ASHLY DPX-100 Graphic Equalizer and Compressor-Limiter Mono 7-band

Discontinued

561.26 incl. GR VAT

Out of stock

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The DPX Series was created in response to our dealers, contractors and users requesting a simple solution requiring general EQ and comp/limiting. Two products havebeen developed, the DPX-100 Graphic Equalizer & Compressor/Limiter and DPX-200Parametric Equalizer & Compressor/Limiter.  Using proven circuitry from our popular MQX and PQX series equalizers and combiningthese features with our CLX series […]

 

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The DPX Series was created in response to our dealers, contractors and users requesting a simple solution requiring general EQ and comp/limiting. Two products have
been developed, the DPX-100 Graphic Equalizer & Compressor/Limiter and DPX-200
Parametric Equalizer & Compressor/Limiter.  Using proven circuitry from our popular MQX and PQX series equalizers and combining
these features with our CLX series compressor/limiters provides two tools no audio system
should be without. By combining the features and benefits of two processors into one unit,
the result is two powerful tools providing a simple solution to everyday audio applications.
The EQ section of the DPX-100 is a 15-band, constant Q, 2/3 octave, ISO center, precision
wein bridge filter design. Other EQ features are: frequency range from 25Hz to 16KHz,
selectable 15dB or 6dB range, 25mm faders with ‘center off’ position, EQ in/out switch,
signal present and clip LEDs and switchable 18dB/octave -20Hz high pass filter.   Two separate inputs are available in the DPX-200;  a microphone preamp with input pad
and a line input. An input select switch and input level control are located on the front
panel. The EQ section consists of 4 bands of filtering; two full-bandwidth parametric EQs
as well as a low-shelf and high-shelf filter. Other EQ features are: in/out switching for
each filter, cut and boost of 15dB, signal present and clip LEDs, and master EQ level control.
The compressor/limiter section uses peak detection circuitry and has individual controls
for gain, threshold, ratio, attack, release and output level. More compressor/limiter features
include: in/out switch, 11-stage LED gain reduction meter, selectable 11-stage LED input/output
level meter, and a detector patch point for frequency-selective limiting or ducking.   Additional features of the DPX-100 and DPX-200 are: the equalizer section and
compressor/limiter may be used independently or chained together in series, balanced
XLR and inputs and outputs, extremely low noise and distortion, internal power supply
and Ashly’s five-year worry-free warranty.


Weight 3.60 kg

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Quick Comparison

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SKUDPX 100DBX 231SDBX 2215EQ73DBX IEQ15E008298
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Description
Content The DPX Series was created in response to our dealers, contractors and users requesting a simple solution requiring general EQ and comp/limiting. Two products have
been developed, the DPX-100 Graphic Equalizer & Compressor/Limiter and DPX-200
Parametric Equalizer & Compressor/Limiter.  Using proven circuitry from our popular MQX and PQX series equalizers and combining
these features with our CLX series compressor/limiters provides two tools no audio system
should be without. By combining the features and benefits of two processors into one unit,
the result is two powerful tools providing a simple solution to everyday audio applications.
The EQ section of the DPX-100 is a 15-band, constant Q, 2/3 octave, ISO center, precision
wein bridge filter design. Other EQ features are: frequency range from 25Hz to 16KHz,
selectable 15dB or 6dB range, 25mm faders with 'center off' position, EQ in/out switch,
signal present and clip LEDs and switchable 18dB/octave -20Hz high pass filter.   Two separate inputs are available in the DPX-200;  a microphone preamp with input pad
and a line input. An input select switch and input level control are located on the front
panel. The EQ section consists of 4 bands of filtering; two full-bandwidth parametric EQs
as well as a low-shelf and high-shelf filter. Other EQ features are: in/out switching for
each filter, cut and boost of 15dB, signal present and clip LEDs, and master EQ level control.
The compressor/limiter section uses peak detection circuitry and has individual controls
for gain, threshold, ratio, attack, release and output level. More compressor/limiter features
include: in/out switch, 11-stage LED gain reduction meter, selectable 11-stage LED input/output
level meter, and a detector patch point for frequency-selective limiting or ducking.   Additional features of the DPX-100 and DPX-200 are: the equalizer section and
compressor/limiter may be used independently or chained together in series, balanced
XLR and inputs and outputs, extremely low noise and distortion, internal power supply
and Ashly's five-year worry-free warranty.


DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction

 It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

SPECIFICATIONS:

 

 INPUT

Connectors:

 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip

Type:

Electronically balanced/unbalanced, RF filtered

Impedance:

Balanced 40k ohm, unbalanced 20k ohm

Max Input Level:

>+21dBu balanced or unbalanced

CMRR:

>40dB, typically >55dB at 1kHz

OUTPUTS

Connectors:

 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip

Type:

Impedance-balanaced/unbalanced, RF filtered

Impedance:

Balanced 200 ohm, unbalanced 100 ohm

Max Output Level:

 >+21dBu balanced/unbalanced into 2k or greater
 >+18dBm balanced/unbalanced (into 600)

SYSTEM PERFORMANCE

Bandwidth:

20Hz to 20kHz, +/-0.5dB

Frequency Response:

50kHz, +0.5/-3dB

Noise Reduction In:

 (+/-6 and +/-15dB range):

Signal-to-Noise:

 >102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >120dB, unweighted

Noise Reduction Out:

 (+/-6dB range):

Signal-to-Noise:

 >94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth

Dynamic Range:

 >112dB, unweighted

Noise Reduction Out:

 (+/-15dB range):

Signal-to-Noise:

 >90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >108dB, unweighted

THD + Noise:

The class-A circuit used in the EQ-73 is similar to the eq section in the classical 1073 module, without the high pass filter. Additional frequencies have been added and the mid frequency band uses two inductors, the higher value of the second one is used for the two lowest frequencies, 160 Hz and 240 Hz, to achieve a suitable response.

The sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

The EQ-73 has stepped frequency controls that offers a wide selection of frequencies from 20 Hz to 24 kHz.

The Low and High frequency bands are shelving and the mid frequency band is of the bell type.

The control range is +/-15 dB for the two lower bands and +/- 18dB for the high frequency band.

There are separate bypass switches for all three bands.

The EQ-73 is made to be used together with one of our PRE-73 models that has an Insert jack. It can also be used with many other units that has a low level insert jack.

Combining a PRE-73 and an EQ-73, and using a UNITE rack kit to mount them together, one will get a 19-inch 1073-style unit at a low cost and with a great sound!

FEATURES

- Vintage Style electronics. No intergrated circuits in the signal path

- 3-band with a dual inductor based mid frequency band

- Stepped frequency selection

- A wide selection of frequencies from 20 Hz to 24 kHz

- Control range up to +/- 18 dB

- Separate Bypass switches for each band

- Tantalum capacitors in the signal path

- Made to be used together with one of our PRE-73 models with an Insert jack or any other unit with a low level Insert jack

- TRS jack for in-and output connection, the nominal working level is around 18 dBu

- Selectable ground lift switch

- External power supply to avoid interaction with the audio circuits

- Great sound that suits most sound sources and genres

- A solid build quality that will last many years of normal use

iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?

With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.

The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.

  
? Advanced Feedback Suppression (AFS?)

? Type V? Noise Reduction

? PeakStopPlus? Limiting

? 2/3-octave Constant Q frequency bands

? Switchable boost/cut ranges of ±6 or ±15dB

? 18 dB per octave 40Hz low-cut filter

? ±12dB input gain range

? XLR, TRS and Euroblock Inputs and Outputs

? Internal Toroidal Transformer

? Frequency Response of 10Hz to 22kHz

? Dynamic range of greater than 113dB

? User Power Up Features

? Relay Bypass for Power Failure System Protection

  • Audiophile 31-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated Limiters with gain reduction meters for each channel protect your sound system from overload and distortion
  • Pink noise generator provides test signals to adapt your sound system to any room acoustics
  • Mono subwoofer output with dedicated level control and adjustable crossover frequency
  • Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e.g. floor rumble, hiss etc.
  • Highly accurate 8-segment LED input/output metering and input gain controls for easy level setting
  • Relay-controlled hard bypass with an auto-bypass function during power failure (fail-safe relay)
  • Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
  • “Planet Earth" switching power supply for maximum flexibility (100
    - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Weight3.60 kg3.58 kg4.30 kg3.00 kg3.86 kg2.70 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.60 kg
Weight 3.58 kg
Weight 4.30 kg
Weight 3.00 kg
Weight 3.86 kg
Weight 2.70 kg

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