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The D 550 is a cardioid dynamic microphone. It has been designed primarily as a bass instrument microphone for tough onstage use on bass drum, tuba, trombone, bass amps, etc. The wide frequency response of the D 550 that slightly favors the low frequency and treble ranges ensures a very powerful sound and good intelligibility.
The term "cardioid polar response? means that the D 550 is most sensitive to sound arriving from in front of it, less sensitive to sound arriving from the sides, and least sensitive to sound arriving from the rear. This polar pattern is virtually the same for all frequencies (“frequency independent?). A shock absorbing wire-mesh outer grille and plastic housing protect the the transducer system from damage. The outer steel wire mesh grille and a layer of a special textile material form a very effective windscreen against pop and wind noise.
The D 550 features a standard 3-pin male XLR-type connector. This connector type is internationally standardized so that you can connect the microphone to the rest of your equipment using any commercial microphone cable with a female 3-pin XLR-type connector. The supplied H 440 clamp lets you mount the microphone directly on a snare drum, tom tom, or similar percussion instruments.
Features
High-output neodymium transducer
Cardioid instrument microphone
Designed specifically for bass instruments
Extremely rugged
Mounts on stands or instruments
Specifications
Polar pattern: cardioid
Frequency range: 20?20,000 Hz
Sensitivity: 2.5 mV/Pa (-52dBV re 1V/Pa)
Equivalent noise level: 18 dB-A (DIN 45412)
Max. sound pressure level for 1 %/3 % THD: 147/156 dB SPL
Electrical impedance: =600 Ohms
Recommended load impedance: =2,000 Ohms
Connector: 3-pin male XLR
Finish: matte black enamel
Size: 104 mm (4.09 in.) H x 121 mm (4.76 in.) L x 46 mm (1.81 in.) ?
Net/shipping weight: 203/563 g (7.2 oz./1.2 lb.) | The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Pneumatic shock-mount system cuts down handling noise
- Extremely durable under the heaviest use
- Frequency response: 40 to 15,000 Hz
| Frequency Range |
40 Hz to 15 kHz |
| Impedance |
150 Ohms |
| Load Impedance |
310 Ohms |
| Sensitivity |
56 dBV/Pa (Open Circuit Voltage, 1 kHz) |
| Color |
Gray |
| Mounting |
5/8"-27 Female, Mic Clip (Included) |
| Construction Material |
Steel, Steel Wire Grille |
| Dimensions |
ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm |
| Weight |
10.02 oz / 284 g |
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Audio Frequency Response 20 Hz - 10,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 150 Ω
Mic Type Instrumental
Open Circuit Voltage 0.63 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Shipping Weight 23.7 oz (672 g)
Wired/Wireless Wired
Weight Net 12.84 oz (364 g)
| Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
Suggested Applications
Guitar Amp
Bass Amp
Acoustic Guitar
Brass/Saxophone
Snare Drums
Rack/Floor Toms
Congas
Woodwinds
Lead Vocals |
- Especially for tom and snare recording
- Polar pattern: cardioid
- Frequency range: 40 - 18,000 Hz
- Impedance: 350 Ω
- Robust metal chassis
- Incl. special tom holder
- Bag included
- Dimensions: 63 x 41 mm
- Weight: 125 g
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The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g
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