AKG CHM 21 CARDIOID CONDENSER HANGING MICROPHONE

Discontinued

140.24 incl. GR VAT

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CHM 21   Cardioid polar pattern 10 m (33 ft.) cable 125° pickup angle Especially suited for choir recordings Integrated spring steel clamp for optimum alignment The new Discreet Acoustics Compact Series Condenser Hanging Microphone provides both ease of use and a high level of functionality. There is hardly any more affordable and simpler solution for […]

 

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CHM 21 
 
Cardioid polar pattern
10 m (33 ft.) cable
125° pickup angle
Especially suited for choir recordings
Integrated spring steel clamp for optimum alignment

The new Discreet Acoustics Compact Series Condenser Hanging Microphone provides both
ease of use and a high level of functionality. There is hardly any more affordable and simpler
solution for recording choirs at worship centers. Suspended from the ceiling or a beam, the
hanging microphone is aligned and then fixed in the correct position. Now use the spring steel
clamp to adjust the correct angle, and off you go!
XY stereo recording
Using two CHM 21 hanging microphones in an XY configuration (coincident pair) is a good way
to make stereo recordings, particularly of choirs. However, sound source locations are defined
only by intensity differences. Adjusting the angle between the microphones determines the width
and depth of the stereo image.
ORTF stereo recording
Developed by the French Broadcasting Authority, this technique differs from the XY technique by
recording not only intensity differences, but also delay differences. The capsules are aligned at an
angle of precisely 110° and 170 mm / 6.7 in. apart.
 
SPECIFICATIONS:
Polar pattern Cardioid
Pickup angle 125°
Frequency range 70 to 18,000 Hz
Sensitivity 18 mV/PA = -35 dBV re 1 V/Pa
Max. SPL 125 dB (for 1% THD)
Equivalent noise level 73 dB
Impedance =2,000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596 (DPA adapter integrated)
Current consumption

Weight 0.48 kg

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Quick Comparison

AKG CHM 21 CARDIOID CONDENSER HANGING MICROPHONE removeAKG C 518 M Miniature Cardioid Condenser Microphone removeAKG CGN 99H/S 38cm Hypercardioid Gooseneck Microphone removeSHURE WB-98H/C Instrument Microphone for Shure Wireless removeAKG C 518 ML Miniature cardioid condenser clamp-on microphone removeAKG GN 30OC MODULE GOOSENECK 30cm LED remove
NameAKG CHM 21 CARDIOID CONDENSER HANGING MICROPHONE removeAKG C 518 M Miniature Cardioid Condenser Microphone removeAKG CGN 99H/S 38cm Hypercardioid Gooseneck Microphone removeSHURE WB-98H/C Instrument Microphone for Shure Wireless removeAKG C 518 ML Miniature cardioid condenser clamp-on microphone removeAKG GN 30OC MODULE GOOSENECK 30cm LED remove
ImageAKG CGN 99HS 38cm Hypercardioid Gooseneck Microphone-artsound
SKUCHM 21C 518 MCGN 99H/SWB98HCC 518 MLGN 30OC
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Price 140.24 incl. GR VAT 264.00 incl. GR VAT149.00 incl. GR VAT 219.00 incl. GR VAT 253.00 incl. GR VAT 180.00 incl. GR VAT
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Description
Content

CHM 21 
 
Cardioid polar pattern
10 m (33 ft.) cable
125° pickup angle
Especially suited for choir recordings
Integrated spring steel clamp for optimum alignment

The new Discreet Acoustics Compact Series Condenser Hanging Microphone provides both
ease of use and a high level of functionality. There is hardly any more affordable and simpler
solution for recording choirs at worship centers. Suspended from the ceiling or a beam, the
hanging microphone is aligned and then fixed in the correct position. Now use the spring steel
clamp to adjust the correct angle, and off you go!
XY stereo recording
Using two CHM 21 hanging microphones in an XY configuration (coincident pair) is a good way
to make stereo recordings, particularly of choirs. However, sound source locations are defined
only by intensity differences. Adjusting the angle between the microphones determines the width
and depth of the stereo image.
ORTF stereo recording
Developed by the French Broadcasting Authority, this technique differs from the XY technique by
recording not only intensity differences, but also delay differences. The capsules are aligned at an
angle of precisely 110° and 170 mm / 6.7 in. apart.
 
SPECIFICATIONS:
Polar pattern Cardioid
Pickup angle 125°
Frequency range 70 to 18,000 Hz
Sensitivity 18 mV/PA = -35 dBV re 1 V/Pa
Max. SPL 125 dB (for 1% THD)
Equivalent noise level 73 dB
Impedance =2,000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596 (DPA adapter integrated)
Current consumption

Features:

  • Miniature cardioid condenser clamp-on microphone with shock mounted capsule
  • Ideal for miking drums and percussions
  • Including wireless direct adapter for easy use with AKG pocket transmitters
  • Detachable microphone cable
  • Integrated gooseneck
  • Continuously adjustable vise type clamp

Recommended For:

  • Drums
  • Brass
  • Recording
  • Percussions

Standard Accessories:

  • A400 adapter
  • H518 Drum bracket
  • Microphone bag
  • W44 Windscreen

Specs:

