AUDIX F2 Dynamic Instrument Microphone

88.79 incl. GR VAT

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The f2 is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications.  Its hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage. Low impedance and balanced output on the f2 allow interference-free performance.   Compact and durable, […]

 

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The f2 is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications.  Its hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage.

Low impedance and balanced output on the f2 allow interference-free performance.   Compact and durable, the f2 features a cast zinc alloy body, steel mesh grill and three pin Switchcraft® XLR connector.

Specifications

Type Dynamic
Polar Pattern Hypercardioid
Frequency Response 52 Hz – 15 kHz
Impedance 580 Ohms
Sensitivity 2 mv / Pa @ 1k

 

 

Weight 1.00 kg

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Quick Comparison

AUDIX F2 Dynamic Instrument Microphone removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE removeSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz removeAKG C 414-XLII/ST Matched Pair removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE remove
NameAUDIX F2 Dynamic Instrument Microphone removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE removeSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz removeAKG C 414-XLII/ST Matched Pair removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE remove
ImageSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz
SKUF2H10SE00118H10SE00051BETA57AC 414-XLII STH10SE00102
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Price 88.79 incl. GR VAT 148.00 incl. GR VAT 115.00 incl. GR VAT 175.00 incl. GR VAT 2,100.00 incl. GR VAT 185.00 incl. GR VAT
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Description
Content

The f2 is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications.  Its hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage.

Low impedance and balanced output on the f2 allow interference-free performance.   Compact and durable, the f2 features a cast zinc alloy body, steel mesh grill and three pin Switchcraft® XLR connector.

Specifications
Type Dynamic
Polar Pattern Hypercardioid
Frequency Response 52 Hz - 15 kHz
Impedance 580 Ohms
Sensitivity 2 mv / Pa @ 1k

 

 

The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.


Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g

The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments. Features Rugged reinforced glass-fibre body Low sensitivity to impact and handling noise Very high sound pressure handling capability Low distortion microphone Hum compensating coil Easy to position due to compact design Integral stand mount Delivery Includes 1 e 604 1 drum clip 1 pouch Technical Data Frequency Response  40.....18000 Hz Sensitivity in free field, no load (1kHz)  1,8 mV/Pa Min. terminating impedance  1000 Ohm Dimensions  d 33 x 59 mm Weight w/o cable  60 gExcellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
  • Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz
Suggested Applications Guitar Amp Bass Amp Acoustic Guitar Brass/Saxophone Snare Drums Rack/Floor Toms Congas Woodwinds Lead Vocals

Complete With Stereo Bar, Windshield's and Cradle'

The C 414 B-XL II/ST is especially useful for stereo recordings taken from the far field with the inclusion of useful and often valuable room acoustics. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit comes complete in an all-metal 'Soundtool' Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens, an H50 stereo bar and an individually-measured chart showing the response curve of the microphone. See www.dv247.com Alternative Products and Related Products on this page for your options.

The C 414B-XLII has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments.

Whats the difference between the C 414B-XLII and the C 414 B XLS? The main difference between the two current C414 models lies in their frequency responses. The C 414B-XLII has a series of presence rises between 2.5 KHz and 9 KHz. This will make any recording with this microphone brighter or more sibilant than the original sound. This upper mid range boost is quite helpful on vocals and certain instruments such as classical acoustic guitars using nylon or natural strings. The C 414B XLS, see www.dv247.com Alternative Products on this page, has a very flat response that will not color the original sound which is important especially in instrumental recordings. It more suited for general use.

The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid wide cardioid, hyper cardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6, -12 and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414B-XLII has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6 dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.

The C 414B-XLII has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems.

Features:

  • High sensitivity and extremely low self noise
  • Five switchable polar patterns for placement and application flexibility
  • Two-color LEDs provide quick visual indication of selected polar pattern and output overload
  • Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
  • Supplied with Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens and an H50 stereo bar
  • High sound pressure level capability, 140 - 158dB, and wide dynamic range
  • Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
  • Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
  • All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions

Specifications:

  • Type: 1" large diaphragm pressure gradient microphone
  • Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
  • Frequency Range: 20 to 20,000 Hz
  • Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
  • Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
  • Preattenuation Pad: -6, -12,-18 dB, switchable
  • Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
  • Impedance: = 2,200 ohms
  • Supply voltage: 48 V phantom power to DIN/IEC
  • Current consumption: Approximately 4.5 mA
  • Dynamic range: 134 dB minimum
  • Environment Temperature range: -10° C to +60° C (14° F to 140° F)
  • Relative humidity: 95% (+20° C/68° F), 85% (+60° C/140° F)
  • Connector: 3-pin XLR to IEC
  • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
  • Net weight 300 g (10.6 oz.)

 

The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 

Weight1.00 kg0.55 kg0.10 kg0.50 kg2.00 kg0.44 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.55 kg
Weight 0.10 kg
Weight 0.50 kg
Weight 2.00 kg
Weight 0.44 kg