The DPX Series was created in response to our dealers, contractors and users requesting a simple solution requiring general EQ and comp/limiting. Two products havebeen developed, the DPX-100 Graphic Equalizer & Compressor/Limiter and DPX-200Parametric Equalizer & Compressor/Limiter. Using proven circuitry from our popular MQX and PQX series equalizers and combiningthese features with our CLX series […]
The DPX Series was created in response to our dealers, contractors and users requesting a simple solution requiring general EQ and comp/limiting. Two products have been developed, the DPX-100 Graphic Equalizer & Compressor/Limiter and DPX-200 Parametric Equalizer & Compressor/Limiter. Using proven circuitry from our popular MQX and PQX series equalizers and combining these features with our CLX series compressor/limiters provides two tools no audio system should be without. By combining the features and benefits of two processors into one unit, the result is two powerful tools providing a simple solution to everyday audio applications. The EQ section of the DPX-100 is a 15-band, constant Q, 2/3 octave, ISO center, precision wein bridge filter design. Other EQ features are: frequency range from 25Hz to 16KHz, selectable 15dB or 6dB range, 25mm faders with ‘center off’ position, EQ in/out switch, signal present and clip LEDs and switchable 18dB/octave -20Hz high pass filter. Two separate inputs are available in the DPX-200; a microphone preamp with input pad and a line input. An input select switch and input level control are located on the front panel. The EQ section consists of 4 bands of filtering; two full-bandwidth parametric EQs as well as a low-shelf and high-shelf filter. Other EQ features are: in/out switching for each filter, cut and boost of 15dB, signal present and clip LEDs, and master EQ level control. The compressor/limiter section uses peak detection circuitry and has individual controls for gain, threshold, ratio, attack, release and output level. More compressor/limiter features include: in/out switch, 11-stage LED gain reduction meter, selectable 11-stage LED input/output level meter, and a detector patch point for frequency-selective limiting or ducking. Additional features of the DPX-100 and DPX-200 are: the equalizer section and compressor/limiter may be used independently or chained together in series, balanced XLR and inputs and outputs, extremely low noise and distortion, internal power supply and Ashly’s five-year worry-free warranty.
Weight
3.60 kg
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The DPX Series was created in response to our dealers, contractors and users requesting a simple solution requiring general EQ and comp/limiting. Two products have been developed, the DPX-100 Graphic Equalizer & Compressor/Limiter and DPX-200 Parametric Equalizer & Compressor/Limiter. Using proven circuitry from our popular MQX and PQX series equalizers and combining these features with our CLX series compressor/limiters provides two tools no audio system should be without. By combining the features and benefits of two processors into one unit, the result is two powerful tools providing a simple solution to everyday audio applications. The EQ section of the DPX-100 is a 15-band, constant Q, 2/3 octave, ISO center, precision wein bridge filter design. Other EQ features are: frequency range from 25Hz to 16KHz, selectable 15dB or 6dB range, 25mm faders with 'center off' position, EQ in/out switch, signal present and clip LEDs and switchable 18dB/octave -20Hz high pass filter. Two separate inputs are available in the DPX-200; a microphone preamp with input pad and a line input. An input select switch and input level control are located on the front panel. The EQ section consists of 4 bands of filtering; two full-bandwidth parametric EQs as well as a low-shelf and high-shelf filter. Other EQ features are: in/out switching for each filter, cut and boost of 15dB, signal present and clip LEDs, and master EQ level control. The compressor/limiter section uses peak detection circuitry and has individual controls for gain, threshold, ratio, attack, release and output level. More compressor/limiter features include: in/out switch, 11-stage LED gain reduction meter, selectable 11-stage LED input/output level meter, and a detector patch point for frequency-selective limiting or ducking. Additional features of the DPX-100 and DPX-200 are: the equalizer section and compressor/limiter may be used independently or chained together in series, balanced XLR and inputs and outputs, extremely low noise and distortion, internal power supply and Ashly's five-year worry-free warranty.
“Planet Earth" switching power supply for maximum flexibility (100
- 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
The Rane ME 15S microGraphic Equalizer is a two-channel, 2/3-octave design with 20 mm sliders in a single rack space unit. It features a Range switch for high slider resolution in the ±6 dB mode, equivalent resolution to 45 mm sliders found on the DEQ 60L. The ±12 dB mode provides a wide range of control over system audio.
The active filter sections feature Raneʼs innovative constant-Q (constant bandwidth) design. Constant-Q means the bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. This differs dramatically from conventional designs of the past, encumbered with the unfortunate characteristic of changing bandwidth when changing boost/cut amounts.
Front panel controls and indicators include an overall rotary Level control for each channel as well as Overload indicators. Passive pushbutton Bypass switches feature LED indicators, avoiding ambiguity by being on when the unit is Bypassed. (A passive Bypass switch requires no power to operate. This allows completion of the audio path should power fail in the ME 15S.)
Inputs and Outputs are electronically balanced designs, capable of unbalanced operation when required. They accept and drive all possible signal levels into normal load impedances. Balanced applications choose between the XLR or 1/4" Tip-Ring-Sleeve connectors. Unbalanced sources also may tie to the ME 15S through mono 1/4" connectors (no ring connection).
Features
Constant-Q Bandwidth Design
Overall Level Controls and Passive Bypass Switches
20 mm Filter Slide Controls with ±6 dB or ±12 dB Slider Range
Infrasonic, Ultrasonic, & RFI Filters
Balanced XLR and 1/4" TRS Inputs and Outputs
Universal internal switching power supply (100-240 VAC)
INPUT
Connectors: 1/4" TRS, female XLR (pin 2 hot)
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced 40k ohm, unbalanced 20k ohm
Max Input Level: >+21dBu balanced or unbalanced
CMRR: >40dB, typically >55dB at 1kHz
OUTPUTS
Connectors: 1/4" TRS, male XLR (pin 2 hot)
Type: Impedance-balanaced/unbalanced, RF filtered
Impedance: Balanced 100 ohm, unbalanced 50 ohm
Max Output Level: >+21dBu balanced/unbalanced into 2k ohm or greater
>+18dBm balanced/unbalanced (into 600 ohm)
SYSTEM PERFORMANCE
Bandwidth: 20Hz to 20kHz, +0.5/-1dB
Frequency Response: 50kHz, +0.5/-3dB
Dynamic Range: Typicall >112dB
Signal-to-Noise: Typically >95dB
THD+Noise:
1215 Dual 15-Band Graphic Equalizer
The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.
Switchable boost/cut ranges of ±6 or ±15 dB
Electronically balanced/unbalanced inputs
Servo balanced/unbalanced inputs
RF filtered inputs and outputs
XLR, Barrier Strip, and 1/4" TRS connectors
-12dB/+12dB input gain range
18dB/octave 40Hz Bessel low-cut filter
Chassis/signal ground lift capability
Internal power supply transformer
Power-off hardwire relay bypass with 2-second power-up delay
High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System
Professional 31-band stereo graphic equalizer for live and studio applications
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
Ultra-low noise 4580 operational amplifiers for highest signal integrity
Dedicated mono subwoofer output with adjustable crossover frequency
Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
“Planet Earth" switching power supply for maximum flexibility (100
- 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
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