AKG GN 155 SET Gooseneck microphone with ground stand

• Low-profile floor stand gooseneck module - for permanent installations and mobile applications
• Extremely rugged gooseneck construction - for an extra-long life of reliability and stability
• Quick-absorbing rubber shock mount - for optimum suppression of structure-borne noise
• Highly reliable contacts for capsule modules prevent contact problems and ensure extra-long life
• Optional extension tube available raises the microphone for tall users or choir pickup

• Immune to RF interference
• Speech optimized frequency range
• Enhanced hypercardioid polar pattern
• High SPL capability
• Premium microphone for ubiquitous application

A History of Sound: The C 747, the so called „pencil microphone“, was first built in 1987. Due to its excellent technical specifications, especially the wide and flat frequency range, it was used for the recording of all kinds of musical instruments, even those with very low frequencies. Because of its brilliant sound reproduction and its inconspicuous optical appearance, it was quickly known as an ideal overhead microphone.
Thank to the narrow polar pattern it solved the crosstalk problem (when recording multiple instruments at once) and the problem of picking up sounds from distant spots in a room. But for all that, due to the help of the acoustically well balanced, short interference tube, it didnʼt face one of the biggest problems of most shotgun microphones – the change of the polar pattern over the frequency. This is one of many reasons why this microphone found its way into a great number of Broadcast Stations, Recording Studios, Theatres, Opera Houses, Churches, Conference Rooms and Lecture Halls.

Another big advantage of the C 747 is that the microphone will not change the sound or level too much even when the person speaking is moving a lot. So it came that the C 747 finally found its way into installed sound systems as a perfect speech and lectern microphone. The C 747 is now one of the most versatile microphones in the AKG product range and over the years it has been available in various versions and model types such as hanging module, capsule for modular gooseneck microphones and in a boundary layer microphone.

Whatʼs New in V11: As it is more and more used in conference applications, we carefully redesigned the C 747 to better cope with some specific installed sound issues.
The new C 747 V11 will have an integrated RFi shield to block out unwanted interference by mobile phones, wireless mics and the like. Also we have fine tuned the frequency response to give especially the spoken word an outstanding presence, without changing the flavour of the classic C 747 sound.

An enhanced polar pattern provides consistent off-axis rejection to control ambient noise and feedback in acoustically difficult environments. This makes the C 747 V11 an excellent choice for noisy discussion groups or reverberant pulpits while it is forgiving enough to clearly pick up talkers moving around in front of the microphone. A switchable LF roll-off filter suppresses mechanical noise. The low-impedance transformerless preamp operates on 9 to 52 V phantom power.
The C 747 V11 ships with an extensive accessory set including a shock mount/adapter, mini gooseneck, stand adapter, mounting clamp, thread link, and windscreen.

SPECIFICATIONS:

Recommended For:

• Brass
• Drums
• Percussions
• Woodwinds

Features:

• Miniature condenser clip-on microphone for wind instruments, drums, and percussions
• Miniature gooseneck for accurate microphone alignment
• Including wireless direct adapter for easy use with AKG pocket transmitters
• Detachable microphone cable
• Transducer shock mount for high mechanical-noise rejection

Standard Accessories:

• A400 adapter
• Microphone bag
• W44 Windscreen

Specs:

• Polar pattern cardioid
• Frequency range 60 Hz to 20 kHz
• Sensitivity 5 mV/Pa (-46 dBV)
• Max. SPL 130/132 dB SPL (for 1 %/3 % THD)
• Equivalent noise level 31 dB(A)
• Signal/noise ratio (A-weighted) 63 dB
• Impedance = 2000 ohms
• Current consumption

    Designed for Broadcast, House of Worship, Pro Music, and other applications.
    Half-cardioid polar pattern
    Boundary layer
    Ultra-thin profile (16 mm) housing
    Rubber non-slip bottom pad and strong steel screen
    Integrated pop filter

Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Back Electret Condenser
Finish    Non-reflecting Black
Finish    White
Impedance, Low-Z balanced    200 Ω
Mic Type    Boundary
Open Circuit Voltage    25 mV/Pascal
Polar Pattern    Cardioid
Wired/Wireless    Wired
Height    16 mm (0.63“)
Width    94 mm (3.7“)
Depth    123 mm (4.84“)
Weight Net    12.63 oz (358 g)

• Mini condenser microphone with clip-on mount and flexible gooseneck
  
• Polar pattern: cardioid
  
• Frequency range: 60 Hz to 20 kHz
  
• Sensitivity: 5 mV/Pa (-46 dBV)
  
• Max. SPL: 130/132 dB SPL (for 1 %/3 % THD)
  
• Equivalent noise level: 31 dB(A)
  
• Power requirement: B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters
  
• Connector: 3-pin XLR
  
• Cable: 1.5 m (5 ft.)
  
• Finish: Matte black
  
• Adapter plate included for easy attachment to PT 400 and PT 40.

The 98H/C is wireless version of Shure\'s Beta 98 clip-on instrument mic, and is designed to work with the Shure beltpack transmitters. With the ability to handle high SPL, the Beta 98H/C is ready for the demands of brass, woodwind, and percussion, and features a flexible integrated gooseneck with clip-on clamp for secure fit and precise positioning. No external mounting hardware required.

    

• Compatibility: All Shure w/TA4F (Tiny QG)
• Microphone Type: Condenser
• Polar Pattern: Cardioid
• Frequency Response: 20Hz-20kHz
• Max SPL: 143.5dB SPL
• Signal to Noise Ratio: 63dB
• Self Noise: 31dB (A weighted)
• Connector: TA4F (For Shure)
• Color: Black
• Cable Length: 10 ft.
• Weight: .1 lb.
• Manufacturer Part Number: WB98H/C