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High performance electret condenser for vocals & acoustic instruments
The VX5 is a multi purpose, professional vocal condenser microphone designed for live, studio and broadcast applications. With an ability to duplicate studio quality sound on stage, the VX5 has a smooth and accurate frequency response, resistance to feedback and handles very high SPLs without distortion.
Designed with a tight and uniformly controlled supercardioid polar pattern, the VX5 helps isolate vocals from the rest of the stage. Other features are a 14 mm gold vapor diaphragm, an acoustically ported steel mesh grill with a multi-stage pop filter, and a -10 dB pad and bass roll-off filter. The VX5 will handle SPLs in excess of 140 dB (with pad and roll-off engaged) and will provide over 20 dB of ambient noise rejection on live stages.
In addition to vocal applications, the VX5 is designed to capture instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats and pianos.
The VX5 requires 18 - 52 V phantom power.
| Type | Pre-polarized Condenser |
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| Polar Pattern | Supercardioid | | Frequency Response | 40Hz - 16.5kHz (+/-3dB) | | Impedance | 150 ohms | | Sensitivity | @1k 5 mV/Pa |
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The RSM-120 goes strong due to its powerful sound characteristics: brilliant highs and treble, powerfull bass; all in all remarkable volume characteristics. And thanks to the marginal sensitivity playback is very balanced.
features:
* Dynamic cardiode microphone with switch
* Integrated XLR connection
technical data:
* Impedance:
* Frequency range: 60 Hz - 25 kHz
* Sensitivity: -52 dB +/-3 dB
* Incl. 5 m cable and a bag for easy transport | The Shure SM58S Vocal Microphone features a cardioid dynamic vocal design well suited for professional vocal use in live performances, sound reinforcement, and studio recording. A built-in spherical filter minimizes wind and breath "pop" noise, while the cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The microphone offers durable construction, a high-quality internal shockmount system, and a steel mesh grille for withstanding rough handling. The SM58S is designed to perform consistently both outdoors and indoors and when used for singing or speech applications. The microphone features an integrated on/off switch and includes a microphone clip and a zippered pouch.
- Pneumatic shockmount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant microphone clip that rotates 180 degrees
- High quality, rugged, and reliable
- Cardioid dynamic
- Frequency response: 50 Hz to 15 kHz
Suggested Applications
Lead Vocals
Backup Vocals
Harmonica
| Frequency Range |
50 Hz to 15 kHz |
| Impedance |
150 Ohms |
| Sensitivity |
-57.5 dBV/Pa at 1 kHz |
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Offered in a convenient and cost-effective "three-pack," the Q6 gives you plenty of output and performance for a variety of situations.
3 Mics in a Foam Padded Hard Shell Case
High gain, low impedance design
Dynamic Neodymium mic element
Super Cardioid pickup pattern
Multi-axis shock mounted element
On/Off Switch
Hard Shell Carry Case for 3 mics
(3) Mic Clips included
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- Supercardioid Polar Pattern
- Laminated Varimotion Diaphragm
- Integrated 80 Hz High-Pass Filter
- Integrated Hum-Compensating Coil
- WARRANTY FROM THE OFFICIAL GREEK AKG DISTRIBUTOR
The AKG D7 is a reference handheld dynamic vocal microphone designed to capture vocals and instruments with condenser-like sound for artists and audio engineers in clubs, concert venues, and houses of worship. The laminated dual-layer Varimotion diaphragm exhibits a supercardioid polar pattern for excellent off-axis rejection of audio across the frequency spectrum. This allows high gain before feedback and reduced stage bleed through the mic. Handling noise is minimized by the mechano-pneumatic capsule suspension and an integrated 80 Hz high-pass filter.
Thanks to a 70 Hz to 20 kHz frequency response and a maximum SPL of 147 dB, the D7 delivers detailed sound even on the loudest sources. A hum-compensating coil is incorporated to help reduce interference from electrical devices and to ensure that your captured sound comes through with minimal noise.
In addition, the heavy-duty die-cast chassis with a dent-resistant grille is built rugged to withstand the rigors of daily use. An XLR connector utilizing gold-plated pins ensures signal transfer with maximum conductivity. A padded zip case, SA 61 stand adapter, and a replacement inner windscreen are included.
Dual-Thickness Varimotion Diaphragm
Provides a subtle and open sound in all frequency ranges
Feedback Suppression
The laminate diaphragm material damps critical resonance peaks
Integrated Hum-Compensating Coil
Provides a crisp and a cleaner sound
Precision Metal Dust Filter
Protects the capsule from sound-changing pollution
Mechano-Pneumatic Suspension
Effectively eliminates unwanted handling noises
Microphone
| Sound Field |
Mono |
| Operating Principle |
Pressure Gradient |
| Capsule |
Dynamic |
| Polar Pattern |
Supercardioid |
| Circuitry |
Solid-State |
| Pad |
None |
| High-Pass Filter |
80 Hz |
Performance
| Frequency Range |
70 Hz to 20 kHz |
| Maximum SPL |
147 dB SPL |
| Impedance |
600 Ohms |
| Load Impedance |
2000 Ohms |
| Sensitivity |
2.6 mV/Pa |
| Signal-to-Noise Ratio |
76 dB A-Weighted |
| Equivalent Noise Level |
18 dB A-Weighted |
Connectivity
| Output Connectors |
1 x XLR 3-Pin |
Physical
| Dimensions |
ø: 2.01 x L: 7.28" / ø: 51 x L: 184.91 mm |
| Weight |
11.29 oz / 320 g |
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The E-835S is a cardioid lead vocal stage microphone specially designed to perform under pressure.
Frequency Response : 40.....16000 Hz
Sensitivity in free field, no load : (1kHz) 2,7 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 48 x 180 mm
Weight : w/o cable 330 g
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