Allen & Heath SQ7 48-Channel Digital Mixer

5,090.00 incl. GR VAT

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With 96 kHz FPGA processing 33 Faders / 6 layers 12 x Stereo mixes (perfect for in-ear monitoring setups) + LR 3 x Stereo matrix 8 x Stereo FX engines + dedicated returns DEEP Processing allows plugins to be directly embedded into all input and mix channels 7″ Touch screen SLink connector for remote audio […]

 

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  • With 96 kHz FPGA processing
  • 33 Faders / 6 layers
  • 12 x Stereo mixes (perfect for in-ear monitoring setups) + LR
  • 3 x Stereo matrix
  • 8 x Stereo FX engines + dedicated returns
  • DEEP Processing allows plugins to be directly embedded into all input and mix channels
  • 7″ Touch screen
  • SLink connector for remote audio / expansion
  • 64ch I / O connector for audio networking
  • 32 x 32 USB audio interface
  • SQ drive for direct dubbing to USB
  • AES exit
  • Chromatic channel measurement
  • Integrated LED lighting per fader
  • Dedicated physical controls
  • 16 Assignable SoftKeys
  • 8 Assignable soft rotaries
  • Integrated 48 channel automatic mixer
  • Channel LCD displays
  • Compatible with ME-1 and ME-500, Audio Networking Card, Dante or Waves
  • Dimensions: 804 x 514.9 x 198 mm
  • Weight: 17.8 kg
Weight 17.80 kg

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Allen & Heath SQ7 48-Channel Digital Mixer removeBEHRINGER X32 COMPACT Digital Mixer 16IN/8OUT 16 Mic Preamp removeYAMAHA DM1000VCM 16 channel digital mixer removeALLEN AND HEATH GLD 112 Digital Mixer removeSOUNDCRAFT UI-16 Mixer WITH USB INTERFACE 12 MIC removeYAMAHA QL1 16 channel digital mixer remove
NameAllen & Heath SQ7 48-Channel Digital Mixer removeBEHRINGER X32 COMPACT Digital Mixer 16IN/8OUT 16 Mic Preamp removeYAMAHA DM1000VCM 16 channel digital mixer removeALLEN AND HEATH GLD 112 Digital Mixer removeSOUNDCRAFT UI-16 Mixer WITH USB INTERFACE 12 MIC removeYAMAHA QL1 16 channel digital mixer remove
Imagebehringer x32 compact digital mixer dow artsound
SKU144.986E005684DM1000VCM144.197UI-16QL-1
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Description
  • 16 Programmable MIDAS Microphone Preamps
  • 8 XLR Outputs, 6 Aux Inputs/Outputs
  • 48-Channel Digital Snake Ready via AES50
  • 32x32 FireWire/USB Audio Interface Card
Content
  • With 96 kHz FPGA processing
  • 33 Faders / 6 layers
  • 12 x Stereo mixes (perfect for in-ear monitoring setups) + LR
  • 3 x Stereo matrix
  • 8 x Stereo FX engines + dedicated returns
  • DEEP Processing allows plugins to be directly embedded into all input and mix channels
  • 7" Touch screen
  • SLink connector for remote audio / expansion
  • 64ch I / O connector for audio networking
  • 32 x 32 USB audio interface
  • SQ drive for direct dubbing to USB
  • AES exit
  • Chromatic channel measurement
  • Integrated LED lighting per fader
  • Dedicated physical controls
  • 16 Assignable SoftKeys
  • 8 Assignable soft rotaries
  • Integrated 48 channel automatic mixer
  • Channel LCD displays
  • Compatible with ME-1 and ME-500, Audio Networking Card, Dante or Waves
  • Dimensions: 804 x 514.9 x 198 mm
  • Weight: 17.8 kg
The X32 Compact 40-Channel, 25-Bus Digital Mixing Console from Behringer provides a wealth of features in a compact design, ideal for professional live and recording applications. The mixer features 16 fully programmable MIDAS-designed mic preamps. The Main LCR (left, center, right) channels, 16 mix busses, and 6 independent matrix mix busses all have 6-band parametric EQs and integrated dynamics processing for excellent sonic tailoring capabilities. The mixer has 16 analog XLR outputs, as well as 6 balanced line-level 1/4" Aux inputs and outputs, and two 1/4" headphone jacks. The talkback section allows you to communicate with the integrated mic or an external mic. The mixer also has a pair of AES50 ports that feature Klark Teknik SuperMAC networking capability for use with 48-channel digital snakes for ultra-low jitter and latency. The system also has an integrated expansion port that ships with a 32 x 32 XUF FireWire/USB audio card installed. The built-in Virtual FX offers 8 true-stereo FX slots that deliver high-end simulations of popular processors, such as Lexicon 480L and PCM70, EMT250 and Quantec QRS, etc. The integrated high-power 40-bit floating-point DSP system delivers "unlimited" dynamic range, no internal overload, and near-zero latency between inputs and outputs for top-quality performance. The mixer also has 6 mute groups and 8 DCA groups. The intuitive interface offers ease-of-use with a dedicated channel strip section that has direct-access controls. There is also a high-resolution 7" color TFT display with associated controls and individual RGB backlit graphic LCDs on every channel. The unit has 17 motorized 100mm faders for extensive user-definable control. The system has a USB flash connector to provide file storage for uncompressed recordings, show presets, and system updates. There are also connections that support the P-16 personal monitoring system, AES/EBU stereo digital outputs, and MIDI. Adjustable line delays are available on all of the physical inputs and outputs. Other features of the X32 Compact include networked remote control or show setups with the included remote editor software via USB and Ethernet ports. You can even conveniently handle the scene management duties of complex productions. All of these features are packed into a compact and durable enclosure to ensure a long life of professional use.

