PRICE DOES NOT INCLUDE VAT
AKG N63E Phantom Power Supply
€80.00
Only 1 left in stock
EAN: N/A
PRICE DOES NOT INCLUDE VAT
AKG N63E Phantom Power Supply
Weight | 2.00 kg |
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AKG N63E Phantom Power Supply USED remove | DOD SR830 Graphic equalizer stereo USED (Made in USA) remove | DOD 2x15 Equalizer-SECONH HAND- remove | BSS AUDIO FCS-966 Opal Constant Q Graphic Equalizer-Used- remove | SAMSON S-COM 4 Four Channel Compressor-Gate Processor (USED) remove | YAMAHA SPX-990 Professional Multi Effect Processor with 20-bit Sound USED (Made in Japan) remove | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Name | AKG N63E Phantom Power Supply USED remove | DOD SR830 Graphic equalizer stereo USED (Made in USA) remove | DOD 2x15 Equalizer-SECONH HAND- remove | BSS AUDIO FCS-966 Opal Constant Q Graphic Equalizer-Used- remove | SAMSON S-COM 4 Four Channel Compressor-Gate Processor (USED) remove | YAMAHA SPX-990 Professional Multi Effect Processor with 20-bit Sound USED (Made in Japan) remove | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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SKU | N63E | SR830 | DOD 2x15 | FCS966SH | SCOM 4 USED | SPX990 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Price | €80.00 | €100.00 | €99.20 incl. GR VAT | €285.00 | €80.00 | €299.00 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Stock | Only 1 left in stock | Only 1 left in stock | Only 1 left in stock | Only 2 left in stock | Available on backorder | Only 1 left in stock | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Availability | Only 1 left in stock | Only 1 left in stock | Only 1 left in stock | Only 2 left in stock | Available on backorder | Only 1 left in stock | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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PRICE DOES NOT INCLUDE VAT
AKG N63E Phantom Power Supply |
Longer throw faders provide more precise adjustments when equalizing a room. The SR830QXLR offers 2 channels of equalization each with 15 bands of 45mm faders. The all steel chassis construction can handle the abuse of the road, or the solace of a permanent installation. |
PRICE WITHOUT V.A.T. 23% | PRICE WITHOUT V.A.T. BSS Opal FCS-966 Constant Q Graphic Eq Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening. Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response. These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity. All these effects can be easily made without disturbing the critical fader settings already made. Constant Q Filters The modern generation of graphic eq's uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions. More Gain Control Per Filter Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control. High Pass Filter Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges. Metering BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control. Centre Bypass When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance. Input/Outputs All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals. Relay Bypass The EQ IN buttons switch the EQ path into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors. Control Descriptions Faders 30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders. HP Filter Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz. LF Contour Smooth shelving filter, +/-6dB of gain at 50Hz HF Contour Smooth shelving filter, +/-6dB of gain at 14kHz. GAIN Used for overall unity gain adjustment. Adjustable from - infinity to +10dB. CLIP Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points. LED Meter Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps. |
USED IN GOOD CONDITION. Price does not include vat The S com 4 is a compact and versatile single-rack space device that provides 4 Channel Compressor/Limiter, Expander/Gate with Enhancer | PRICE DOES NOT INCLUDE VAT
Features
Advanced Hardware for Superior Sound
The latest 20-bit analog-to-digital and digital-to-analog conversion technology-sampling at 44.1kHz. Frequency response extends all the way from 20 Hz to 20 kHz; dynamic range is an extraordinary 106dB; noise and distortion are neglible.
Stereo Configuration with Balanced Inputs and Outputs
A true 2-in/2-out stereo configuration that allows stereo sources to be processed without disrupting the original stereo image. Stereo inputs and outputs are all electronically balanced, with XLR and TRS phone jack connectors.
Preset, Internal, and Card Memory
180 memory locations "on board“. 80 of these are read-only memory. The remaining 100 are writable memory locations. Plug-in memory cards hold an extra 100 effect programs each.
Three-stage Effect Configuration
In addition to the main effects, the SPX990 provides programmable pre and post effects that can be used to refine and polish your sound.
In-depth Programming Power
The SPX990 has 4 programmable pre effects, 36 programmable main effects, and 3 programmable post effects.
Tempo-based Delay Time Programming
Delay time parameters can be programmed in terms of tempo or note length. Delay time can also be entered via a footswitch or MIDI clock data.
Superior Pitch Precision
The SPX990 achieves faultless pitch tracking through a new dynamic waveform analysis technique. In addition to the simple parallel pitch tracking the SPX990's "intelligent" pitch change creates appropriate harmony based on a specified key and scale type.
External Parameter Control
The SPX990 allows two selected parameters from each program to be assigned to two external MIDI controllers.
MIDI Control
The SPX990 allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at the same time.
4 Pre-Effects
1. 3-band PEQ *1, 2. Compressor *1, 3. Harmonic Driver *1, 4. Compressor, Dist. and EQ *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT
36 Main Effects: Reverb, Early Reflections, Delay and Echo, Modulation
REVERB: Reverb *2, Filtered Reverb *2, Stereo Reverb *1, Echo Room *2; EARLY REFLECTIONS: Thin Early Reflection *2, Fat Early Reflection *2, Gate Reverb *2, Reverse Gate *2; DELAY and ECHO: Delay L, C, R *2, Echo *2, Multi Tap Delay *2, Stereo Echo *1, Tempo Mono Echo *2, Tempo Stereo Echo *1, Tempo Quad Echo *1; MODULATION: Flanger *1, Dual Flanger *1, FM Chorus *1, AM Chorus *1, Phaser *1, Symphonic *1 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT
Main Effects continued: Pitch Change, Pan, Complex Effects, Freeze
PITCH CHANGE: Mono Pitch Change *3, Dual Pitch Chance *2, Triple Pitch Chance *2, Stereo Pitch Change *1; PAN: Auto Pan *2, Triggered Pan *2; COMPLEX EFFECTS: Chorus and Reverb *2, Symphonic and Reverb *2, Flanger and Reverb *2, Reverb (L) / Reverb (R) *1, ER (L)/ Reverb (R) *1, Echo (L) / Reverb (R) *1, Chorus (L) / Reverb (R) *1, Pan (L) / Pan (R) *1; FREEZE: Freeze *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN - 1 OUT
3 Post Effects
1. 3-band PEQ *1; 2. Compressor *1, Harmonic Driver *1 *1 = 2 IN - 2 OUT
Specifications
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