AKG D 112 MKII DYNAMIC Microphone FOR KICK BASS OR BASS AND TROMPONES

211.00 incl. GR VAT

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Cardioid Polar Pattern Specialized for Bass Guitar/Drum Response Maintained to 20 Hz Very Low THD Built-In Windscreen Built-In Swivel Mount The AKG D112 MKII Pro Dynamic Bass Microphone is a descendant of AKG\’s D112 and earlier D12 dynamic microphone, and is widely known for its ability to handle high-level signals from bass drums and bass […]

 

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  • Cardioid Polar Pattern
  • Specialized for Bass Guitar/Drum
  • Response Maintained to 20 Hz
  • Very Low THD
  • Built-In Windscreen
  • Built-In Swivel Mount

The AKG D112 MKII Pro Dynamic Bass Microphone is a descendant of AKG\’s D112 and earlier D12 dynamic microphone, and is widely known for its ability to handle high-level signals from bass drums and bass guitars in the studio. The microphone has been designed with a low resonance frequency and can handle very high transient signals with low distortion. It has a large dynamic range with a high signal-to-noise ratio and the capacity to input high sound levels without distorting. High frequency response has been tailored to keep both bass drum and bass guitar clearly distinguishable in the mix. A built-in windscreen makes the D112 also suitable for high SPL instruments such as the trombone and tuba.

Cardioid-pattern microphoneBuilt-in swivel mountResponse tailored for bass guitar and bass drum pickup, both in the studio and on-stageResponse maintained down to 20 HzBuilt-in windscreen

General Specifications

Capsule Dynamic microphone capsule
Polar Pattern Cardioid
Audio frequency bandwidth 20 – 17000 Hz
Max. SPL for 0.5 % THD > 160 dB (calculated)
Electrical impedance 210 Ohms
Recommended load impedance ≥ 2000 Ohms
Sensitivity 1.8 mV/Pa (-55 dBV)
Temperature Range -10 °C to +60 °C (14 °F – 140 °F)

Dimensions

Length 115 mm (4.53 in.)
Height 126 mm (4.96 in.)
Diameter 70 mm
Net Weight mic only 300 g (10.6 oz.)

Audio Output

Type Balanced XLR
Gender Male
Contacts 3-pin

Application

Pro Studio Yes
Project Studio Yes
Live Instrument Yes

Instrument

Drums / Percussion Yes
Guitar Amps / Bass Amps Yes

Weight 1.00 kg

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Quick Comparison

AKG D 112 MKII DYNAMIC Microphone FOR KICK BASS OR BASS AND TROMPONES removeAKG D 40 Dynamic Instrument Microphone removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeLD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz remove
NameAKG D 112 MKII DYNAMIC Microphone FOR KICK BASS OR BASS AND TROMPONES removeAKG D 40 Dynamic Instrument Microphone removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeLD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz remove
Imagebeyerdynamaic m 88 tg dynamic hyperdioid microphone
SKUD 112 MKIID 40H10SE00118LDWS1000MWM-88 TGKSM137/SL
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Description
  • Legendary, universal all purpose microphone classic
  • Perfectly suitable for stage and studio
  • Unbelievably rich sound
  • Made in germany
Content
  • Cardioid Polar Pattern
  • Specialized for Bass Guitar/Drum
  • Response Maintained to 20 Hz
  • Very Low THD
  • Built-In Windscreen
  • Built-In Swivel Mount

The AKG D112 MKII Pro Dynamic Bass Microphone is a descendant of AKG\'s D112 and earlier D12 dynamic microphone, and is widely known for its ability to handle high-level signals from bass drums and bass guitars in the studio. The microphone has been designed with a low resonance frequency and can handle very high transient signals with low distortion. It has a large dynamic range with a high signal-to-noise ratio and the capacity to input high sound levels without distorting. High frequency response has been tailored to keep both bass drum and bass guitar clearly distinguishable in the mix. A built-in windscreen makes the D112 also suitable for high SPL instruments such as the trombone and tuba.

Cardioid-pattern microphoneBuilt-in swivel mountResponse tailored for bass guitar and bass drum pickup, both in the studio and on-stageResponse maintained down to 20 HzBuilt-in windscreen General Specifications Capsule Dynamic microphone capsule Polar Pattern Cardioid Audio frequency bandwidth 20 - 17000 Hz Max. SPL for 0.5 % THD > 160 dB (calculated) Electrical impedance 210 Ohms Recommended load impedance ≥ 2000 Ohms Sensitivity 1.8 mV/Pa (-55 dBV) Temperature Range -10 °C to +60 °C (14 °F - 140 °F) Dimensions Length 115 mm (4.53 in.) Height 126 mm (4.96 in.) Diameter 70 mm Net Weight mic only 300 g (10.6 oz.) Audio Output Type Balanced XLR Gender Male Contacts 3-pin Application Pro Studio Yes Project Studio Yes Live Instrument Yes Instrument Drums / Percussion Yes Guitar Amps / Bass Amps Yes

The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.

Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage

Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
 

The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.


Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g

LDWS1000MW User User's manual [7,20 MB]
LDWS1000MW Battery disposal informationLDWS1000MW Frequency listLDWS1000MW Frequency lists / Pin assignment Wireless SystemsLDWS1000MW Data sheet - Microphone for Brass/Wind/Percussioninstruments Wind / percussion instrument clip microphone

Linear frequency response, natural sound reproduction, lightweight, easy and stable positioning thanks to the gooseneck, very good impact sound isolation thanks to elastic capsule fastening, strong clamp providing good fastening without causing any damage to the instrument thanks to the soft rubber inner surface of the clips. Phantom Power Adapter LDPHA also available separately.

Specifications:
  • Converter Principle: Electret Condenser Microphone
  • Pick-up Pattern: Cardioid pattern
  • Frequency Response: 50 Hz – 18 kHz
  • SPL: 133 dB
  • Sensitivty: -45 dB +/- 3dB
  • Impedance: 250 Ohms +/- 30% @1kHz
  • Connections: Mini XLR – 3 pins
  • Gooseneck: 70 mm
  • Cable length: 1,5 m
  • Surface: Black matt
  • Weight: 56 g
  • Accessories: Wind protection, Phantom power adapter

Technical Data

Transducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin

Made in Germany

Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.

 
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!  
Flexible tool iN The studio

The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

Weight1.00 kg0.24 kg0.55 kg0.35 kg0.600 kg0.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.24 kg
Weight 0.55 kg
Weight 0.35 kg
Weight 0.600 kg
Weight 0.50 kg