Free Control Software Applications

Behringer iPad and iPhone apps for professional remote operation are free downloads on the Apple App Store. All of the X32's features can be managed concurrently from various locations and instances of the XiQ, XiControl, and XControl apps.

Versatile and Expandable

The X32 Compact can act as the nucleus of a flexible and expandable audio system. The built-in 32 x 32 USB recording interface, 8 stereo effects engines, zero-latency monitoring and 100% total recall deliver the tools to handle a wide variety of projects.
Number of Analog Input Channels 40
Number of Mic Preamps 16
Max I/O Capacity 150 x Input / 160 x Output (with Optional Hardware)
Mix Routing 1 x Main LRC 16 x Bus 6 x Matrix 8 x Aux Send 8 x FX Return
Presets 100 x Scene
Display Main Display: 7" / 177.8 mm LCD Touchscreen Channel Display: LCD (Backlit)
Display Resolution/Color Main Display: 800 x 480 / 6-Bit Color Channel Display: 128 x 64 / RGB Color
Meters 3 x 24-Segment LED
Signal Processing
Internal Effects 8 x Stereo 16 x Mono
Digital Audio
Sample Rates 44.1 / 48 kHz
Bit Depth AD/DA Conversion: 24-Bit
DSP 40-Bit Floating Point
Converter Dynamic Range A/D: 109 dB D/A: 108 dB
Latency 0.8 ms (Console Input to Main Output) 1.1 ms (Stagebox Input to Stagebox Output)
Performance
Frequency Response 10 Hz to 22 kHz
Max Input Level 1/4" TRS Input: +16 dBu Mic Input: +23 dBu
Output Level 1/4" TRS Output: +4 dBu (Nominal) +16 dBu (Max) Headphone Output: +25 dBm (Stereo) XLR Output: +4 dBu (Nominal) +21 dBu (Max)
Analog Dynamic Range Input to Output: 106 dB
I/O Impedance 1/4" Input: 40 Kilohms (Balanced) 20 Kilohms (Unbalanced) Headphone Output: 40 Ohms Mic Input: 5 Kilohms (Unbalanced) 10 Kilohms (Balanced) XLR Output: 75 Ohms (Balanced/Unbalanced) 1/4" TRS Output: 300 Ohms (Balanced) 150 Ohms (Unbalanced)
Crosstalk Adjacent Channels: 100 dB at 1 kHz
CMRR > 70 dB at +20 dB Gain > 80 dB at +40 dB Gain
EIN -128 dBu (Input Shorted)
Noise Floor -87 dBu A-Weighted
THD+N < 0.006% at +20 dB Gain (A-Weighted)
Connectivity
Analog Inputs 1 x XLR Talkback Input 16 x XLR Balanced Mic/Line Input 6 x 1/4" TRS Aux Input 1 x 2RCA Line/Aux Input
Analog Outputs 2 x 1/4" TRS Balanced Monitor Output 2 x 1/4" TRS Headphone Output 6 x 1/4" TRS Aux Output 1 x 2RCA Aux/Line Output 8 x XLR Balanced Line Output
Phantom Power +48 V (Selectable on Individual Inputs)
Digital I/O 1 x RJ45 (Control) 1 x RJ45 Ultranet (Control) 1 x XLR AES3 Output 2 x etherCON AES50/SuperMAC
MIDI I/O 1 x MIDI 5-Pin In 1 x MIDI 5-Pin Out
USB 1 x USB Type-A (USB 2.0, Audio Playback, External Memory)
Expansion Ports 1 x 32 x 32 I/O Card
Power
AC Input Power 100 to 240 VAC, 50 / 60 Hz
Power Consumption 120 W
Physical
Dimensions 8.5 x 24.6 x 20" / 215 x 625 x 510 mm
Weight 33.9 lb / 15.4 kg

19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.


