ASHLY GQX 3102 – Graphic Equalizer Stereo 31-Band

Discontinued

1,308.61 incl. GR VAT

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The GQX-Series is available in three different configurations: the GQX-1502 features two channels of fifteen-band 2/3 octave equalization and a switchable high-pass filter. The GQX-3101 is a single-channel thirty-one band model, while the GQX-3102 features two channels of 1/3 octave EQ. Both the third-octave models offer tunable high-pass filter circuits from 8Hz to 200Hz and […]

 

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The GQX-Series is available in three different configurations: the GQX-1502 features two channels of fifteen-band 2/3 octave equalization and a switchable high-pass filter. The GQX-3101 is a single-channel thirty-one band model, while the GQX-3102 features two channels of 1/3 octave EQ. Both the third-octave models offer tunable high-pass filter circuits from 8Hz to 200Hz and 10-segment, two color LED meter displays, referencing 0 VU to +4dBu. Each model in the GQX-Series features switch-selectable cut or boost of either 6dB or 15dB, and carry the same Five Year Worry-Free Warranty offered on all commercial sound products from Ashly.

 
The GQX models are designed to be significantly quiet without the
need for noise reduction to be built into the equalizer circuit.
Double-sided circuit boards with ground plane design are used
in the filter sections for improved RFI and electrostatic immunity.
Precision Wein-Bridge filters and carefully designed summing
amplifiers combine to provide extremely accurate response, low
noise, negligible distortion, and complete immunity to magnetic
fields. All filters exhibit true constant “Q” response with no
broadening near the “flat” setting. High slew-rate circuitry
throughout the signal path results in clean, quiet, transparent
sound. The faders used are a custom-manufactured metal-shaft
type, with molded saddle knobs, for the ultimate in reliability and
smooth “feel“. Ashly’s unique “T-Beam” front panel construction
eliminates interconnections between the faders and the filters,
resulting in a very rugged and rigid front panel.
 
Input and output connections include barrier strip terminals and
1/4″ TRS phone jacks, as well as standard locking XLR’s. Circuit
ground may be lifted from chassis ground via the barrier strip.
Ashly’s servo-balanced output circuitry maintains unity gain even
if pins 2 or 3 are connected directly to ground. Our transformer
and power supply design result in lower hum noise and even greater
line voltage range. In fact, these units still meet specifications
when voltage drops down to as low as 93 VAC, making them the
ideal choice when power stability presents a problem to the installer.


Precision Wein-bridge filters for accurate response and low distortion
Constant “Q” design for low ripple and minimum interaction
Selectable 15dB or 6dB range
Switchable-Tunable Low Cut Filter
10 position, 2-color LED level meter plus peak LED indicators
High quality detented metal shaft faders
Balanced Inputs and Outputs
XLR, 1/4″ TRS and Barrier Strip Audio Connections
Rider friendly
Five Year Warranty
Weight 6.80 kg

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Quick Comparison

ASHLY GQX 3102 - Graphic Equalizer Stereo 31-Band removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeGOLDEN AGE EQ-73 Equalizer removeAVALON AD2055 DUAL MONO PURE CLASSA PARAMETRIC MUSIC EQUALIZER removeOMNITRONIC DXO-48E Digital Controller - stereo active crossover 4 inputs - 8 outputs, incl. software removeDBX IEQ15 DUAL 15-BAND GRAPHIC EQUALIZER remove
NameASHLY GQX 3102 - Graphic Equalizer Stereo 31-Band removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeGOLDEN AGE EQ-73 Equalizer removeAVALON AD2055 DUAL MONO PURE CLASSA PARAMETRIC MUSIC EQUALIZER removeOMNITRONIC DXO-48E Digital Controller - stereo active crossover 4 inputs - 8 outputs, incl. software removeDBX IEQ15 DUAL 15-BAND GRAPHIC EQUALIZER remove
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SKUGQX 3102DBX 2215EQ73AD2055DXO-48EDBX IEQ15
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Price 1,308.61 incl. GR VAT 434.00 incl. GR VAT295.00 incl. GR VAT 4,250.00 incl. GR VAT 590.00 incl. GR VAT 770.00 incl. GR VAT
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Description
  • Flexible routing configurations for all standard mono and stereo output operating modes
  • 4 analog inputs and 8 analog outputs (XLR)
  • Active frequency filter types (Bessel, Butterworth and Linkwitz-Riley) with slopes up to 24 dB/octave split up the audio signal into different frequency bands
  • Incl. software editor (for PC and Mac) for remote control via computer through USB interface: store, transfer, and manage your presets
  • Up to 30 user presets storable in the device via software
Content

