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The XR-Series crossovers are the product of an intensive research effort started in 1972 which combined a reexamination of traditional crossover theory with practical field use. Over the years, a number of refinements and new models have been added to our crossover series, but the original design goals have remained the same: to produce a crossover which is sonically accurate, is flexible enough to suit a wide variety of systems, and affords maximum protection for speakers and drivers.
All Ashly crossovers are based upon the same powerful state-variable filter circuit, which guarantees that two adjacent frequency band outputs always remain in phase. Our crossovers offer a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. These models also include a 200:1 tuning range, output mute switches, and both TRS and XLR connectors. Like other Ashly products, your crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields.
Response Control an Ashly Exclusive... This control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point“. This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or "Linkowitz-Riley" response through the crossover region, set the Response control to "6“. This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past "6" to best suit your needs.
The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a "slope" control. A 24dB/octave crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter.
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24dB/Octave Slopes |
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Variable Filter Response Allows Tuning-In Linkwitz-Riley or Other Filters |
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Output Mute Switches |
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Balanced Inputs and Outputs |
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20Hz Third Order High Pass Filter |
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XLR and 1/4" TRS Audio Connections |
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Peak Overload Warning LEDs |
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Five Year Warranty | | The DriveRack® PA2 provides all the processing you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbx's proprietary AutoEQTM and AFSTM algorithms, a new input delay module for delaying the FOH system to the backline, Ethernet control via an Android®, iOS®, Mac®, or Windows® device, and updated Wizards, the DriveRack PA2 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation.
Available Input Processing
- dbx Compression
- AFSTM (Advanced Feedback Suppression)
- Graphic EQ
- 8-Band Parametric EQ (adjusted when using the AutoEQ)
- Subharmonic Synthesis
Available Output Processing
- Crossover (supports full range, 2-way, and 3-way systems)
- 8-Band Parametric EQs (used for speaker tunings)
- dbx Limiting
- Driver Alignment Delays
Input |
(2) line inputs. (1) RTA Mic input |
Input Connectors |
(2) Female XLR line inputs. (1) Female XLR RTA Mic input |
Input Type |
Electronically balanced/RF filtered |
Input Impedance |
>50 kohm |
A/D Converter |
dbx Type IVTM Conversion System |
CMRR |
> 45dB |
Mic Preamp Phantom Power |
+15VDC (RTA) |
Mic Preamp Equivalent Input Noise (EIN) |
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Output |
(6) Line Outputs |
Output Connectors |
Male XLR |
Output Type |
Electronically balanced, RF filtered |
Output Impedance |
120 Ω |
Max Output |
+20dBu |
A/D Dynamic Range |
112 dB A-weighted, 110 dB unweighted |
Type IV Dynamic Range |
123 dB with transient material, A-weighted, 22kHz BW; 121 dB with transient material, unweighted, 22kHz BW; 115 dB typical with program material, A-weighted, 22kHz BW |
Input Delay Length |
100ms |
Alignment Delay |
10ms per channel (60ms total) |
Sample Rate |
48kHz |
Dynamic Range |
>110 dB A-weighted, >107dB unweighted |
THD+Noise |
0.003% typical at +4dBu, 1kHz, 0dB input gain |
Frequency Response |
20Hz - 20kHz, +/- 0.5dB |
Interchannel Crosstalk |
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Operating Voltage |
100-120VAC 50/60 Hz - EU: 220-240 VAC 50/60 Hz |
Power Consumption |
22 W |
Unit Weight |
5.25 lbs. (2.4 kg) |
Shipping Weight |
6.75 lbs. (3.1 kg) |
Dimensions |
1.75" (H) x 5.75" (D) x 19" (W), 4.4cm (H) x 14.6cm (D) x 48.26cm (W) |
D/A Dynamic Range |
112 dB A-weighted, 110dB unweighted |
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Providing 48-bit filter algorithms, 24-bit AD/DA conversion and a dynamic range of 115 dB, the DSP 244 sets new standards for digital loudspeaker controllers and processors. The DSP 244 is an universal Digital Sound System Processor that provides 2 inputs and 4 outputs; plus internal summing of the inputs 1 and 2. Via matrix it is possible to assign the outputs to any input or to the sum of the inputs. It is further possible to establish the following configurations: Stereo or Dual 2-Way systems, 3-Way + Direct and 4-Way systems, each with Mono Subchannel, but also full range systems. High and low-pass filters are provided for the frequency crossover functions in all operation modes. The selection includes Linkwitz-Riley, Butterworth and Bessel type filters with switchable slopes between 6, 12, 18 and 24 dB/oct. A huge number of additional filters offers extremely flexible correction of the frequency response. Each input incorporates a 5-band equalizer, allowing to assign high and low-pass, high and low-shelving or parametric peak-dip filters to its individual filter sections. Next to the frequency crossover filters, four additional filters are employed in each output channel, which also can be set to work as high or low-pass, high or low-shelving filters, parametric peak-dip filters, or all-pass filters. Additional filtering is provided through 2. order high-passes for the realization of B-6 alignment, or special LPN-filters (Low-Pass Notch filters) for correcting the frequency and phase responses of optimally vented woofer cabinets. Each channel additionally provides a delay, a polarity switch, a programmable level control and a digital compressor / limiter while the master delays are located in the input channels. Datasheets / ManualsBrochure (309KB)
Mains voltage 90 - 250 V AC / 50 - 60 Hz Power consumption 20 watts Safety class I Inputs 2 x XLR IN, electronically balanced, transformer optional available 2 x XLR OUT (Direct Out) Input voltage (nominal) 1.55 V / + 6 dBu Max. input voltage 24.5 V / + 30 dBu Input impedance 20 kohms Common mode rejection > 40 dB AD-conversion 24-bit, Sigma-Delta, 128 times oversampling, linear phase Outputs 4 x XLR OUT, electronically balanced Output voltage (nominal) 1.55 V / + 6 dBu Max. output voltage 8.7 V / + 21 dBu Output impedance |
The Soundweb London BLU-160 offers configurable I/O, configurable signal processing and a high bandwidth, fault tolerant digital audio bus.
