The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space. Ideal for high performance DAW input signal conditioning, stereo buss compression-EQ, stereo keyboards and analog mastering applications. SPECTRAL-OPTO-COMPRESSIONThe opto-compressor features a […]
The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space. Ideal for high performance DAW input signal conditioning, stereo buss compression-EQ, stereo keyboards and analog mastering applications.
SPECTRAL-OPTO-COMPRESSION The opto-compressor features a minimum signal path design utilizing sealed silver relays for all signal routing and by pass functions. The optical attenuator acts as a passive level controller with a Class A, variable gain make-up amplifier. Full dynamic control from soft compression to hard-knee limiting can be achieved with master threshold, ratio-compression, attack and release controls. Gain reduction indication is a large analog VU meter. Low frequency and high frequency contour parametric spectral controls can be routed into the side-chain path for enhanced frequency dependent compression with variable frequency and threshold levels. SC listen provides side-chain listen mode for monitoring. SIX BAND PROGRAM EQUALIZER The VT-747SP equalizer utilizes 100% discrete, Class A high-voltage transistors for optimum sonic performance. The six band STEREO program EQ incorporates the smooth characteristics of an all passive design. The frequency turnover, Q and amplitude ranges have been carefully chosen for each band to provide the most natural harmonic balance and lowest phase change while offering simple and effective tone control. The EQ can be placed pre or post the opto-compressor for enhanced effects. TSP – TWIN SIGNAL PATH The VT-747SP features TSP which gives you the choice of either tube tone or the classic, Class A discrete transistor sound by exchanging, three (3) high-voltage dual triode tubes with discrete amplifiers in the opto-compressor and primary output stages. INPUT-OUTPUT and METERING Fully balanced DC coupled, Class A discrete amplifiers are utilized for the input and output drive interface with+36dB input headroom. A high quality analog VU meter indicates accurate gain reduction. Twin 60dB range LED meters provide fast L-R output status of all levels.
VT-747SP FEATURES Stereo Class A opto-compressor with spectral control Stereo Class A six band discrete passive program EQ TSP twin signal path, vacuum tube bypass Low noise -92dB Fully balanced Class A input and DC coupled outputs Stereo dynamic 60dB high resolution output meters High quality analog VU meter for gain reduction High headroom+36dB input before overload Spectral side-chain monitor for pre listen EQ pre-post selection for opto-compressor Sealed silver relays for all signal routing Internal discrete regulated power supplies Military spec vacuum tubes for long life and low noise
VT-747SP SPECIFICATIONS Circuit topology Three (3) dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A mode. Input gain range Balanced, Class A, 20k ohms, -20dB to +16dB with high gain switch Maximum input level +36dB balanced XLR pin 2 hot Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A Output type XLR connector, output trim gain -45dB to +6dB Noise 20kHz unweighted -92dB Distortion THD, IMD 0.5% Frequency response -3dB 1Hz to 200kHz Gain reduction meter High quality, illuminated gain reduction meter 0dB to -20dB range Output meter Twin 20 segment LED VU meters with -27dB to +30dB range Compressor type Optical passive attenuator Make-up gain Variable 0dB to +10dB stereo tracking Threshold – Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack – Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Side-chain spectral contour Variable threshold -15dB to +15dB, frequency 70Hz to 9kHz twin ranges Equalizer type Discrete Class A, passive design optimized for full range program material Frequency bands (6) Variable amplitude LF +/-24dB 15Hz shelf response Variable amplitude MF1 +/-8dB 125Hz selected Q response Variable amplitude MF2 +/-4dB 500Hz selected Q response Variable amplitude MF3 +/-4dB 2kHz selected Q response Variable amplitude MF4 +/-10dB 5kHz shelf response Variable amplitude HF +/-20dB 32kHz shelf response AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 70 watts maximum Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight 22lbs (10kg) Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm) Weight-packed 26lbs (11.8kg)
Weight
11.80 kg
Reviews
There are no reviews yet.
Be the first to review “AVALON VT-747 SP TWIN SIGNAL PATH OPTO-COMPRESSOR-EQUALIZER” Cancel reply
The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space. Ideal for high performance DAW input signal conditioning, stereo buss compression-EQ, stereo keyboards and analog mastering applications.
