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About the DI6s It's a fact of audio life that a lot of equipment that has to be connected to professional audio systems isn't impedance or level compatible. Interfaces Unlimited Tape/cassette/DVD/CD decks, audio for video, drum machines, synthesizers, bass guitars, computers; at some stage all these need linking up to Balanced inputs, whether the application is Live sound, Studio or Broadcast. To solve these problems, we've developed the DI-6s:
Six active D.I. (Direct Injection) boxes, plus a 6 into 1 Line Mixer, plus a 1 to 6 Splitter, All of this in a compact, all steel 1 RU package.
A Pro Audio Toolbox This unique and flexible audio toolbox allows Six independent unbalanced audio sources to easily and quietly interface with Balanced pro audio systems, either to individual channels or summed down to one Master output. But that's not all. By pressing a single switch on the rear panel the DI6s will change from being Direct Boxes and a Mixer to being a 6 way Splitter (line distribution amplifier). Now it will split an incoming signal to 6 individual outputs or zones. On the front panel, each channel has 2 IN/OUT jacks, a level control from infinity (off) through 0dB to +15dB gain, and a Clip indicator LED.The Master section has a Master volume control and status LEDs indicating whether the unit is in DI or Splitter mode. In addition, as on all ARX single rack unit equipment, each channel has a numbered marker panel ('scribble strip') you can write on for easy confirmation of channel assigns. Balanced Outputs On the rear, each channel has an XLR Balanced output, with associated Ground lift switch and status LED, to isolate the chassis and electronic grounds. The Master section has both Balanced XLR and Unbalanced Jack outputs. In addition there is a Balanced XLR input with a switch to put the unit in either DI or Splitter mode. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. With so many handy functions, plus a true 'user friendly' layout, it's no wonder people call the DI-6s 'A total Audio Patching System in 1 RU!' You'll never compromise on Quality when you choose ARX
Features Unique Pro Audio problem solver Six Direct boxes, Splitter and Line Mixer in one unit Multi mode unit: Six in, Six out; Six in, One out; One in, Six out Individual Output Ground lift switches Up to +15dB Gain available per channel Balanced XLR Outputs; High Impedance Jack Ins and Outs Flawless performance in any audio environment
T E C H N I C A L S P E C I F I C A T I O N S
Channels 1 - 6 High Z Input Impedance 2.2 Meg Ohm Max Channel Gain 15dB Clip LED Illuminates 1dB prior to clip Direct Output Impedance 300 ohms Balanced Max Input Level +20dB Max Output Level +21dB Signal to Noise -96dB(unity gain) Frequency Response 20Hz to 20KHz, ±0.5dB Distortion < 0.004%, 1KHz, +4dB Output Connector 3 pin XLR Master Section Output Impedance 300 Ohms Balanced Max Output Level +21dB Signal to Noise -90dB (unity gain) Frequency Response 10Hz to 20KHz, ±0.5dB Distortion < 0.004%, 1KHz, +4dB Output Connector 3 pin XLR Splitter Section Maximum Level + 20dB Input Impedance 20 KOhms, Balanced Input Connector XLR Frequency Response 10Hz?20KHz ±0.5dB AC Power 100-120, 220-240 V AC, 8 VA Size 19?W x 6?D x 1??H, 482 x 155 x 44mm Weight 2.2 Kg (5 lbs)
Front Panel Controls Hi Impedance (Hi Z) insulated jack Input and Output connectors Level control with up to +15dB of Gain available Clip LED indicator Marker panels for labelling DI assigns Master Level controls Rear Panel Balanced XLR Outputs Individual Audio Ground Lift switches and status LEDs XLR and jack Master Outputs XLR Input for splitter Splitter/DI + Mixer mode switch AC input connector, with voltage switch and fuse. |
- With improved 192 kHz sample rate for the best sound reproduction.
- Supports uncompressed 2-channel LPCM (Linear Pulse Code Modulation) audio signals.
- Supports compressed 2-channel and multi-channel Dolby Digital and DTS audio signals.
- Ideal for presentation or distribution to another room.
- The optical (Toslink) digital audio splitter can split a single optical digital input to four outputs without delay or loss of quality.
- Supports the S/PDIF and Toslink standard.
