ASHLY MQX-2150 Graphic Equalizer Mono 15 Band

Discontinued

538.89 incl. GR VAT

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  Audio engineers do not have to give up a lot just to save a little rack space when choosing an equalizer. At Ashly, we believe that engineers should never have to compromise their standards just for the sake of miniaturization. We proudly offer the MQX Series, featuring all the performance and great sound of […]

 

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Audio engineers do not have to give up a lot just to save a little rack space when
choosing an equalizer. At Ashly, we believe that engineers should never have to
compromise their standards just for the sake of miniaturization. We proudly offer
the MQX Series, featuring all the performance and great sound of our legendary
GQX models in an uniquely compact package.
 
The same exacting filter design and summing circuitry of the GQX Series equalizers
are utilized, with each filter exhibiting true constant Q response. The center detented
position of every fader acts as an on/off switch for its filter. (to minimize any possible
degradation to signal noise levels) Even the faders themselves put these MQX Series
models into a class all their own. Instead of the 20mm plastic faders typically used
by the competition, Ashly has selected a custom-manufactured 25mm slide fader
device. The additional range and accuracy of this component allow us to offer
up to +/-15 dB of boost or cut adjustment on each individual filter. (an Ashly
exclusive in this class of product)
 
Housed in a rugged steel chassis, each model features balanced inputs and outputs,
with full ground lift provisions. For those engineers looking to avoid those pesky
“wall warts“, you will be pleased to find that we feature internal power supplies
in all Ashly products.
 
Of course, each MQX Series equalizer is covered by our exclusive Five Year
Worry Free Warranty. Finally, a truly professional graphic equalizer in a smaller
rack space package. When performance, value, and reliability are the most
important considerations, the Ashly MQX Series offers the obvious solution to
limited rack space equalization situations!


Precision Wein-bridge filters for accurate response and low distortion
Constant “Q” design for low ripple and minimum interaction
High quality detented 25mm faders
Balanced Inputs and Outputs
XLR and 1/4″ TRS Audio Connections (and Barrier Strips on MQX-1310 and MQX-2310)
Five Year Warranty
Weight 4.10 kg

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Quick Comparison

ASHLY MQX-2150 Graphic Equalizer Mono 15 Band removeBEHRINGER FBQ1502HD ULTRAGRAPH 2X15BAND EQUALIZER w-FBQ removeRANE ME 15S 2 Channel 2/3 Octave microGraphic EQ removeDBX 1231 Dual 31-Band Graphic Equalizer 2x31 removeDRAWMER 1974 - Stereo Parametric Equaliser removeAMERICAN AUDIO XEQ-152B EQUALIZER 2x15 BAND GRAPHIC EQUALIZER remove
NameASHLY MQX-2150 Graphic Equalizer Mono 15 Band removeBEHRINGER FBQ1502HD ULTRAGRAPH 2X15BAND EQUALIZER w-FBQ removeRANE ME 15S 2 Channel 2/3 Octave microGraphic EQ removeDBX 1231 Dual 31-Band Graphic Equalizer 2x31 removeDRAWMER 1974 - Stereo Parametric Equaliser removeAMERICAN AUDIO XEQ-152B EQUALIZER 2x15 BAND GRAPHIC EQUALIZER remove
ImageBEHRINGER FBQ1502HD ULTRAGRAPH 2X15BAND EQUALIZER w-FBQDRAWMER 1974 – Stereo Parametric Equaliser
SKUMQX 2150E008166ME15SDBX 1231UA31374004558
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Price 538.89 incl. GR VAT 129.00 incl. GR VAT599.17 incl. GR VAT 455.00 incl. GR VAT949.00 incl. GR VAT 145.00 incl. GR VAT
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Description
Content

