ASHLY CLX 51 Mono Compressor Limiter

Discontinued

471.80 incl. GR VAT

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  The CLX Series compressor/limiters use an “infinite soft-knee” characteristic and timing based on compression ratio. This, combined with a dual release time, allows program density to increase as the input signal increases. The result is a peak controller with very low noise, smooth sound, and excellent stereo tracking without the usual “constricted” limiter sound. […]

 

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The CLX Series compressor/limiters use an “infinite soft-knee” characteristic and
timing based on compression ratio. This, combined with a dual release time, allows
program density to increase as the input signal increases. The result is a peak
controller with very low noise, smooth sound, and excellent stereo tracking without
the usual “constricted” limiter sound. The CLX-51 and CLX-52 have many ways to
deal with any gain structure. The mechanical design is ready for years of rugged
service and we back our quality with Ashly’s exclusive Five Year Worry-Free
Warranty. The CLX series is extremely useful for such diverse applications as
loudspeaker protection, vocal level control, broadcast limiting, musical instrument
sustain, special effects, and CD to cassette transfers.


Extremely low noise and distortion
Dual release time for minimum “pumping“
Detector Patch Point
Wide-range control of all parameters
Powerful peak control with minimum audible side effects
Both XLR and 1/4″ input and output connectors
Weight 4.50 kg

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Quick Comparison

ASHLY CLX 51 Mono Compressor Limiter removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor removeDBX 266XS COMPRESSOR/GATE 2CH removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeBSS DPR-504 QUAD NOISE GATE removeAVALON VT-737SP DIRECT SIGNAL PATH remove
NameASHLY CLX 51 Mono Compressor Limiter removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor removeDBX 266XS COMPRESSOR/GATE 2CH removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeBSS DPR-504 QUAD NOISE GATE removeAVALON VT-737SP DIRECT SIGNAL PATH remove
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SKUCLX-51SCOM 4DBX 266XSE008167DPR-504H05AV00000
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Price 471.80 incl. GR VAT 215.00 incl. GR VAT 162.00 incl. GR VAT 196.00 incl. GR VAT 843.00 incl. GR VAT3,439.00 incl. GR VAT
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Description
Content

  The CLX Series compressor/limiters use an "infinite soft-knee" characteristic and timing based on compression ratio. This, combined with a dual release time, allows program density to increase as the input signal increases. The result is a peak controller with very low noise, smooth sound, and excellent stereo tracking without the usual "constricted" limiter sound. The CLX-51 and CLX-52 have many ways to deal with any gain structure. The mechanical design is ready for years of rugged service and we back our quality with Ashly's exclusive Five Year Worry-Free Warranty. The CLX series is extremely useful for such diverse applications as loudspeaker protection, vocal level control, broadcast limiting, musical instrument sustain, special effects, and CD to cassette transfers.


Extremely low noise and distortion
Dual release time for minimum "pumping“
Detector Patch Point
Wide-range control of all parameters
Powerful peak control with minimum audible side effects
Both XLR and 1/4" input and output connectors

The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative. 
 
FEATURES:

4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty 

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time
High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System  
  • Professional 31-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated mono subwoofer output with adjustable crossover frequency
  • Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
  • Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
  • Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
  • Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • 3-Year Warranty Program*
  • Conceived and designed by BEHRINGER Germany

The DPR-504 is a 4-channel noise gate.

Each channel features:
A parametric key filter with key filter listening.
Simultaneous key level and threshold metering with average and
peak metering.
A gate status LED.
A RELEASE/HOLD control (hold tracks proportionally with release
times).
Attack switchable auto/fast (auto tracks signal dynamics for optimum
setting).
Link (links two channels together).
Key source allows external triggers.

The Range switch selects between 7OdB and 2OdB gating depth to
provide alternative release profiles.
The unit features electronically balanced inputs and outputs. 

The Avalon VT-737SP features a combination of TUBE preamplifiers,
opto-compressor,sweep equalizer, output level and VU metering in a
2U space.
PREAMPLIFIER
The VT-737SP has three input selections: 1. The VT-737SP features a
higher-performance microphone input transformer with +48v phantom
selection. 2. Instrument DI high source input with jack located on front
panel. 3. Balanced line input, discrete high-level Class A. The Class A
preamplifier utilizes two cascaded, dual vacuum tube triodes configured
with minimum negative feedback. A high gain switch boosts the overall
gain of the preamplifier. The four high quality tubes are configured as
singled ended anode coupled followers. A passive-variable high pass filter
and hard-wire relay bypass completes the input signal conditioning. The
phase reverse relay is available on all three inputs.
OPTO-COMPRESSOR
The opto-compressor features a minimum signal path design with twin Class
A vacuum tube triodes for gain matching. The optical attenuator acts as a
simple passive level controller. Full dynamic control from soft compression to
hard- knee limiting can be achieved with threshold, ratio-compression, attack
and release controls plus gain reduction selection on the large VU meter. Special
spectral control including de-ess is available with the dual sweep mid EQ to side-
chain switch. The EQ section can be flipped pre or post the opto-compressor
via a front panel switch for alternate effects and tone shaping. Two VT-737SPs
can be linked via a rear panel link cable for stereo tracking. The compressor
bypass is a sealed silver relay for the most direct signal path.
SWEEP-EQUALIZER AND OUTPUT LEVEL
The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors
for optimum sonic performance. The high and low frequency bands provide the
smooth characteristics of an all passive design, while the dual mid bands include
variable frequency and switched Q-width selection. The enhanced range of the mid
bands is extended into the high and low bands by the use of X10 frequency multipliers.
The bypass switch incorporates a sealed silver relay for the most direct signal path.
When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for
"tone enhancement“. The output level control provides a variable control of the overall
signal path. The output amplifier utilizes another dual triode vacuum tube driving a
100% discrete, Class A, high-current, balanced and DC coupled low noise output
amplifier.

AVALON VT-737SP FEATURES
Vacuum tube triode signal path, transformer balanced microphone input, high-voltage
circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power
supply with toroidal transformer, soft-start tube life extender, stereo link for compressors,
all discrete Class A equalizer with musical passive filter design, sealed silver relays for
signal routing, large control knobs with professional conductive plastic potentiometers,
VU meter for output level monitoring and compressor gain reduction.

VT-737SP SPECIFICATIONS
Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete
Class A
Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument:
Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB
Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced
XLR Instrument+30dB unbalanced front panel jack socket
Line +36dB balanced XLR
Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A
Output type and gain XLR connector, output trim gain -45dB to20dB
Noise 20kHz unweighted -92dB
Noise microphone EIN -116dB, 22Hz to 22kHz unweighted
Distortion THD, IMD 0.5%
Frequency response -/2.5dB 10Hz to 120kHz input filter included
Frequency response -3dB 1Hz to 200kHz line in-out
VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB
High cut filter Variable 6dB per octave 30Hz to 140Hz
Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link
Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1
Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds
Equalizer type Discrete Class A, variable active and switched passive design
Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf
High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid -
variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz,
30Hz, 60Hz, 150Hz, +/- 24dB range, shelf
AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum
Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm)
Weight 22lbs (10kg)
Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm)
Weight-packed 26lbs (11.8kg)

Weight4.50 kg3.40 kg3.00 kg2.50 kg5.00 kg11.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.50 kg
Weight 3.40 kg
Weight 3.00 kg
Weight 2.50 kg
Weight 5.00 kg
Weight 11.80 kg