SPECTRAL-OPTO-COMPRESSION The opto-compressor features a minimum signal path design utilizing sealed silver relays for all signal routing and by pass functions. The optical attenuator acts as a passive level controller with a Class A, variable gain make-up amplifier. Full dynamic control from soft compression to hard-knee limiting can be achieved with master threshold, ratio-compression, attack and release controls. Gain reduction indication is a large analog VU meter. Low frequency and high frequency contour parametric spectral controls can be routed into the side-chain path for enhanced frequency dependent compression with variable frequency and threshold levels. SC listen provides side-chain listen mode for monitoring. SIX BAND PROGRAM EQUALIZER The VT-747SP equalizer utilizes 100% discrete, Class A high-voltage transistors for optimum sonic performance. The six band STEREO program EQ incorporates the smooth characteristics of an all passive design. The frequency turnover, Q and amplitude ranges have been carefully chosen for each band to provide the most natural harmonic balance and lowest phase change while offering simple and effective tone control. The EQ can be placed pre or post the opto-compressor for enhanced effects. TSP - TWIN SIGNAL PATH The VT-747SP features TSP which gives you the choice of either tube tone or the classic, Class A discrete transistor sound by exchanging, three (3) high-voltage dual triode tubes with discrete amplifiers in the opto-compressor and primary output stages. INPUT-OUTPUT and METERING Fully balanced DC coupled, Class A discrete amplifiers are utilized for the input and output drive interface with+36dB input headroom. A high quality analog VU meter indicates accurate gain reduction. Twin 60dB range LED meters provide fast L-R output status of all levels.
VT-747SP FEATURES Stereo Class A opto-compressor with spectral control Stereo Class A six band discrete passive program EQ TSP twin signal path, vacuum tube bypass Low noise -92dB Fully balanced Class A input and DC coupled outputs Stereo dynamic 60dB high resolution output meters High quality analog VU meter for gain reduction High headroom+36dB input before overload Spectral side-chain monitor for pre listen EQ pre-post selection for opto-compressor Sealed silver relays for all signal routing Internal discrete regulated power supplies Military spec vacuum tubes for long life and low noise
VT-747SP SPECIFICATIONS Circuit topology Three (3) dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A mode. Input gain range Balanced, Class A, 20k ohms, -20dB to +16dB with high gain switch Maximum input level +36dB balanced XLR pin 2 hot Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A Output type XLR connector, output trim gain -45dB to +6dB Noise 20kHz unweighted -92dB Distortion THD, IMD 0.5% Frequency response -3dB 1Hz to 200kHz Gain reduction meter High quality, illuminated gain reduction meter 0dB to -20dB range Output meter Twin 20 segment LED VU meters with -27dB to +30dB range Compressor type Optical passive attenuator Make-up gain Variable 0dB to +10dB stereo tracking Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Side-chain spectral contour Variable threshold -15dB to +15dB, frequency 70Hz to 9kHz twin ranges Equalizer type Discrete Class A, passive design optimized for full range program material Frequency bands (6) Variable amplitude LF +/-24dB 15Hz shelf response Variable amplitude MF1 +/-8dB 125Hz selected Q response Variable amplitude MF2 +/-4dB 500Hz selected Q response Variable amplitude MF3 +/-4dB 2kHz selected Q response Variable amplitude MF4 +/-10dB 5kHz shelf response Variable amplitude HF +/-20dB 32kHz shelf response AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 70 watts maximum Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight 22lbs (10kg) Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm) Weight-packed 26lbs (11.8kg)
The AD2055 combines 100% discrete, pure class A signal amplifiers with state-of-
the-art passive and active filter topologies. The AD2055's unique circuitry delivers
very high resolution transient detail at the operational extremes of real world equalization
demands. The AD2055 auto-bias DC servo loop control eliminates the need for all
interstage capacitor coupling. The AD2055 breathes life into all musical performances!
