ASHLY CLX 52 Stereo Compressor Limiter

Discontinued

674.13 incl. GR VAT

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  The CLX Series compressor/limiters use an “infinite soft-knee” characteristic and timing based on compression ratio. This, combined with a dual release time, allows program density to increase as the input signal increases. The result is a peak controller with very low noise, smooth sound, and excellent stereo tracking without the usual “constricted” limiter sound. […]

 

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The CLX Series compressor/limiters use an “infinite soft-knee” characteristic and
timing based on compression ratio. This, combined with a dual release time, allows
program density to increase as the input signal increases. The result is a peak
controller with very low noise, smooth sound, and excellent stereo tracking without
the usual “constricted” limiter sound. The CLX-51 and CLX-52 have many ways to
deal with any gain structure. The mechanical design is ready for years of rugged
service and we back our quality with Ashly’s exclusive Five Year Worry-Free
Warranty. The CLX series is extremely useful for such diverse applications as
loudspeaker protection, vocal level control, broadcast limiting, musical instrument
sustain, special effects, and CD to cassette transfers.
 


 

Extremely low noise and distortion
Dual release time for minimum “pumping“
Detector Patch Point
Wide-range control of all parameters
Powerful peak control with minimum audible side effects
Both XLR and 1/4″ input and output connectors
Weight 4.50 kg

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ASHLY CLX 52 Stereo Compressor Limiter removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR removeBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeShure DP11EQE with Gate, Expander removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor remove
NameASHLY CLX 52 Stereo Compressor Limiter removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR removeBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeShure DP11EQE with Gate, Expander removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor remove
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SKUCLX-52E005314E005280E005281DP11EQESCOM 4
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Price 674.13 incl. GR VAT 174.00 incl. GR VAT 95.00 incl. GR VAT 173.00 incl. GR VAT 422.00 incl. GR VAT 215.00 incl. GR VAT
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Description
Content

  The CLX Series compressor/limiters use an "infinite soft-knee" characteristic and timing based on compression ratio. This, combined with a dual release time, allows program density to increase as the input signal increases. The result is a peak controller with very low noise, smooth sound, and excellent stereo tracking without the usual "constricted" limiter sound. The CLX-51 and CLX-52 have many ways to deal with any gain structure. The mechanical design is ready for years of rugged service and we back our quality with Ashly's exclusive Five Year Worry-Free Warranty. The CLX series is extremely useful for such diverse applications as loudspeaker protection, vocal level control, broadcast limiting, musical instrument sustain, special effects, and CD to cassette transfers.  


 

Extremely low noise and distortion
Dual release time for minimum "pumping“
Detector Patch Point
Wide-range control of all parameters
Powerful peak control with minimum audible side effects
Both XLR and 1/4" input and output connectors

The Multicom Pro-XL MDX4600 gives you 4 channels of first-class dynamic
control in a single rack space. With a multitude of new features like the
advanced program-adaptive expander gate, extensive metering plus a variety
of configuration options, the Multicom Pro-XL puts a lot of dynamic processing
power in your rack.

Features
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression
circuitry combines the advantages of hard-knee and soft-knee characteristics
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise
suppression
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable low contour filter prevents "pumping" due to low-frequency dominated
compression
Stereo couple function selectable for channels 1/2 and 3/4
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 8-segment LED meters for input/output levels and gain reduction
Selectable operating level (+4 dBu/-10 dBV)
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Manufactured under ISO9000 certified management system

SHARK FBQ100 Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor Automatically and "intelligently" locates and destroys up to 8 feedback frequencies Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality Ultra-low noise Mic/Line input with Gain control and +48 V phantom power Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec Noise gate with automatic and manual parameter settings Automatic compressor with variable density Subsonic filter with adjustable cut-off frequency Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER GermanyFEEDBACK DESTROYER FBQ1000 Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters High-performance 2-channel Feedback Destroyer and Parametric EQ Automatically and "intelligently" locates and destroys up to 24 frequencies Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality "Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance Auto mode continuously monitors the mix and automatically sets filters Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters Extensive MIDI implementation and user preset memories for instant program recalls Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany BEHRINGER FEEDBACK DESTROYER FBQ1000