When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.


Outline
Mixing capability Mixing channels 48
GROUP 8
AUX 8
MAIN Stereo
Input channel functions Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan
Output channel functions Attenuator, 4-band PEQ, Compressor, Delay
On-board processors 4x SPX multi effectors
I/O Mic inputs 16
Phantom power +48V DC; ON/OFF per channel
Line inputs 4x Omni in
AD converter 24-bit; 128-time over sampling
Line outputs 12x Omni output
DA converter 24-bit; 128-time over sampling
Digital I/O 2x 2tr in/out
Expansion slots 2x Mini-YGDAI (16-in/16-out)
Control and others To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O
General specifications
Internal processing 32bit, Accumulator: 58bit
Sampling frequency rate Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%)
Signal delay Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz)
Total harmonic distortion Less than 0.05% (20Hz-40kHz)
Frequency response 0, +0.5, -1.5dB 20Hz-40kHz
Dynamic range DA: 110dB; AD+DA: 106dB
Hum & noise level Equivalent input noise -128dBu
Residual output noise -86dBu
Crosstalk -80dB
Power requirements AC100V, 120V, 220-240V 50/60 Hz
Power consumption 135W
Dimensions W 436mm; 17-3/16in
H 200mm; 7-7/8in
D 585mm; 23-1/16in
Net weight 20kg; 44.1lbs
Accessories Owner's Manual, Studio Manager Installation Guide, AC power cord

GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard 32 input GLD system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ʽn drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixerʽs local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

GLD-112 connects to a range of plug ʽn play I/O racks to ʽbuildʼ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hʼs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.

GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heathʼs ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDʼs extensive soft-patching.

The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage.

  • Compact digital mixer with scalable, remote I/O
  • Systems from 4 to 44 mics
  • Easy to use, quick to access, analogue style interface
  • dSNAKE Cat5 digital snake—up to 120m cable length
  • 8.4 inch colour touchscreen for graphical view and setup
  • 28 faders, 4 layers, 112 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines* with dedicated ʽshortʼ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • AviomTM Pro16 compatible Monitor port on main AudioRack
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colours
  • Engineerʼs mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Get started quickly with Template Shows
  • 14 assignable SoftKeys for scene recall, DCA mutes and more
Ui16 packs a complete digital mixing system into a compact, road-rugged stagebox format, with built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. Tablet/PC/Smartphone Controlled Digital Mixer Integrated Wi-Fi Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices Use up to 10 control devices (tablets, phones, PCs) simultaneously Legendary Harman Signal Processing from dbx, Digitech, and Lexicon Fully recallable and remote-controlled mic preamps 4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels 31-band Graphic EQ, Noise Gate and Compressor on all outputs Real-Time Frequency Analyser (RTA) on inputs and outputs 3 dedicated Lexicon FX effects processors: Reverb, Delay and Chorus Subgroups, Mute Groups, View Groups, and more mixer controls Show/Snapshot recall with channel safes and security lockout 2-channel USB audio playback and recording

16 + 2 fader configuration in a compact, rack mountable unit.

  • Mix channels: 32 mono, 8 stereo.
  • Busses: 16 mix, 8 matrix (Input to Matrix supported).
  • Local I/O: 16 in, 8 out.
  • Fader configuration: 16 + 2 (Master).
  • Rack mountable with optional RK1 Rack Mount Kit.

General specifications QL1
Sampling frequency rate Internal 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz
Fader 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.
Hum & noise level Equivalent input noise -128dBu typ., Equivalent Input Noise, Input Gain=Max
Residual output noise -88dBu, Residual output noise, ST master off
Crosstalk -100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min.
Power requirements 100-240V 50/60Hz
Power consumption 135W
Dimensions W 468mm(18.4in )
H 272mm(10.7in)
D 562mm(22.1in)
Net weight 14.7kg(32.4lb)
Accessories Owner's Manual, power cord, DVS license sheet
Options Rackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live
Others Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C
Weight17.80 kg15.40 kg20.00 kg21.00 kg11.80 kg15.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 17.80 kg
Weight 15.40 kg
Weight 20.00 kg
Weight 21.00 kg
Weight 11.80 kg
Weight 15.00 kg