The GQX-Series is available in three different configurations: the GQX-1502 features two channels of fifteen-band 2/3 octave equalization and a switchable high-pass filter. The GQX-3101 is a single-channel thirty-one band model, while the GQX-3102 features two channels of 1/3 octave EQ. Both the third-octave models offer tunable high-pass filter circuits from 8Hz to 200Hz and 10-segment, two color LED meter displays, referencing 0 VU to +4dBu. Each model in the GQX-Series features switch-selectable cut or boost of either 6dB or 15dB, and carry the same Five Year Worry-Free Warranty offered on all commercial sound products from Ashly.   The GQX models are designed to be significantly quiet without the need for noise reduction to be built into the equalizer circuit. Double-sided circuit boards with ground plane design are used in the filter sections for improved RFI and electrostatic immunity. Precision Wein-Bridge filters and carefully designed summing amplifiers combine to provide extremely accurate response, low noise, negligible distortion, and complete immunity to magnetic fields. All filters exhibit true constant "Q" response with no broadening near the "flat" setting. High slew-rate circuitry throughout the signal path results in clean, quiet, transparent sound. The faders used are a custom-manufactured metal-shaft type, with molded saddle knobs, for the ultimate in reliability and smooth "feel“. Ashly's unique "T-Beam" front panel construction eliminates interconnections between the faders and the filters, resulting in a very rugged and rigid front panel.   Input and output connections include barrier strip terminals and 1/4" TRS phone jacks, as well as standard locking XLR's. Circuit ground may be lifted from chassis ground via the barrier strip. Ashly's servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected directly to ground. Our transformer and power supply design result in lower hum noise and even greater line voltage range. In fact, these units still meet specifications when voltage drops down to as low as 93 VAC, making them the ideal choice when power stability presents a problem to the installer.


Precision Wein-bridge filters for accurate response and low distortion
Constant "Q" design for low ripple and minimum interaction
Selectable 15dB or 6dB range
Switchable-Tunable Low Cut Filter
10 position, 2-color LED level meter plus peak LED indicators
High quality detented metal shaft faders
Balanced Inputs and Outputs
XLR, 1/4" TRS and Barrier Strip Audio Connections
Rider friendly
Five Year Warranty

DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction

 It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

SPECIFICATIONS:

 

 INPUT

Connectors:

 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip

Type:

Electronically balanced/unbalanced, RF filtered

Impedance:

Balanced 40k ohm, unbalanced 20k ohm

Max Input Level:

>+21dBu balanced or unbalanced

CMRR:

>40dB, typically >55dB at 1kHz

OUTPUTS

Connectors:

 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip

Type:

Impedance-balanaced/unbalanced, RF filtered

Impedance:

Balanced 200 ohm, unbalanced 100 ohm

Max Output Level:

 >+21dBu balanced/unbalanced into 2k or greater
 >+18dBm balanced/unbalanced (into 600)

SYSTEM PERFORMANCE

Bandwidth:

20Hz to 20kHz, +/-0.5dB

Frequency Response:

50kHz, +0.5/-3dB

Noise Reduction In:

 (+/-6 and +/-15dB range):

Signal-to-Noise:

 >102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >120dB, unweighted

Noise Reduction Out:

 (+/-6dB range):

Signal-to-Noise:

 >94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth

Dynamic Range:

 >112dB, unweighted

Noise Reduction Out:

 (+/-15dB range):

Signal-to-Noise:

 >90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >108dB, unweighted

THD + Noise:

The class-A circuit used in the EQ-73 is similar to the eq section in the classical 1073 module, without the high pass filter. Additional frequencies have been added and the mid frequency band uses two inductors, the higher value of the second one is used for the two lowest frequencies, 160 Hz and 240 Hz, to achieve a suitable response.

The sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

The EQ-73 has stepped frequency controls that offers a wide selection of frequencies from 20 Hz to 24 kHz.

The Low and High frequency bands are shelving and the mid frequency band is of the bell type.

The control range is +/-15 dB for the two lower bands and +/- 18dB for the high frequency band.

There are separate bypass switches for all three bands.

The EQ-73 is made to be used together with one of our PRE-73 models that has an Insert jack. It can also be used with many other units that has a low level insert jack.