  Audio engineers do not have to give up a lot just to save a little rack space when choosing an equalizer. At Ashly, we believe that engineers should never have to compromise their standards just for the sake of miniaturization. We proudly offer the MQX Series, featuring all the performance and great sound of our legendary GQX models in an uniquely compact package.   The same exacting filter design and summing circuitry of the GQX Series equalizers are utilized, with each filter exhibiting true constant Q response. The center detented position of every fader acts as an on/off switch for its filter. (to minimize any possible degradation to signal noise levels) Even the faders themselves put these MQX Series models into a class all their own. Instead of the 20mm plastic faders typically used by the competition, Ashly has selected a custom-manufactured 25mm slide fader device. The additional range and accuracy of this component allow us to offer up to +/-15 dB of boost or cut adjustment on each individual filter. (an Ashly exclusive in this class of product)   Housed in a rugged steel chassis, each model features balanced inputs and outputs, with full ground lift provisions. For those engineers looking to avoid those pesky “wall warts“, you will be pleased to find that we feature internal power supplies in all Ashly products.   Of course, each MQX Series equalizer is covered by our exclusive Five Year Worry Free Warranty. Finally, a truly professional graphic equalizer in a smaller rack space package. When performance, value, and reliability are the most important considerations, the Ashly MQX Series offers the obvious solution to limited rack space equalization situations!


Precision Wein-bridge filters for accurate response and low distortion
Constant "Q" design for low ripple and minimum interaction
High quality detented 25mm faders
Balanced Inputs and Outputs
XLR and 1/4" TRS Audio Connections (and Barrier Strips on MQX-1310 and MQX-2310)
Five Year Warranty
  • Professional 15-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated mono subwoofer output with adjustable crossover frequency
  • Additional low-cut filter removes unwanted frequencies, e.g. floor rumble
  • Highly accurate 4-segment LED output metering and input gain controls for easy level setting
  • Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • 3-Year Warranty Program*
  • Designed and engineered in Germany

The Rane ME 15S microGraphic Equalizer is a two-channel, 2/3-octave design with 20 mm sliders in a single rack space unit. It features a Range switch for high slider resolution in the ±6 dB mode, equivalent resolution to 45 mm sliders found on the DEQ 60L. The ±12 dB mode provides a wide range of control over system audio.

The active filter sections feature Raneʼs innovative constant-Q (constant bandwidth) design. Constant-Q means the bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. This differs dramatically from conventional designs of the past, encumbered with the unfortunate characteristic of changing bandwidth when changing boost/cut amounts.

Front panel controls and indicators include an overall rotary Level control for each channel as well as Overload indicators. Passive pushbutton Bypass switches feature LED indicators, avoiding ambiguity by being on when the unit is Bypassed. (A passive Bypass switch requires no power to operate. This allows completion of the audio path should power fail in the ME 15S.)

Inputs and Outputs are electronically balanced designs, capable of unbalanced operation when required. They accept and drive all possible signal levels into normal load impedances. Balanced applications choose between the XLR or 1/4" Tip-Ring-Sleeve connectors. Unbalanced sources also may tie to the ME 15S through mono 1/4" connectors (no ring connection).

Features
  • Constant-Q Bandwidth Design
  • Overall Level Controls and Passive Bypass Switches
  • 20 mm Filter Slide Controls with ±6 dB or ±12 dB Slider Range
  • Infrasonic, Ultrasonic, & RFI Filters
  • Balanced XLR and 1/4" TRS Inputs and Outputs
  • Universal internal switching power supply (100-240 VAC)

 

