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Miniaturized USB condenser microphone for recording directly into a computer.
The USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer via the USB port. This mic is designed to naturally capture and reproduce vocals and instruments with stunning detail. The USB12 is clear, flexible, easy to use and has excellent sound response.
With a uniformly controlled cardioid polar pattern, the USB12 provides isolation and control at the sound source with a smooth, accurate response over a frequency range of 50 Hz - 16 kHz.
The USB12 supports both 44.1k and 48k sample rates for playback and recording. This high definition condenser microphone features a push-to-talk button, "steady on” or "momentary on” as well as a headphone jack for real time monitoring. The USB12 is also equipped with a bass roll-off filter to control unwanted low frequency signals.
The USB is also available in white, model USB12W. Supplied accessories include a 6' USB cable and external foam windscreen.
| Type | Pre-polarized Condenser |
|---|
| Polar Pattern | Cardioid | | Frequency Response | 50Hz - 16kHz | | Impedance | 1000 Ohms | | Sensitivity | @1k 1.3 mV/Pa |
| The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg) | STUDIO CONDENSER MICROPHONE C-1U
Studio Condenser Microphone with USB Audio Interface and software suite
Professional, large-diaphragm condenser microphone with built-in USB interface, ideal for podcasters and musicians
Plug this amazing USB-mic straight into your computer and turn your PC or Mac computer into a recording system without the need for any other hardware
Directly works with your PC or Mac computer—ultra-low latency ASIO and WDM drivers for PC audio optimization included
Exceptionally flat frequency response and ultra-high sound resolution perfect for voice, acoustic instruments, etc.
Cardioid pickup pattern for outstanding sound source separation and feedback rejection
Pressure-gradient transducer with shock-mounted capsule
- Professional large-diaphragm condenser microphone with built-in 48 kHz USB interface for unsurpassed audio quality
- Gets phantom power directly from PC USB output
- Comes with Audacity audio editor, Kristal audio engine, Podifier uploading software, and Juice and Podnova downloading software
- Maximum SPL (sound pressure level) of 136 dB
- Ideal as main and support microphone for studio and live applications
- Exceptionally flat frequency response and ultra-high sound resolution
- Cardioid pickup pattern for outstanding sound source separation and feedback rejection
- Ultra low-noise transformerless FET input circuitry
- LED indicates phantom power operation
- Ultra-rugged construction with die-cast body
- USB connector and swivel stand mount included
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AKG Podcaster Essentials, includes everything you need to get professional quality audio for your podcasts or videos, including an AKG Lyra Ultra-HD multimode USB microphone and the AKG K371 professional closed-back headphones. Lyra has four selectable capture modes—Front, Front + Back, Tight Stereo and Wide Stereo—making it capable of capturing audio in a variety of applications and up to 24-bit/192kHz high-resolution audio. AKG K371 professional studio headphones combine performance, accuracy and supreme comfort in a compact, folding design that’s ideal for production in the studio or on location. K371s are precision-engineered to match AKG’s
Reference Response acoustic target to reproduce natural, balanced audio in extraordinary detail.
The package includes: 1 x USB-C to USB-A cable, 1 x 1.2 m (2.5) straight headphone cable, 1 x 3.0 m (9.8) straight headphone cable, 1 x 3.0 m (9.8) coiled headphone cable, 1 x 3.5 mm (1/8/") to 6.5 mm (1/4/") headphone adapter, 1 x Dual-headphone adapter (supports two headphone connections), 1 x Protective headphone carrying pouch
Specifications (Microphone)
- Type: Condenser
- Polar Pattern: Front, Front & Back, Tight Stereo and Wide Stereo
- Frequency Response: 20 to 20,000 Hz
- Microphone Bit Depth/Sample Rate: 24-bit/192 kHz
- Max SPL: 129 dB SPL (0.5% THD)
- Microphone Power Requirement / Consumption: 5V USB / 75 mA
- Output Connection: USB 2.0
- Headphone Output Impedance: 16Ω
- Headphone Power Output (RMS): 43 mW
- Headphone Frequency Response: 20 Hz – 22 kHz
- Microphone Headphone Output S/N Ratio: 98.0dB
Specification (Headphones)
- Headphone Type: Closed Back
- Driver Size: 50mm
- Voice Coil: Pure OFC voice coil
- Frequency Response: 5 Hz – 40 kHz
- Sensitivity (SPL): 114 dB SPL/V @ 1 kHz
- Impedance: 32 ohms
- Weight: 255g
| The Pod Pack 1 is a professional upgrade to any announce studio. The kit consists of a high-quality USB condenser microphone paired with a fully-adjustable suspension boom arm, keeping the desk clear and the microphone always in position for podcasting, on-air or voice-over applications. Assembly is a snap and the articulating boom clamps securely to nearly any desk or table surface.
- Included USB cardioid condenser microphone
- All-steel construction
- Dual suspension springs for stable angle
- Fully adjustable - microphone can even be suspended upside-down
- Clamps to nearly any desk or table
- USB cable included
- Microphone
- Element: Back electret condenser
- Element Diameter: 13mm
- Polar pattern: Cardioid
- Frequency response: 20 - 17,000 Hz
- Sensitivity: -34dB +/-2dB (0dB = 1V/Pa @ 1kHz)
- Output impedance: 100Ω +/-30% (at 1kHz)
- Load impedance: >1kΩ
- Self noise: 16dBA
- Max SPL: 132dB (@ 1kHz
- Signal to Noise ratio: 78dB
Broadcast Boom Arm
- Adjustable height and angle
- Telescoping range: 15.75" - 27.5" (40cm - 70cm)
- Weight: 13.5oz (382g)
| Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a unique crisp sound. With its extremely compact external dimensions, this microphone will keep a low profile on the drum kit without compromising audio quality. Response is 20-20kHz, with 126dB max SPL, and requires phantom power.
Specifications
Polar Pattern: cardioid
Frequency Response: 20?20.000 Hz
Sensitivity: 7 mV/Pa=-43 dBV to 1 V/Pa
Max. SPL for 1% / 3% THD: 126/130 dB SPL
Equivalent Noise Level: 33 dB to DIN 45 412
Electrical Impedance: 200 ohms
Recommended Load Impedance: >2.000 ohms
Power Requirement: 9 to 52 volts universal phantom power
Current Consumption: approx. 2 mA
Connector : 3-pin XLR
Cable Length: 1.5 m (5 ft.)
Finish: matte black
Size : dia.: 19 mm (0.7 in.), length: 79 mm (3.1 in.)
Net / Shipping Weight: 23/192 g (0.8/6,8 oz.)
Optional Accessorires: B15, B18 |
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