  • Polar pattern cardioid
  • Frequency range 60 Hz to 20 kHz
  • Sensitivity 5 mV/Pa (-46 dBV)
  • Max. SPL 130/132 dB SPL (for 1%/3% THD)
  • Equivalent noise level 31 dB(A)
  • Signal/noise ratio (A-weighted) 63 dB
  • Impedance = 2000 ohms
  • Current consumption
  • Hypercardioid polar pattern
  • 38 cm  long
  • 95° pickup angle
  • For acoustically difficult environments
  • Connects easily via XLR connector
The hypercardioid polar pattern with its narrow 95° pickup angle is suited best for situations where noise typically occurs from all sides (particularly in worship centers), where people talk into the microphone from a greater distance, or where several talkers are grouped side by side. Two different lengths are available. The .exible joint ensures optimum alignment of the gooseneck to any talker position. Several options are available for installation, i.e., stand, tabletop installation, and lockable. Choosing polar patterns Selecting the correct polar pattern for installed sound is difficult since it depends on a variety of factors. Of course the acoustics of the room play a key role. For highly reverberant rooms such as worship centers, a hypercardioid polar pattern will be the best choice to avoid high levels of unwanted noise. Correct placement of the loudspeakers is also essential. If the speakers project right at the capsule, a hypercardioid will be your best bet. The most difficult task, however, is trying to judge how the talkers will behave. For talkers who are inexperienced or move around a lot, be sure to choose a cardioid polar pattern for reliable pickup; talkers at a greater distance from the mic will be served best by a hypercardioid. The microphone shall be a hypercardioid gooseneck microphone. Its pickup angle shall be 95 degrees; frequency range 50 Hz to 19 kHz; sensitivity 12 mV/Pa; max. SPL 125 dB; electrical impedance
Polar pattern Hypercardioid
Frequency range 50 to 19,000 Hz
Sensitivity 12 mV/PA = -38 dBV re 1 V/Pa
Max. SPL 125 dB (for 1% THD)
Equivalent noise level
Signal/noise ratio (A-weighted) >73 dB
Impedance =2,000 ohms
Supply voltage English: 9 to 52 V phantom power to IEC 61938 (DPA adapter integrated)
Powering
Connector 3-pin male XLR
Finish matte black
Dimensions CGN 99 H/S: 13.5 x 380 mm (0.5 x 15 in.); CGN 99 H/L: 13.5 x 580 mm (0.5 x 23 in.)
Net weight CGN 99 H/S: 480 g (17 oz.); CGN 99 H/L: 500 g (17.7 oz.)


The 98H/C is wireless version of Shure\'s Beta 98 clip-on instrument mic, and is designed to work with the Shure beltpack transmitters. With the ability to handle high SPL, the Beta 98H/C is ready for the demands of brass, woodwind, and percussion, and features a flexible integrated gooseneck with clip-on clamp for secure fit and precise positioning. No external mounting hardware required.

    

Tech Specs
  • Compatibility: All Shure w/TA4F (Tiny QG)
  • Microphone Type: Condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz-20kHz
  • Max SPL: 143.5dB SPL
  • Signal to Noise Ratio: 63dB
  • Self Noise: 31dB (A weighted)
  • Connector: TA4F (For Shure)
  • Color: Black
  • Cable Length: 10 ft.
  • Weight: .1 lb.
  • Manufacturer Part Number: WB98H/C

  • Miniature cardioid condenser clamp-on microphone with shock mounted capsule, ideal for miking drums and percussions plus brass
  • For use with the B 29 L battery power supply, MPA V L phantom power adapter, or PT 40 or PT 400 transmitters (AKG WMS bodypack transmitters)
  • Includes an AKG W 44 Windscreen, an AKG A 518 stabilizer knee, a 5-ft. (1.5-m) plug-in connecting cable with 3-pin mini XLR connector, an A 400 adapter for attaching a PT 40 or PT 400 bodypack transmitter and a protective case
  • Integrated gooseneck
  • Continuously adjustable vice type clamp
  • Type: pre-polarized condenser microphone
  • Polar pattern: Cardioid
  • Frequency range: 60 Hz to 20,000 Hz
  • Sensitivity at 1 kHz: 5 mV/Pa (-46 dBV re 1 V/Pa)
  • Impedance: = 200 ohms
  • Recommended load impedance: = 2000 ohms
  • Max. SPL for 1%/3% THD: 130/132 dB SPL
  • Equivalent noise level: 31 dB(A) to DIN 45412
  • Cable length / Connector: 1.5 m (5 ft.) / 3-pin mini XLR
  • Finish: Matte black
  • Size (microphone only): length: 200 mm (7.9 in.), max. width: 47 mm (1.9 in.)
  • Net weight (microphone and cable): C 518 M: 220 g (7.8 oz.), C 518 ML: 110 g (3.9 oz.)
  • Shipping weight: C 518 M: 450 g (15.9 oz.), C 518 ML: 330 g (11.7 oz.)

AKG GN 30 OC., 12 inch gooseneck for D.A.M.-microphone capsules, 3/8“-connector, programmable indicator LED, incl. 10ft. cable to open-end, black, for installations

Weight0.48 kg0.45 kg0.48 kg0.40 kg0.33 kg0.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.48 kg
Weight 0.45 kg
Weight 0.48 kg
Weight 0.40 kg
Weight 0.33 kg
Weight 0.50 kg