Combining a PRE-73 and an EQ-73, and using a UNITE rack kit to mount them together, one will get a 19-inch 1073-style unit at a low cost and with a great sound!

FEATURES

- Vintage Style electronics. No intergrated circuits in the signal path

- 3-band with a dual inductor based mid frequency band

- Stepped frequency selection

- A wide selection of frequencies from 20 Hz to 24 kHz

- Control range up to +/- 18 dB

- Separate Bypass switches for each band

- Tantalum capacitors in the signal path

- Made to be used together with one of our PRE-73 models with an Insert jack or any other unit with a low level Insert jack

- TRS jack for in-and output connection, the nominal working level is around 18 dBu

- Selectable ground lift switch

- External power supply to avoid interaction with the audio circuits

- Great sound that suits most sound sources and genres

- A solid build quality that will last many years of normal use

The AD2055 combines 100% discrete, pure class A signal amplifiers with state-of-
the-art passive and active filter topologies. The AD2055's unique circuitry delivers
very high resolution transient detail at the operational extremes of real world equalization
demands. The AD2055 auto-bias DC servo loop control eliminates the need for all
interstage capacitor coupling. The AD2055 breathes life into all musical performances!
 
AD2055 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Minimum audio signal path
Dual mono operation
Transparent active and passive filter design
High headroom +30dB Very low noise -94dB
Fully balanced inputs and outputs
DC coupled, no transformers in audio path
Switched frequencies in high and low bands
Mid bands use X10 frequency for extended range
Wide bandwidth -3dB 1Hz to 450kHz
Low distortion less than 0.5% THD and IMD
All signal routing with sealed silver relays Conductive
plastic potentiometers for low noise
External 150W toroidal power supply 100% discrete
power supplies for audio path
Long lasting, stainless steel hardware
 
SONIC EXCELLENCE
The Avalon AD2055 Pure Class A music equalizer is the most powerful, low noise
parametric equalizer available today. Designed to optimize absolute signal integrity
and musical performance, the AD2055 combines the best of active and passive filter
topologies with sonic excellence unequaled by lesser designs. The AD2055 is the
perfect solution for two buss music-program equalization, special instrument EQ and
FX applications and ultra high performance mastering studio's.

Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers,
practical user features and rugged hardware designed to deliver true high performance
audio for many years. 

PASSIVE-ACTIVE FILTER DESIGN
Avalon equalizers feature the unique combination of both active and passive filter EQ designs.
This special combination enables the AD2055 to deliver high speed transient detail at the
operational extremes of real-world equalization demands. The passive high and low bands offer
alternate musical tone range to the full function active parametric mid bands. Passive equalizers
have long been a favorite with music lovers around the world.  Full bodied, powerful (up to +/-32dB,
64dB range !) and sweet frequency selections are the benefits of the passive high-low EQ bands.
The full bandwidth twin mid bands provide variable frequency selection (X10 frequency multipliers
for very wide range), variable Q (width) and amplitude control.

MINIMUM SIGNAL PATH DESIGN
Avalon's advanced true symmetry design offers high-voltage, large headroom, extended bandwidth
and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious music
professional unlimited sonic character and a natural harmonic detail that enhances the program
material and becomes one with the music itself. The Avalon AD2055 breathes life!

AD2055 SPECIFICATIONS
Circuit Topology  High-voltage 100% discrete, balanced and symmetrical
Class A 
Output Gain Range  Unity Gain 
Maximum Input Level  +30dB balanced XLR pin 2 hot 
Maximum Output Level  +32dB balanced 600 ohms, DC coupled, high-current
discrete Class A 
Input / Output Type  XLR type, pin 2 hot balanced 
Noise 20kHz Unweighted  -94dB (EQ in) 
Distortion THD, IMD  0.5% (typical 0.05% at +6dB 1kHz) 
Frequency Response -3dB  1Hz to 450kHz (input band limited) 
Equalizer Type  Passive high and low bands plus two fully parametric mid
bands 
Bypass  Hard-wire relay bypass for equalizer in-out 
Low Band F1  Passive, amplitude to -32dB to +32dB shelf or peak-dip curve 
F1 Frequency Range  Switched 10 position 18Hz, 25, 30, 50, 72, 100, 150, 215,
300, 450Hz 
Mid Band F2  Active, amplitude to -16dB to +16dB peak-dip curve 
F2 Frequency Range  Variable 35Hz to 450Hz (x10) 350Hz to 4k5Hz, Q (width)
0.3 to 3.0 
Mid Band F3  Active, amplitude to -16dB to +16dB peak-dip curve 
F3 Frequency Range  Variable 160Hz to 2k0Hz (x10) 1k6Hz to 20kHz, Q (width)
0.3 to 3.0 
High Band F4  Passive, amplitude to -26dB to +26dB shelf or peak-dip curve 
F4 Frequency Range  Switched 10 position 1k5Hz, 2k5, 3k5, 5k, 7k2, 10k, 12k5,
15k, 20k, 25kHz 
AC-DC Power  External AC supply, 150w toroidal transformer, 4 pin cable 90v
isolated, 
(B2T Power Supply Included)  100-240v selectable 50/60Hz, 150w max 
Dimensions  19 x 3.5 x 12 in (482 x 88 x 305mm) 
Shipping weight  30lbs (13.6 kg) 