Your TV has 1 Toslink output, but you use 4 amplifiers. This requires the Toslink cable to be split from 1 into 4. An additional amplifier could be, for example, a surround set, a sound bar of an amplifier in the kitchen
Connections
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Audio input |
1 x Toslink (optical) |
Audio output |
4 x Toslink (optical) |
Audio
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Supported audio |
PCM2, Dolby Digital 5.1 and DTS |
Sample rate |
32 kHz to 192 kHz |
General
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Dimensions (h x w x d) |
24 x 46 x 46 mm |
Weight |
22 grams |
Ambient temperature |
+0 to +40 °C |
Humidity |
10% to 85% |
Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
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DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction
It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.
But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!
SPECIFICATIONS:
INPUT
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Connectors:
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1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
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Type:
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Electronically balanced/unbalanced, RF filtered
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Impedance:
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Balanced 40k ohm, unbalanced 20k ohm
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Max Input Level:
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>+21dBu balanced or unbalanced
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CMRR:
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>40dB, typically >55dB at 1kHz
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OUTPUTS
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Connectors:
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1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
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Type:
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Impedance-balanaced/unbalanced, RF filtered
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Impedance:
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Balanced 200 ohm, unbalanced 100 ohm
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Max Output Level:
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>+21dBu balanced/unbalanced into 2k or greater
>+18dBm balanced/unbalanced (into 600)
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SYSTEM PERFORMANCE
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Bandwidth:
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20Hz to 20kHz, +/-0.5dB
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Frequency Response:
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50kHz, +0.5/-3dB
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Noise Reduction In:
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(+/-6 and +/-15dB range):
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Signal-to-Noise:
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>102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>120dB, unweighted
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Noise Reduction Out:
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(+/-6dB range):
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Signal-to-Noise:
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>94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth
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Dynamic Range:
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>112dB, unweighted
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Noise Reduction Out:
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(+/-15dB range):
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Signal-to-Noise:
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>90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>108dB, unweighted
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THD + Noise:
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| | Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications
Input Connectors |
1/4" TRS and female XLR (pin 2 hot) |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Input Impedance |
40kΩ balanced/unbalanced |
Max Input |
>+22dBu Balanced or Unbalanced |
Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
Output Type |
Impedance-balanced/unbalanced, RF filtered |
Output Impedance |
+4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced |
Max Output |
>+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) |
Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
Sidechain Max Input Level |
Tip = >+22dBu (Input) |
Sidechain Max Output Level |
Ring = >+20dBu (Output) |
Compressor Threshold Range |
-40dBu to +20dBu |
Compressor Threshold Characteristic |
Selectable OverEasy® or hard knee |
Compressor Ratio |
1:1 to Infinity:1 |
Compressor Attack Time |
Scalable Program-Dependent AutoDynamic™ |
Compressor Release Time |
Scalable Program-Dependent AutoDynamic™ |
Expander/Gate Threshold Range |
-60dBu to +15dBu |
Expander/Gate Ratio |
1:1 to 4:1 |
Expander/Gate Attack Time |
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| The MX225 is designed for remote volume control of multiple amplifiers or powered speakers in a distributed audio system. Two stereo sources are available to each of five output zones. Each source input pair handles separate left and right balanced line level signals. Each output zone features independent level control from inputs 1 and 2, stereo/mono selector with mono indicator, LED level metering, and left and right balanced line level zone outputs. All audio connections are balanced XLR. The built in power supply and single high 19″ rack mount format allows for easy installation and reliable operation.
- 5 Zone mixer / distributor
- Adjusts volume of multiple amplifiers or active monitors separately
- Stereo/mono switch + clip and 5 segment LED on each zone
- Connectors: 4x line in XLR (2x L/R), 10x XLR Out (5x L/R)
- Dimensions: 482 x 152 x 44.5 mm (19"/1U)
- Weight: 2.4 kg
XLR-F balanced (x4) |
XLR-M balanced (x10) |
47k Ω |
200 Ω |
.05% Typical |
> 90dB typical |
+20dBu |
+24dBu balanced |
+6DB |
USA – 105 to 125 VAC / 50-60Hz, 15 W typical |
1.75″H x 19″W x 7.25.0″D (44.5mm x 483mm x 184mm) |
5.34 lbs (2.42 kg) |
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In today's recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that: 4 channels of great sounding dbx compression for a variety of applications. Incorporating the industry standard dbx designs and the latest available manufacturing techniques, the dbx 1046 provides pristine sonic quality with that classic dbx sound.