AD2055 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Minimum audio signal path
Dual mono operation
Transparent active and passive filter design
High headroom +30dB Very low noise -94dB
Fully balanced inputs and outputs
DC coupled, no transformers in audio path
Switched frequencies in high and low bands
Mid bands use X10 frequency for extended range
Wide bandwidth -3dB 1Hz to 450kHz
Low distortion less than 0.5% THD and IMD
All signal routing with sealed silver relays Conductive
plastic potentiometers for low noise
External 150W toroidal power supply 100% discrete
power supplies for audio path
Long lasting, stainless steel hardware
SONIC EXCELLENCE
The Avalon AD2055 Pure Class A music equalizer is the most powerful, low noise
parametric equalizer available today. Designed to optimize absolute signal integrity
and musical performance, the AD2055 combines the best of active and passive filter
topologies with sonic excellence unequaled by lesser designs. The AD2055 is the
perfect solution for two buss music-program equalization, special instrument EQ and
FX applications and ultra high performance mastering studio's.
Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers,
practical user features and rugged hardware designed to deliver true high performance
audio for many years.
PASSIVE-ACTIVE FILTER DESIGN
Avalon equalizers feature the unique combination of both active and passive filter EQ designs.
This special combination enables the AD2055 to deliver high speed transient detail at the
operational extremes of real-world equalization demands. The passive high and low bands offer
alternate musical tone range to the full function active parametric mid bands. Passive equalizers
have long been a favorite with music lovers around the world. Full bodied, powerful (up to +/-32dB,
64dB range !) and sweet frequency selections are the benefits of the passive high-low EQ bands.
The full bandwidth twin mid bands provide variable frequency selection (X10 frequency multipliers
for very wide range), variable Q (width) and amplitude control.
MINIMUM SIGNAL PATH DESIGN
Avalon's advanced true symmetry design offers high-voltage, large headroom, extended bandwidth
and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious music
professional unlimited sonic character and a natural harmonic detail that enhances the program
material and becomes one with the music itself. The Avalon AD2055 breathes life!
AD2055 SPECIFICATIONS
Circuit Topology High-voltage 100% discrete, balanced and symmetrical
Class A
Output Gain Range Unity Gain
Maximum Input Level +30dB balanced XLR pin 2 hot
Maximum Output Level +32dB balanced 600 ohms, DC coupled, high-current
discrete Class A
Input / Output Type XLR type, pin 2 hot balanced
Noise 20kHz Unweighted -94dB (EQ in)
Distortion THD, IMD 0.5% (typical 0.05% at +6dB 1kHz)
Frequency Response -3dB 1Hz to 450kHz (input band limited)
Equalizer Type Passive high and low bands plus two fully parametric mid
bands
Bypass Hard-wire relay bypass for equalizer in-out
Low Band F1 Passive, amplitude to -32dB to +32dB shelf or peak-dip curve
F1 Frequency Range Switched 10 position 18Hz, 25, 30, 50, 72, 100, 150, 215,
300, 450Hz
Mid Band F2 Active, amplitude to -16dB to +16dB peak-dip curve
F2 Frequency Range Variable 35Hz to 450Hz (x10) 350Hz to 4k5Hz, Q (width)
0.3 to 3.0
Mid Band F3 Active, amplitude to -16dB to +16dB peak-dip curve
F3 Frequency Range Variable 160Hz to 2k0Hz (x10) 1k6Hz to 20kHz, Q (width)
0.3 to 3.0
High Band F4 Passive, amplitude to -26dB to +26dB shelf or peak-dip curve
F4 Frequency Range Switched 10 position 1k5Hz, 2k5, 3k5, 5k, 7k2, 10k, 12k5,
15k, 20k, 25kHz
AC-DC Power External AC supply, 150w toroidal transformer, 4 pin cable 90v
isolated,
(B2T Power Supply Included) 100-240v selectable 50/60Hz, 150w max
Dimensions 19 x 3.5 x 12 in (482 x 88 x 305mm)
Shipping weight 30lbs (13.6 kg)
Description
The alphaton Feedback-Controller FC-100 is a revolutionary product for every microphone application including wireless types. It can provide effective feedback control to any sound reinforcement situation. It can also eliminated string feedback in guitars and bass instruments which are equipped with piezo or condenser pickups. The FC-100 provides 6 to 10 dB of feedback protection by analysing the incoming signal, detecting the presence of feedback and then notching out the feedback frequency. The FC-100 relieves the sound engineer automatically. It works dynamically and eliminates a feedback signal before it can grow into a peak. Internally a discriminator circuit detects the presence of regenerative feedback and triggers the automatic equaliser to insert a notch where the feedback peak is coming up. This normally prevents other peaks from developing but if they do, the process is repeated at high speed, thus keeping feedback under control.
