)
• Touch sensitive Speed Dial (as on Nocturn)

System buttons:
• General Automap Operation Buttons (Learn, View, Browser Groups etc.)
• Octave up/down buttons with LED indicator

The central system buttons from the SL have been simplified; there is now:
• 1 Automap button with LED to toggle Automap mode on and off (this replaces the PLAY button) – this way, manual MIDI mode is separate from Automap mode and can be avoided completely if preferred
• Template and Edit modes have been combined into one edit mode, for editing both individual controls and overall settings within one Template

Connectivity

Rear Panel connections are as follows:
• Data Port: 1 x USB (Win XP/Vista and Mac OSX – Not Class Compliant
• MIDI: MIDI ONE: IN, OUT and Thru, MIDI TWO: OUT
• Sustain Pedal: 1 x 1/4 Jack Input
• Expression pedal: 1 x 1/4 Jack Input
• Power switch: Ext DC/USB

Minimum Operational Requirements:

Mac OSX 10.4.0 or greater (Leopard and Snow Leopard (32-bit kernel only) also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 and Windows 7 32/64 also supported)

Minimum Computer spec:
Mac - G4/1GHz, both with 256MB RAM or PC -
Pentium 3/1GHz/256MB RAM (machines running Vista will require a higher spec)

Dimensions
Size (25 key): W=468mm, H=68mm, D=293mm
Size (49 key): W=803mm, H=68mm, D=293mm
Size (61 key): W=965mm, H=68mm, D=293mm

Weights
25SL net weight : 3.3kg /unit