The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.
All four channels have the following controls:
Threshold - allows you to set the level at which the compressor starts affecting the gain
OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the original dbx 160.
Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.
Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.
Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.
Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.
PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.
Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.
All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you.
- Four independent channels of operation, stereo linkable in two pairs
- PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
- Independent Threshold and ratio controls
- Switchable OverEasy® or Hard Knee compression
- Classic dbx® compression
- Differentially balanced gold-plated XLR and 1/4" inputs and outputs
- True RMS level detection
- Precision metering of input level, output level, and gain reduction
- Dual True stereo or quad mono operation
- Switchable +4dBu or -10dBV operation per channel
Input Connectors | XLR and 1/4" TRS (Pin 2 and tip hot) | Input Type | Electronically balanced/unbalanced, RF filtered | Input Impedance | Balanced > 40 kOhm, unbalanced >20 kOhm | Max Input | > +22 dBu balanced or unbalanced | CMRR | Typically >50 dB at 1 kHz | Output Connectors | XLR and 1/4" TRS (Pin 2 and tip hot) | Output Type | Servo-balanced/unbalanced, RF filtered | Output Impedance | Balanced 30 Ohm, unbalanced 15 Ohm | Max Output | > +22 dBm balanced, > +20 dBm unbalanced | Bandwidth | 20 Hz to 20 kHz, +0/-0.5 dB | Frequency Response | 0.35 Hz to 90kHz, +0/-3 dB | Noise | | Dynamic Range | > 118 dB, unweighted | THD+Noise | >0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain), | IMD | | Interchannel Crosstalk | | Stereo Coupling | True RMS Power Summing | Compressor Threshold Range | -40 dBu to +20 dBu | Compressor Ratio | 1:1 to infinity:1 | Compressor Threshold Characteristic | Selectable OverEasy® or hard knee | Compressor Attack/Release Characteristic | AutoDynamic™ | Compressor Attack Time | Program-dependent | Compressor Release Time | Program-dependent | Compressor Output Gain | -20 to +20 dB | Limiter Threshold Range | 0 dBu to +24 dBu (off) | Limiter Ratio | infinity:1 | Limiter Type | PeakStopPlus® two-stage limiter | Limiter Stage 1 | PeakStop® brickwall limiter | Limiter Stage 1 Attack Time | Zero | Limiter Stage 1 Release Time | Zero | Limiter Stage 2 | Predictive intelligent program limiter | Limiter Stage 2 Attack Time | Program-dependent | Limiter Stage 2 Release Time | Program-dependent | OverEasy® Switch | Activates the OverEasy compression function | I/O Meter Switch | Switches between monitoring input and output levels on the Input/Output Level meter | Bypass Switch | Activates the direct input-to-output hard-wire bypass | Operating Level Switch | (rear panel) Switches the nominal operating level between -10 dBV and +4 dBu simultaneously for both input and output levels | ST Link Switch | Links channels in stereo pairs. Channels One and Three become the master channels | Gain Reduction Meter | 8 segment LED bar graph at 1, 3, 6, 10, 15, 20, 25, and 30 dB | I/O Meter | 8-segment LED bar graph at -24, -18, -12, -6, 0, +6, +12, and +18 dBu | PeakStop™ Indicator | 1 LED to indicate PeakStop™ limiting | Function Switches | LED indicator for each front-panel switch | Output Transformer Options | Jensen® JT-123-dbx or JT- 11-dbx, BCI RE- 123-dbx or RE-11-dbx | Operating Voltage | Switchable:100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz | Power Consumption | 20 Watts | Fuse | 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T | Power Connector | IEC receptacle | Dimensions | 1.75“Hx19“Wx9“D (4.4cmx48.3cmx20.1cm) | Unit Weight | 5.2 lbs. (2.4 kg) | Shipping Weight | 7.6 lbs. (3.5 kg) |
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