Technical Data In- and Outputs transformer balanced max. Inputlevel + 3 dB Gain (RS=200 Ohm, RL=2kOhm) 0 dB Frequency Response 20 Hz ... 20 kHz, +/- 1,5 dB Feeback Cancellation 6 ... 10 dB Power Requirement 30 ... 48 V Phantom Current drain ca. 8 mA External Power Supply 9 ... 20 V DC, 3,5 mm jack, tip + Housing Aluminium Diecast Weight 285 grams Dimensions 112 x 60 x 32 mm
FEEDBACK DESTROYER FBQ1000
Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters
High-performance 2-channel Feedback Destroyer and Parametric EQ
Automatically and "intelligently" locates and destroys up to 24 frequencies
Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
"Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance
Auto mode continuously monitors the mix and automatically sets filters
Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually
Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters
Extensive MIDI implementation and user preset memories for instant program recalls
Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
BEHRINGER FEEDBACK DESTROYER FBQ1000
Psychoacoustic Bass Enhancement Unit with Renaissance Compressor, MaxxBass, and L2
Bass Boost for Live Sound, Broadcast, Mastering & Post Production
They say that in electronics there's no new technology - the only changes
will be in size and applications. Things will simply keep getting smaller
while doing more. This is certainly true in music (just think about what an
iPod can do), but as we design smaller playback systems with small speakers,
there are also some tradeoffs, particularly in music. Clever cabinet designs and
high-excursion drivers can get you only so far. Any audio engineer trying to extract
bass from real-world components must eventually face the laws of physics:
All things being equal, small boxes and speaker cones can't move enough air
to produce a room-shaking low end. When working with systems tiny enough to
toss in a shoulder bag, the challenge is even more formidable. Interestingly enough,
Waves MaxxBCL has a new solution to this problem using a very old concept.
Waves MaxxBCL at a Glance:
MaxxBass? Bass Enhancement adds deep bass sound without adding bass frequencies
Waves Renaissance Compressor
L2 Ultramaximizer Peak Limiter
24-bit/96kHz resolution with 48-bit, double-precision processing
Supports optical, coaxial S/PDIF, AES/EBU, balanced and unbalanced line-level analog signals
MaxxBass Bass Enhancement
Waves' patented algorithm adds stunning bass sound without adding bass frequencies,
delivering a bigger bottom end. MaxxBass? allows your audience to hear bass frequencies
lower than physically present by applying psychoacoustic principles: Even though we
can hear a bass guitar from a small speaker, we don't actually hear the fundamental
frequency because the speaker can't produce a pitch that low. Instead, we hear the
harmonics that the speaker can produce, and this causes the brain to create the "missing
fundamental." MaxxBass? takes this well-known psychoacoustic phenomenon to the
maximum, giving you the ability to extend the perceived frequency response of a system
about two octaves below its physical limitation.
To accomplish this, the signal is split: high frequencies are passed to the output (to be
added back to the bass). The bass signal is analyzed and a specific series of upper
harmonics are created. Because the dynamics of the original bass are duplicated in these
harmonics, the result is the most natural sounding bass enhancement available. The
MaxxBass? harmonics and the original bass can be mixed in any proportion at the output.
To provide more control, a high-pass filter can be switched in, allowing the harmonics only to
be passed along as an "image" of the original bass frequencies, which is useful when working
with a system with known low-frequency limitations to avoid over-excursion of the speaker drivers.
