AUDIX OM5 Dynamic vocal microphone with hyper-cardioid polar pattern

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: OM5 Category:
Vocals, lead & backing – tight pattern control and tailored response enables vocals to cut through the mix. The OM5 is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio. Used on stage, in studios and for […]

 

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Vocals, lead & backing – tight pattern control and tailored response enables vocals to cut through the mix.

The OM5 is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio.

Used on stage, in studios and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion.

The OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored to provide extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors.

Type Dynamic
Polar Pattern Hypercardioid
Frequency Response 48Hz – 19kHz
Impedance 200 ohms
Sensitivity 2 mV / Pa @ 1k

 

Weight 1.00 kg

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Quick Comparison

AUDIX OM5 Dynamic vocal microphone with hyper-cardioid polar pattern removeSENNHEISER MD-421 II Dynamic Mic removeSENNHEISER MD-431 II Dynamic Broadcasting Microphone with ON/OFF Switch removeNEUMANN BCM-705 SIDE-ADRESS CARDIOID DYNAMIC MICROPHONE removeSENNHEISER E-835S Dynamic Microphone with ON/OFF Switch removeSAMSON Q6 (3-pack) Dynamic Mic remove
NameAUDIX OM5 Dynamic vocal microphone with hyper-cardioid polar pattern removeSENNHEISER MD-421 II Dynamic Mic removeSENNHEISER MD-431 II Dynamic Broadcasting Microphone with ON/OFF Switch removeNEUMANN BCM-705 SIDE-ADRESS CARDIOID DYNAMIC MICROPHONE removeSENNHEISER E-835S Dynamic Microphone with ON/OFF Switch removeSAMSON Q6 (3-pack) Dynamic Mic remove
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Description
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Vocals, lead & backing - tight pattern control and tailored response enables vocals to cut through the mix.

The OM5 is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio.

Used on stage, in studios and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion.

The OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored to provide extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors.

Type Dynamic
Polar Pattern Hypercardioid
Frequency Response 48Hz - 19kHz
Impedance 200 ohms
Sensitivity 2 mV / Pa @ 1k

 

General Specs
Pick Up Pattern Cardioid
Frequency Response 30 - 17,000 Hz
Sensitivity 2 mV/Pa +/- 3 dB
Nominal Impedance 200 ohms
Min Terminating Impedance 200 ohms
Dimensions 8.375" x 1.875" x 2"
Weight Approx. 14 oz (385 g)
By virtue of its design and features, the MD 431 II ranks amongst Sennheiserʼs most exceptional microphones and is suitable for vocal, speech and broadcasting applications. Colour: black, sound inlet basket: refined steel. Pick-up pattern : super-cardioid Sensitivity in free field, no load : (1kHz) 2,0 mV/Pa +- 3 dB Nominal impedance : 250 Ohm Min. terminating impedance : 1000 Ohm Dimensions : d 49 x 200 mm, Griff d 31 mm Weight :ca. 250 g

The first Neumann microphone with a dynamic capsule. Functionally optimized design
specifically for the broadcast field, featuring integrated pop protection, suppression of
structure-borne noise and a hypercardioid directional characteristic. 
Emotion conveyed with technical perfection. This is the ideal which the Neumann
microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the
requirements of professional broadcast studios and the individual, functionally optimized
design* ensure that these are microphones of character.
The BCM 705 is Neumann?s first dynamic microphone. The housing and headgrille are
identical to those of the BCM 104; only the green logo indicates that this is something new
from Neumann. The principle of reduction to the essentials can be seen in the dynamic
capsule with a hypercardioid directional characteristic, specifically designed for speech
reproduction at close range. Multi-level isolation from structure-borne noise ensures operation
free of interference, even in a lively studio environment.
Mechanical Features
The microphone headgrille twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her
individual headgrille. Iin front of the capsule, mounted on a frame holder, a fine gauze serves
as a built-in popscreen.
The microphones of the Broadcast Line have an elastic mount against structure-borne noise,
that is compatible with standard broadcast-segment microphone arms.
Acoustic features
The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the
speech intelligibility. The bass frequency response is designed to compensate for the overemphasis
of the bass caused by the proximity effect.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm. The pop screen can be removed for cleaning without the use of tools.
Mounting
The preferred mode of operation is to suspend the BCM 104 or BCM 705 from a standard studio
boom arm.
A thread adapter to fit different connector threads is included. In order to provide protection from
structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.

The optional SG 5 swivel mount allows additional angling of the microphone by +/-90 degrees.
 
FEATURES:
Dynamic capsule
Hypercardioid directional characteristic
Characteristic, functionally optimized design*
Integrated, neutral pop protection
Integrated elastic suspension
Individual headgrilles for different users
Colored rings to identify the replacement headgrilles
Easy removal and cleaning of microphone headgrille (with bayonet mount)
Mechanical compatibility with standard studio boom arms
Multi-level isolation from structure-borne noise
No power supply required

APPLICATION HINTS:
Announcer's mic for broadcasting and studio

This is just one of the most common applications. We recommend
additional experimentation to gain maximum use from this microphone.

TECHNICAL DATA:
Acoustical operating principle Pressure gradient transducer
Directional pattern Hypercardioid
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 10 kohm 1,7 mV/Pa = ?55,4 dB ± 1 dB
Rated impedance 200 ohms
Rated load impedance >= 10,000 ohms
Equivalent SPL CCIR 468-3 32 dB
Equivalent SPL DIN/IEC 651 18 dB-A
S/N ratio CCIR 468-3 62 dB
S/N ratio DIN/IEC 651 76 dB
Weight 500 g
Diameter 64 mm
Length 85 mm
Height (without suspension) 110 mm

The E-835S is a cardioid lead vocal stage microphone specially designed to perform under pressure.

Frequency Response : 40.....16000 Hz
Sensitivity in free field, no load : (1kHz) 2,7 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 48 x 180 mm
Weight : w/o cable 330 g


Offered in a convenient and cost-effective "three-pack," the Q6 gives you plenty of output and performance for a variety of situations.

3 Mics in a Foam Padded Hard Shell Case
High gain, low impedance design
Dynamic Neodymium mic element
Super Cardioid pickup pattern
Multi-axis shock mounted element
On/Off Switch
Hard Shell Carry Case for 3 mics
(3) Mic Clips included

Weight1.00 kg0.38 kg0.25 kg2.00 kg0.33 kg1.40 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.38 kg
Weight 0.25 kg
Weight 2.00 kg
Weight 0.33 kg
Weight 1.40 kg