AUDIENT ID-14 Audio Interface

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iD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub […]

 

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iD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub of your studio in no time.
  • 2 x Class-A Audient Console Mic Preamplifiers
  • High Performance Burr Brown AD/DA Converters
  • 1 x Discrete JFET Instrument Input
  • Main Speaker Output
  • Independent Class-AB Headphone Output
  • Full Monitor Control Functionality (software controlled)
  • ADAT Input for Expandability
  • Low Latency DSP Mixer
  • iD ScrollControl Mode
  • All-Metal Enclosure
  • USB2.0 Bus Powered
  • 24bit/96khz
Weight 0.40 kg

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SettingsAUDIENT ID-14 Audio Interface removeAPOGEE Duet FireWire Audio Interface removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeEDIROL REAC-S8PREAC-U audio/midi sequencer SONAR 8 Producer with REAC Driver Kit removeEDIROL FA-66 24Bit/192kHz FireWire Audio Capture removeMOTU HD192 remove
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SKUJ08LD00001DUETUltralite-mk3REAC-S8PREAC-UFA66HD192
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Description
ContentiD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub of your studio in no time.
  • 2 x Class-A Audient Console Mic Preamplifiers
  • High Performance Burr Brown AD/DA Converters
  • 1 x Discrete JFET Instrument Input
  • Main Speaker Output
  • Independent Class-AB Headphone Output
  • Full Monitor Control Functionality (software controlled)
  • ADAT Input for Expandability
  • Low Latency DSP Mixer
  • iD ScrollControl Mode
  • All-Metal Enclosure
  • USB2.0 Bus Powered
  • 24bit/96khz
  • Two channels of professional-quality 24-bit/96kHz audio input and output
  • Two balanced XLR inputs, with selectable 48V phantom power on each input
  • Two unbalanced high impedance instrument inputs
  • One high-level stereo headphone output
  • Two unbalanced -10 dBV line outputs for powered speakers
  • Multi-function controller knob for volume and input gain control and assignable MIDI control
  • Multi-segment LED meters to display input or output levels
  • FireWire 400, compatible with Mac OS X Core Audio
  • Control functions built directly into Appleʼs Logic Pro, Soundtrack Pro and GarageBand
  • Compatible with any Core Audio-compliant audio application
  • Apogeeʼs Maestro software for advanced control and low latency mixing
  • Dimensions: 4" W x 6.3" L x 1.5" H

System requirements :

  • Computer: Mac G4 1GHz or faster, G5 or Intel CPU
  • Memory: 1 GB RAM minimum, 2 GB recommended
  • OS: 10.4.10 or greater
  • Connection: FireWire 400 port

Package contents:

  • Duet
  • Breakout Cable
  • FireWire Cable
  • Apogee Software CD
  • Userʼs Guide

 

 

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.

The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:

* SONAR 8 Producer
* REAC Driver Kit
* Cakewalk Approved Hardware Monitoring Device
* SONAR Templates
* Users Guides

The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.

SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.

With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.

SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.

SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.

Recommended System Requirements:

* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit)
* Processor Speed: Intel Core 2 Duo 2GHz or higher
* RAM: 3 GB for 40 Channel Recording
* Ethernet Port Speed: Gigabit Ethernet/CAT5e Only
* Graphics: 1280 x 960, 24-bit color or higher
* Audio Hard Drive Size: 30 GB
* Audio Hard Disk Type: RAID 0 with (2) SATA drives
* Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R
* Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW
* Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional)
* Other Software: Adobe Acrobat


The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.

    * 6-in/6-out 24-bit/96kHz simultaneous performance
    * 4-in/4-out 24-bit/192kHz simultaneous performance
    * 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
    * +4 dB balanced input and output
    * S/PDIF optical input & output ports with Sync LED indicator
    * MIDI in/out ports
    * Built-in analog limiter and indicator
    * FireWire bus powered
    * AC adaptor included
    * Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
    * Zero-latency Direct Monitoring
    * 6-pin and 4-pin IEEE1394 ports
    * Compact, solid-metal construction

 

Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.

The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.

The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.

Weight0.400.502.001.000.705.50
DimensionsN/AN/AN/AN/AN/AN/A
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