AUDIX ADX51 Pre-polarized condenser microphone

221.86 incl. GR VAT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: ADX51 Category:
Pre-polarized condenser microphone for overheads, cymbals, high-hat and acoustic instruments. The ADX51 is a professional, pre-polarized condenser microphone for stage, studio and broadcast applications. The ADX51 is clear sounding, accurate in response and handles both close and distance miking for various acoustic instruments. Designed with a uniformly controlled cardioid polar pattern, the ADX51 captures the […]

 

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Pre-polarized condenser microphone for overheads, cymbals, high-hat and acoustic instruments.

The ADX51 is a professional, pre-polarized condenser microphone for stage, studio and broadcast applications. The ADX51 is clear sounding, accurate in response and handles both close and distance miking for various acoustic instruments.

Designed with a uniformly controlled cardioid polar pattern, the ADX51 captures the acoustics of the instrument being miked while isolating it from other instruments. The ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter.

The ADX51 includes a tension-fit heavy duty nylon mic clip (DCLIP) , external foam windscreen (W-81), and zippered carrying pouch (P1).

Type Pre-polarized Condenser
Polar Pattern Cardioid
Frequency Response 40Hz – 18kHz
Impedance 100 Ohms
Sensitivity 17 mV/Pa @ 1kHz

 

Weight 1.00 kg

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Quick Comparison

AUDIX ADX51 Pre-polarized condenser microphone removeSENNHEISER ME-67 Capsule elecret super shotgun removeAKG C 411PP Vibration Pickup Condenser microphone for string instruments removeAKG SE300B - Preamp unit removeSENNHEISER ME-62 OMNI-DIRECTIONAL MIC CAPSULE for K6 and K6P POW removeAKG C 568B HYPERCARDIOID CONDENSER SHORT SHOTGUN MICROPHONE remove
NameAUDIX ADX51 Pre-polarized condenser microphone removeSENNHEISER ME-67 Capsule elecret super shotgun removeAKG C 411PP Vibration Pickup Condenser microphone for string instruments removeAKG SE300B - Preamp unit removeSENNHEISER ME-62 OMNI-DIRECTIONAL MIC CAPSULE for K6 and K6P POW removeAKG C 568B HYPERCARDIOID CONDENSER SHORT SHOTGUN MICROPHONE remove
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SKUADX51H10SE00022C 411PPSE 300BH10SE00009C 568B
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Description
Content

Pre-polarized condenser microphone for overheads, cymbals, high-hat and acoustic instruments.

The ADX51 is a professional, pre-polarized condenser microphone for stage, studio and broadcast applications. The ADX51 is clear sounding, accurate in response and handles both close and distance miking for various acoustic instruments.

Designed with a uniformly controlled cardioid polar pattern, the ADX51 captures the acoustics of the instrument being miked while isolating it from other instruments. The ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter.

The ADX51 includes a tension-fit heavy duty nylon mic clip (DCLIP) , external foam windscreen (W-81), and zippered carrying pouch (P1).

Type Pre-polarized Condenser
Polar Pattern Cardioid
Frequency Response 40Hz - 18kHz
Impedance 100 Ohms
Sensitivity 17 mV/Pa @ 1kHz

 

The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.

Pick-up pattern : lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm (K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 343 mm
Weight : 100 g

  Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound. C 411 PP: For hardwire applications, with standard XLR connector for phantom powering.

Transformerless Power/Output Module ? The SE 300 B is used with all AKG Blue Line capsules and operates from 9 ? 52 V phantom power. The 3-position switch allows selection of linear response, -10 dB preattenuation and 12-dB-per-octave 75 Hz low-cut filter. A stand adapter is included.

Specifications

Polar pattern: hypercardioid/directional
Frequency range: 20?20,000 Hz
Sensitivity: 25 mV/Pa (-32 dBV)
Max. SPL for 1 % THD: 124/134 dB
Equivalent noise level: 17 dB-A
Signal/noise ratio (A weighted): 77 dB
Preattenuation pad: -10 dB, switchable Bass cut filter: 12 dB/octave at 75 Hz
Electrical impedance: 200 Ohms
Recommended load impedance: >1,000 Ohms
Power requirement: 9 to 52 V phantom power to DIN 45 596
Current consumption:

The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.

Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62

Technical Data
Pick-up pattern  omni 
Sensitivity in free field, no load (1kHz)  31 mV/Pa +- 2,5 dB 
Nominal impedance  200 Ohm (K6) 
Min. terminating impedance  1000 Ohm (K6) 
Equivalent noise level  15 dB 
Equivalent noise level weighted as per CCIR 468-3  27 dB 
Dimensions  d 22,5 x 94 mm 
Weight  30 g 

C 568 B 

Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
 
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
 
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption

Weight1.00 kg0.10 kg0.15 kg0.50 kg0.30 kg0.71 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.10 kg
Weight 0.15 kg
Weight 0.50 kg
Weight 0.30 kg
Weight 0.71 kg