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Same as AT899 in beige, less power module; unterminated 55" (1.4 m) cable. Includes AT899AK-TH accessory kit. See AT899.
- Maximum intelligibility and clean, accurate reproduction for vocalists, lecturers, stage and television talent, and houses of worship
- Low-profile design (a mere 5 mm in diameter) is ideal for applications requiring minimum visibility
- Extensive array of provided accessories includes a clothing clip, viper clip, magnet clip and lanyard (black models only), windscreens, element covers, interchangeable single and double mic holders
- Element: Subminiature, fixed-charge back plate condenser
- Polar Pattern: Omnidirectional
- Frequency Response: 30-20,000 Hz
- Open Circuit Sensitivity: -43 dBV, re 1V at 1 Pa
- Signal to Noise Ratio: 65 dB, 1 kHz at 1 Pa
- Weight: 0.02 oz (0.5 g)
- Dimensions: 0.63" (16.1 mm) maximum length, 0.20" (5.0 mm) maximum body diameter
- Cable: 55" (1.4 m), unterminated
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- Mini condenser microphone with clip-on mount and flexible gooseneck
- Polar pattern: cardioid
- Frequency range: 60 Hz to 20 kHz
- Sensitivity: 5 mV/Pa (-46 dBV)
- Max. SPL: 130/132 dB SPL (for 1 %/3 % THD)
- Equivalent noise level: 31 dB(A)
- Power requirement: B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters
- Connector: 3-pin XLR
- Cable: 1.5 m (5 ft.)
- Finish: Matte black
- Adapter plate included for easy attachment to PT 400 and PT 40.
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Shure MX412SE/C 12-inch (30 cm) Gooseneck Condenser Microphone, Shock Mount, Flange Mount, 10-foot (3 m) Side-Exit Cable (or Bottom-Exit), Snap-Fit Foam Windscreen, In-Line Preamp, Cardioid.
Shure Microflex MX412SE/C microphones are miniature gooseneck-mounted electret condenser microphones designed for speech and vocal pickup. Their high sensitivity and broad frequency range make them suitable for recording, as well as sound reinforcement applications.
The MX412SE/C microphone can be screwed onto a mic stand or the supplied 5/8 inch 27-threaded flange. They can be easily changed from side-exit to bottom-exit to conceal the cable. All models include an in-line preamplifier and a 3 m (10 ft) cable. Each microphone is available with interchangeable cardioid, supercardioid, or omnidirectional cartridges. | Polar pattern Cardioid
Frequency range 70 to 18,000 Hz
Max. SPL 125 dB (for 1% THD)
Equivalent noise level 73 dB
Impedance =2,000 ohms
Supply voltage 9 to 52 V phantom power to IEC 61938 (DPA adapter integrated)
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- Hypercardioid polar pattern
- 38 cm long
- 95° pickup angle
- For acoustically difficult environments
- Connects easily via XLR connector
The hypercardioid polar pattern with its narrow 95° pickup angle is suited best for situations where noise typically occurs from all sides (particularly in worship centers), where people talk into the microphone from a greater distance, or where several talkers are grouped side by side. Two different lengths are available. The .exible joint ensures optimum alignment of the gooseneck to any talker position. Several options are available for installation, i.e., stand, tabletop installation, and lockable.
Choosing polar patterns
Selecting the correct polar pattern for installed sound is difficult since it depends on a variety of factors. Of course the acoustics of the room play a key role. For highly reverberant rooms such as worship centers, a hypercardioid polar pattern will be the best choice to avoid high levels of unwanted noise. Correct placement of the loudspeakers is also essential. If the speakers project right at the capsule, a hypercardioid will be your best bet. The most difficult task, however, is trying to judge how the talkers will behave. For talkers who are inexperienced or move around a lot, be sure to choose a cardioid polar pattern for reliable pickup; talkers at a greater distance from the mic will be served best by a hypercardioid.
The microphone shall be a hypercardioid gooseneck microphone. Its pickup angle shall be 95 degrees; frequency range 50 Hz to 19 kHz; sensitivity 12 mV/Pa; max. SPL 125 dB; electrical impedance
| Polar pattern |
Hypercardioid |
| Frequency range |
50 to 19,000 Hz |
| Sensitivity |
12 mV/PA = -38 dBV re 1 V/Pa |
| Max. SPL |
125 dB (for 1% THD) |
| Equivalent noise level |
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| Signal/noise ratio (A-weighted) |
>73 dB |
| Impedance |
=2,000 ohms |
| Supply voltage |
English: 9 to 52 V phantom power to IEC 61938 (DPA adapter integrated) |
| Powering |
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| Connector |
3-pin male XLR |
| Finish |
matte black |
| Dimensions |
CGN 99 H/S: 13.5 x 380 mm (0.5 x 15 in.);
CGN 99 H/L: 13.5 x 580 mm (0.5 x 23 in.) |
| Net weight |
CGN 99 H/S: 480 g (17 oz.);
CGN 99 H/L: 500 g (17.7 oz.) |
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The CMX380 is a mini hanging cardioid microphone designed to be used in choirs, instrumental groups and theatres, but itʼs technical qualities and design will also justify itʼs use in several recording / reproduction applications.
The unidirectional cardioid polar pattern reduces feedback to an absolute minimum. Due to the flat frequency characteristic, users, musicians, singers and performers will experience a clear natural reproduction of their instrument or voice, even when exposed to loud powerful sounds.
The slimline modest design will not disctract the attention from the vocal of instrumental performance, and will flawlessly blend into the background.
- Model Name / Type: AUCMX380 / hanging back electret condenser microphone
- Polar Pattern: Cardioid
- Impedance: 200 ohms
- Frequency Response: 50 Hz - 18 kHz
- Sensitivity: - 42 +/- 3 dB
- Dynamic Range: 113 dB
- Phantom Power 11 - 52 V DC
- Diameter: 13,5 mm
- Length: 55 mm
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