1231 Dual 31-Band Graphic Equalizer The dbx? 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier. The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis. SPECIFICATIONS:
 INPUT
Connectors: 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced 40 kOhm, unbalanced 20 kOhm
Max Input Level: >+21dBu balanced or unbalanced
CMRR: >40dB, typically >55dB at 1kHz
OUTPUTS
Connectors: 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
Type: Impedance-balanaced/unbalanced, RF filtered
Impedance: Balanced 200 ohm, unbalanced 100 ohm
Max Output Level: >+21dBu balanced/unbalanced into 2 kOhm or greater >+18dBm balanced/unbalanced (into 600 ohm)
SYSTEM PERFORMANCE
Bandwidth: 20Hz to 20kHz, +0.5/-1dB
Frequency Response: 50kHz, +0.5/-3dB
+/-15dB range +/-6dB range
Dynamic Range: 109dB 115dB
Signal-to-Noise: 90dB 97dB
THD + Noise:
The vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it\'s inspiration from 1970\'s-era gear. It has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain. Get immersive with the stereo operation, with one set of controls for both channels. The versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. The fully variable bandwidth allows you to control the parametric mid bands, making adjustments as surgically precise or as broad and natural sounding as you could ever require. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features switchable slopes on the low and high bands, allowing you to alter the focus at the top and bottom frequencies plus a low peak setting that magnifies the bottom end. The 1974 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any musician. Genuine Stereo Operation with Indented and Accurate Potentiometers. The genuine stereo linked operation of the 1974 makes adjustment quick and extremely simple using just one set of controls to alter both channels. Gone is the wasted time spent fiddling about on every control trying to match the settings of the left and right channels with each other. The 1974 uses precision potentiometers, each one being matched for left/right accuracy to within fine tolerances by our trained technicians, so that both channels operate identically, and also have indented operation, providing exceptional accuracy for fast and simple recall. Fully Parametric with Totally Variable Bandwidth. The 1974 is a true \'parametric\' equaliser, with the four bands having fully variable frequency controls and offer cut and boost of +/-12dB\'s. However, unlike EQ\'s with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1974 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings. Variable Low and High Cut Filters. The 1974 also includes fully variable low and high cut filters, ideal for tuning out undesirable signals. The low cut (otherwise known as High Pass Filter) having a range of 10Hz-225Hz and the high cut (otherwise known as Low Pass Filter) 4kHz-32kHz. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks where it will be necessary to cut the bass to remove rumble and top to remove hiss, as these undesirable signals will just add up as the tracks are layered. For instance, cut everything instrument below 100Hz except those within that spectrum, such as the kick, bass or synths etc to provide extra headroom to work and also tighten up the bass making it sound less muddy. And likewise for the high frequencies. Switchable Slope Setting. Very few analogue parametric equalisers have an adjustable slope on the low and high band filters, and is yet another feature of the 1974 that allows you to take control of your audio. The filter slopes of the 1974 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB\'s per octave. The Peak setting is quite a unique feature in that it adds a narrow bell shape to the 12dB per octave low band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It\'ll give your kick an added sense of power and precision. Features:
  • Vintage-style four band Parametric Equalisation which takes it\'s inspiration from 1970\'s-era analogue gear.
  • Delivers classic sonic clarity and control at an affordable price.
  • Genuine stereo operation with one set of controls for both channels.
  • Indented and accurate potentiometers, providing precision for quick and simple recall.
  • Variable low and high cut filters allow you to perfectly tune out any undesirable signals.
  • Fully variable bandwidth provides absolute control for the parametric mid bands.
  • Switchable slope plus low peak settings allows you to adjust the focus and magnify the bottom end.
  • True hardware bypass for accurate A/B comparisons.
  • Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
  • Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
  • Designed and manufactured by Drawmer in the UK.

* 2 channel 15 2/3 octave band graphic equalizer
* 25Hz - 16kHz frequency control * Constant Q circuitry
(3% frequency accuracy) * Selectable 6dB or 12dB control
* Variable level control * By-pass switch * Overload threshold LED (5dB below clipping) * Ground lift switch * XLR & 1/4" TRS balanced Inputs/Outputs * Power: Selectable 120V/220V voltage
* Dimensions: 1.75" H x 19" W x x 8.5" D / 44.5mm x 483mm x 216mm - 1 space r.m. * Weight: 4.5 lbs. / 2.5kg

XEQ-152 Specifactions:
* Input type: Active balanced / Unbalanced * Output Impedance:

Weight4.10 kg3.00 kg2.30 kg5.00 kg4.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.10 kg
Weight 3.00 kg
Weight 2.30 kg
Weight 5.00 kg
Weight 4.00 kg
Weight 3.00 kg