Shure DP11EQE Dynamics Processor Specification:

    GENERAL:
        Frequency Response: 20 to 20k Hz +/- 1.0 dB re 1 kHz
        Dynamic Range: 104 dB minimum, A-weighted, 20 Hz to 20 kHz
        Sampling Rate: 48 kHz
        Digital-to-Analog, Analog-to-Digital Conversion: 20 bit resolution
    Voltage Gain:
        1 dB +/- 1dB (power off)
        12 dB +/- 2 dB (input 10 dBV, output +4 dBu)
        12 dB +/- 2 dB (input +4 dBu, output 10 dBv)
        0 dB +/- 2 dB (equal input and output sensitivities)
    Impedance:
        Input: 47 kilohms +/- 20% actual
        Output: 120 ohms +/- 20% actual
    Input Clipping Level
        +18 dBu minimum (at +4 dBu setting)
        +6 dBV minimum (at 10 dBV setting)
    Output Clipping Level
        +18 dBu minimum (at +4 dBu setting)
        +6 dBV minimum (at 10 dBV setting)
    Total Harmonic Distortion
            LED Signal Indicators
        Signal: 40 dB
        Clip: 6 dB down from input clipping
    Propagation Delay from Input to Ouput
        0.8 ms (all filters flat, no dynamics processing, 0 ms delay), up to 2.1 ms (all processing enabled)
    Polarity
        Input to output: inverting optional (default: non-inverting)
        XLR: pin 2 positive with respect to pin 3
        1/4-inch TRS: tip positive with respect to ring
    Operating Voltage
        DP11EQ: 120 Vac, 50/60 Hz, 50 mA max
        DP11EQE: 230 Vac, 50/60 Hz, 25 mA max
        DP11EQJ: 100 Vac, 50/60 Hz, 50 mA max
    Temperature Range
        Operating: 0 degrees to 60 degrees C (32 degrees to 140 degrees F)
    Fuse
        DP11EQ: 120 Vac. Fuse: 100 mA, 250V time delay
        DP11EQE: 230 Vac. Fuse: 50 mA, 250 V time delay
        DP11EQJ: 100 Vac. Fuse: 100 mA, 250 V time delay
    Dimensions
        219 mm x 137 mm x 44 mm (8-5/8 in x 5-3/8 in x 1-3/4 in)
        Weight: 930 g (2.05 lbs)
    DYNAMICS PROCESSOR
        Gate and Expander:
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 1.0 to 200 ms
        Decay: 0.05 to 1 second
        Gate Hold Time: 0 to 0.5 seconds
    AGC Leveler
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 0.2 to 3 seconds
        Decay: 0.5 to 5 seconds
        Hinge: Threshold to 1 dB, 0.5 dB resolution
    Compressor and Limiter
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 1.0 to 200 ms
        Decay: 0.05 to 1 second
        Knee: Hard or Soft selectable
    No Overshoot Peak Limiter
        Propagation delay: 1 ms
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 0 msDecay: 100 ms
    PARAMETRIC EQUALIZER
        Parametric Filter Frequency Bands
        Up to 9 bands, variable frequency, variable Q
    Boost/Cut Range
        +6 dB to 18 dB per band
        Q Range
        1/40-octave to 2 octave
    High and Low Shelf/Cut Filters
        Shelf, +6 to 18 dB per filter
        Cut, 12 dB per octave nominal
    DELAY
        Up to 1.3 seconds, 21 microsecond resolution

The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative. 
 
FEATURES:

4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty 

Weight4.50 kg3.45 kg0.38 kg1.90 kg3.00 kg3.40 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.50 kg
Weight 3.45 kg
Weight 0.38 kg
Weight 1.90 kg
Weight 3.00 kg
Weight 3.40 kg