Renaissance Compressor
Designed to provide the classic warm sound of analog compressors, the legendary
Renaissance Compressor controls dynamics with studio-style warmth that flatters
full mixes, vocals, or instruments. Controls include selection of vintage-style Opto
or modern Electro compression, and threshold, ratio, and attack controls. Waves
ARC? (Automatic Release Control) algorithm dynamically optimizes the compressor's
release value for a wide-ranging input. ARC? reacts much the way a human ear
expects, and can produce increased RMS level with greater clarity.
In general, the release is faster for peak transients and slower for the overall RMS
level. The ARC? system varies the release time to fit the ear's expectations while
increasing RMS, and without creating distracting artifacts. In this way, the
Renaissance Compressor can serve as a leveler plus a fast compressor simultaneously.
L2 Ultramaximizer Peak Limiter
Heard on countless hit records and soundtracks, the L2 Ultramaximizer puts sound
up-front with breathtaking transparency. The L2 is capable of a very fast, overshoot-free
response. Once the limiter threshold has been set, you can define the actual peak level
that the processed signal will reach. Once set, limiting and level re-scaling becomes a
one-shot process. The L2 can significantly increase the average signal level without
introducing any audible side effects. Yet there is plenty of range to recreate "vintage"
effects such as level pumping or severely limited dynamic range if you like.
Pristine Sound Quality
The MaxxBCL offers 96kHz, 24-bit resolution with a 48-bit, double precision internal
processing path and a dynamic range of ~125dB. The totally passive analog input
path to the ADC uses Jensen transformers, while the output path also features Jensen
analog output transformers. The unit is galvanic-isolated, which prevents ground loops
and allows it to operate in electrically unstable environments. Waves MaxxBCL combines
the highest quality converters available with unequalled processing algorithms to offer you
astonishing new power in bass enhancement, dynamics processing, and format conversion
(analog-to-digital, digital-to-analog, and digital re-quantization).
Versatile Connections
The MaxxBCL supports optical, coaxial S/PDIF, AES/EBU, balanced and unbalanced
line-level analog signals. MaxxBCL features a unique set of input and output trim settings:
analog input headroom can be set from 9dB above 0dBu to 24dB in six precise steps
(using the rear-panel selectors). Analog output level is similarly set with a separate
rear-panel trim pot offering you the ability to connect between devices with a wide range
of input and output levels.
Waves MaxxBCL Features:
User Interface:
Clear backlit displays, meters, and buttons are visible in all lighting conditions
THD + Noise: ? 0.0006 % @ 1kHz @ -1dBFS
Precision metering with resettable peak hold options (2 sec, infinite)
Accurate, wide-range metering covering 90dB for input and output
and 12dB for compressor and limiter attenuation
Quick access independent bypass on each processing block
Tactile feedback knobs
Four easy store/recall user presets
Input / Output:
Analog, AES/EBU, S/PDIF
Independent rear-panel input and output headroom calibration in six steps
(+9, 12, 15, 18, 20, and 24 dBu)
Passive analog inputs to the A-to-D converters using Jensen analog input transformers
Jensen analog output transformers
High-performance IDR dithering to 16- or 24-bit output
Precise input level setting using 1% resistor networks
Processing:
48-bit end-to-end internal processing path
Switchable compressor/MaxxBass? order
MaxxBass:
Adjustable processor frequency from 25 to 120Hz
Adjustable harmonic mix percentage from 0 to 100%
High-pass Filter "harmonics only" option
Compressor:
Opto/Electro mode selection
Threshold (0-60dB), Ratio (1:1-12:1), and Attack (0.5, 1, 2, 5, 10, 20, and 50 ms) controls
Proprietary ARC? Automatic Release Control
Automatic gain makeup
Limiter:
Overshoot-free look-ahead processing
Adjustable Threshold (0-18dB)
Adjustable Output Ceiling (0-18dBFS)
Features
Unique High Density design puts SIX gates in
minimum rack space
Intuitive, 'user friendly' layout
Balanced Inputs and Outputs
Fast, low noise opto-coupler circuitry
Sidechain/Key Input points on each channel
Hardwire Bypass switch on each gate
Flawless performance in any audio environment
The sheer amount of effects and signal processors required for today's
standards of audio production puts a great strain on the available space
in equipment racks, both in the studio and on the road.