The BLU-160 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a "drag and drop” method of configuration provide a simple and familiar design environment.
This processor features a low latency, fault tolerant digital audio bus of 256 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.
Four card slots which accommodate analog inputs, analog outputs, digital inputs and digital outputs in banks of four facilitate many different device I/O configurations.
Analog Input Cards provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel. Digital Input Cards and Digital Output Cards process AES/EBU and/or S/PDIF audio and offer a variety of clocking and syncing options. (Further information about the I/O cards can be found on dedicated datasheets)
Phantom Power, Sync, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. Device-specific information such as Device Name, Device Type, Firmware Version Number, Time, IP Address and Subnet Mask is available from the front panel display. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect.
12 Control Inputs and 6 Logic Outputs allow the BLU-160 to be integrated with GPIO compatible devices. The Soundweb London Interface Kit, comprehensive documentation which details how Soundweb London systems can be integrated with third party control systems, is included within the installation of HiQnet London Architect.
The BLU-160 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
Features - Four Input / Output Card Slots
- Configurable Inputs / Outputs
- Analog Inputs (with Phantom Power per Channel)
- Analog Outputs
- Digital Inputs (AES/EBU and S/PDIF)
- Digital Outputs (AES/EBU and S/PDIF)
- Configurable Signal Processing
- Rich Palette of Processing and Logic Objects
- 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus
- Clear Front Panel LED Indication
- Informative Front Panel Display
- Bi-Directional Locate Functionality
- 12 Control Inputs and 6 Logic Outputs for GPIO Integration
- Soundweb London Interface Kit for Third Party Control System Integration (Documentation)
- HiQnet Device
- Configuration, Control and Monitoring from HiQnet London Architect
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The VENU360 provides all the processing and flexibility you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbxʼs proprietary AutoEQ and AFS algorithms, additional input channels, ethernet control via an Android, iOS, Mac, or Windows device, and updated wizards, the DriveRack VENU360 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation. | Behringer DCX2496 Overview
The DCX2496 ULTRADRIVE PRO from Behringer is a digital loudspeaker management system, that provides excellent audio quality, along with a comprehensive feature list. It allows for precise set-up of multiple loudspeaker arrays, suitable for live sound, fixed installations that require control of loudspeaker systems, and other contractor-installed applications.
Each of the three-inputs and six-outputs have fixed processing blocks, including gain, delay, EQ and dynamic EQ on the input channels, and gain, crossover, EQs, limiter and delays on the output side. One of the inputs can accept a stereo AES/EBU digital signal. An integrated sample rate converter assists in accepting various sample rates. Additionally, an internal input-sum signal is easily set-up.
Four different mono and stereo output operating modes are available, all with individual crossover filter types with selectable roll-off characteristics. Input and output delays allow for time adjusting signals to compensate for ambient temperature changes or for adjusting arrival time differences for individual speaker clusters. EQs can be used for both musical enhancement or for level-dependent equalization. Brick-wall limiters guarantee speaker protection.
Remote control of one or several units can be accomplished utilizing downloadable software for a Windows based computer. Set-ups can be saved to the software, or to an optional PCMCIA card for the ultimate in portability. Servo-balanced, gold-plated XLR connectors for all inputs and outputs guarantee excellent connectivity.
- Three-input, six-output loudspeaker management system
- Four different mono- and stereo-output operating modes
- Individual crossover filter types including Butterworth, Bessel and Linkwitz-Riley, with selectable roll-off characteristics from 6dB to 48dB per octave
- Choice of high-, band- and low-pass filters for each input and output
- Dynamic EQ for level-dependent equalization and parametric EQ selectable for each channel
- “Zero" attack limiters on all output channels for optimal signal protection
- Automatic or manual-adjustable delays for all inputs and outputs allow for adjustment due to room temperature, phase and arrival time differences
- Link option via RS-485 network interface allows for linking multiple units for larger installation requirements
- Downloadable software enables single- or multiple-unit remote control utilizing a Windows based computer
- Sixty user-defined internal presets can bestored via software or on a PCMCIA card
- Internal universal power supply allows the unit to operate virtually anywhere
Frequency Response |
10Hz to 35kHz, -1dB |
Dynamic Range |
109dB |
Input Connections |
3 x XLR |
Output Connections |
6 x XLR |
Input Impedance |
20kΩ @ 1kHz |
Output Impedance |
160Ω @ 1kHz |
Maximum Input Level |
+22dBu |
Maximum Output Level |
+22dBu |
Sample Rate |
32kHz to 96kHz |
RTA Mic Phantom Voltage |
+15V |
Crosstalk (Main Outputs) |
-100dB @ 10dBu In |
THD & Noise |
0.007% @ 0dBu In |
Dimensions |
19" x 8.5 x 1.75" (483 x 217 x 45mm) |
Weight |
6.6 lbs (3 kg) |
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