Digital stereo active crossover with 4 inputs and 8 outputs, incl. software .

  • Flexible routing configurations for all standard mono and stereo output operating modes
  • 4 analog inputs and 8 analog outputs (XLR)
  • Active frequency filter types (Bessel, Butterworth and Linkwitz-Riley) with slopes up to 24 dB/octave split up the audio signal into different frequency bands
  • Incl. software editor (for PC and Mac) for remote control via computer through USB interface: store, transfer, and manage your presets
  • Up to 30 user presets storable in the device via software
  • 5 menu languages selectable (German, English, French, Spanish, Dutch)
  • Alphanumeric LCD screen with 2 lines of 16 characters each
  • Input sensitivity digitally adjustable
  • Inputs and outputs with 4-digit LED level meter as well as clip and limit LED indicator
  • Mute switch with LED indicator per output
  • 7-band parametric EQ per output
  • Up to 7 ms signal delay adjustable for the outputs
  • Output limiter with adjustable limits and automatic attack and release settings as overload protection for your amplifying system
  • Switchable phase
  • Lock function for prevents undesired changes to settings
  • Rack installation, 1 U
  • Windows XP, Vista, 7, 10 and Mac OS X 10.5.8 and better
  • Digital signal processor
  • The device can be connected via USB to the PC in connection with DXO Software The firmware can be updated via the PC connection
  • (19") 48.3 cm rack installation 1 U
Power supply: 100-240 V AC, 50/60 Hz 6 V DC 800 mA
Power connection: Mains input via Coaxial power connector (M) power supply cord with AC adapter (provided)
Frequency range: 10 - 22000 Hz
THD: <0,005 % at 1 kHz
DSP: Digital signal processor
Crossover frequency: 20-20000 Hz
Impedance: Input 10 kOhm Output 50 Ohm
Gain: Output: -50 dB to +12 dB
Filter: Linkwitz-Riley; Butterworth; Bessel; 6db/oct; 12db/oct; 18db/oct; 24db/oct
Delay: 0 - 7 ms
Dynamic range: Input: 114 dB Output: 110 dB
Sample rate: 48 kHz
Connections: Input: line via 4 x 3-pin XLR Output: line via 8 x 3-pin XLR
Max. level: Input: +22 dBu Output: +9 dBu
USB port: Typ B
PC connect: DXO Software via USB, firmware can be updated
Housing design: (19") 48.3 cm rack installation 1 U
Dimensions: Width: 48,3 cm Depth: 22,3 cm Height: 4,45 cm
Weight: 1,90 kg
 

iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?

With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.

The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.

  
? Advanced Feedback Suppression (AFS?)

? Type V? Noise Reduction

? PeakStopPlus? Limiting

? 2/3-octave Constant Q frequency bands

? Switchable boost/cut ranges of ±6 or ±15dB

? 18 dB per octave 40Hz low-cut filter

? ±12dB input gain range

? XLR, TRS and Euroblock Inputs and Outputs

? Internal Toroidal Transformer

? Frequency Response of 10Hz to 22kHz

? Dynamic range of greater than 113dB

? User Power Up Features

? Relay Bypass for Power Failure System Protection

Weight6.80 kg4.30 kg3.00 kg13.60 kg2.25 kg3.86 kg
DimensionsN/AN/AN/AN/A52.5 × 25 × 8 cmN/A
Additional information
Weight 6.80 kg
Weight 4.30 kg
Weight 3.00 kg
Weight 13.60 kg
Weight 2.25 kg
Dimensions 52.5 × 25 × 8 cm
Weight 3.86 kg