So, in order to give engineers more control in less space, we've created
the ARX Sixgate; Six full function noise gates neatly housed in a compact,
all steel 1 RU package, without sacrificing features or quality.
Why Six gates?
Research shows that the majority of noise gates get used on drum kits,
which means using typically 5 to 6 gate channels. Compare this to the
two or maybe 4 channels that most other units have, and you'll see the
reason for the Sixgate's success.And, by using a minimalist approach to
drum gates, the ARX Sixgate has enough gates left over for backing vocals
and other instruments.
Industry Standard controls
Front panel controls for each gate consist of the 'Industry Standard' controls
for Release, Depth and Threshold, plus Red and Green LED displays to indicate
Gate Open or Closed status, and an IN/OUT hardwire bypass switch.
In addition to this, each gate has a blank panel to write on for easy confirmation
of gate assigns. No more pieces of masking tape stuck everywhere!
Ultra Low Noise
Internally, each gate has proprietary ARX ultra low noise high-speed opto-coupler
circuitry with program dependent Attack time, which tracks the incoming signal to
automatically determine optimum gate response.
Balanced Inputs and Outputs
The rear panel features true differential Balanced Inputs and Outputs for each gate,
on insulated TRS jack connectors.Each gate channel also has Individual Key Inputs/
Sidechain access insert points which can be used either for gate control by an external
signal, or for frequency sensitive gating (when used in conjuction with an external
equalizer such as the ARX EQ260).
Universal AC Power
AC power range on the Sixgate is a universal 100 to 120V or 220 to 240V, and is
connected to the unit via a standard 3 pin IEC connector, with built-in fuse and voltage
switch.
The Sixgate's unique combination of High Density design, intuitive 'user friendly' controls,
and clean uncluttered layout make it a truly useful audio tool for all applications.
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance
Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance
Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 20 dB
Frequency Response 20Hz to 20KHz ±0.2dB
Signal to Noise Ratio
Gate Closed: -95 dB Unweighted, -105 dB 'A' weighted
Gate Open, Depth Minimum: -93.5 dB Unweighted -98dB
'A' weighted
Distortion 0 .01% THD @ 0dB,1KHz
Dynamic Range 125 dB
Attack Time Program dependent using high-speed
opto-couplers
Release Time User variable
Input and Output Connector type Balanced Jack
Sidechain Insert Connector TipRingSleeve Jack
Sidechain Insert Impedance 10 Kohm
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions
19“Wide x 13/4“High x 6“Deep; 482 x 44 x 155mm
Front Panel Controls
Individual Release, Depth and Threshold controls
Hardwire bypass IN/OUT switch
Open/Closed gate status LED
Marker panel for labelling gate assigns
Rear Panel
Balanced Inputs and Outputs, on Balanced jack
connectors
Sidechain Insert/Key Input TipRingSleeve jack on
each channel
AC input connector, with voltage switch and fuse
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Πολιτική χρήσης
Αυτός ο ιστότοπος χρησιμοποιεί cookies για να βελτιώσει την εμπειρία σας ενώ περιηγείστε στον ιστότοπο. Από αυτά τα cookies, κάποια cookie κατηγοριοποιούνται ως απαραίτητα να αποθηκεύονται στο πρόγραμμα περιήγησης σας, καθώς είναι απαραίτητα για τη λειτουργία βασικών λειτουργιών του ιστότοπου. Χρησιμοποιούμε επίσης cookies τρίτων που μας βοηθούν να αναλύσουμε και να κατανοήσουμε πώς χρησιμοποιείτε αυτόν τον ιστότοπο. Αυτά τα cookies θα αποθηκευτούν στο πρόγραμμα περιήγησης σας μόνο με τη συγκατάθεσή σας. Έχετε επίσης την επιλογή να εξαιρεθείτε από αυτά τα cookies. Ωστόσο, η εξαίρεση από ορισμένα από αυτά τα cookie μπορεί να επηρεάσει την εμπειρία περιήγησης σας.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
Reviews
There are no reviews yet.