The AVANTONE CV-28 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950ʼs & 1960ʼs…but at a fraction of their cost! The rugged CV-28 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features […]
The AVANTONE CV-28 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950ʼs & 1960ʼs…but at a fraction of their cost!
The rugged CV-28 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This 3-Pattern Tube Microphone w/ interchangeable 19mm gold sputtered thin Mylar capsule assemblies is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features military-grade -15 dB pad & 80 Hz LF roll off switches for varied recording situations. The transformer coupled tube circuitry offers a modern-day, affordable solution for the desire to capture the character of famous European and American vintage designs, so studio can proudly offer the CV-28 as a primary acoustic instrument mic.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Acoustic guitar, mandolin, drum overheads, percussion, piano mic, etc…
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The AVANTONE CV-28 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950ʼs & 1960ʼs…but at a fraction of their cost!
The rugged CV-28 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This 3-Pattern Tube Microphone w/ interchangeable 19mm gold sputtered thin Mylar capsule assemblies is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features military-grade -15 dB pad & 80 Hz LF roll off switches for varied recording situations. The transformer coupled tube circuitry offers a modern-day, affordable solution for the desire to capture the character of famous European and American vintage designs, so studio can proudly offer the CV-28 as a primary acoustic instrument mic.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Acoustic guitar, mandolin, drum overheads, percussion, piano mic, etc…
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
Behringer C-1 Studio Condenser Microphone
Behringer C-1 Studio Condenser Microphone
The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
Professional large-diaphragm condenser microphone for unsurpassed audio quality
Ideal as main and support microphone for studio and live applications
Exceptionally flat frequency response and ultra-high sound resolution
Cardioid pickup pattern for outstanding sound source separation and feedback rejection
Ultra low-noise transformerless FET input circuitry
LED indicates phantom power operation
Gold-plated 3-pin XLR output connector for perfect signal transmission
Ultra-rugged construction with die-cast body
Swivel stand mount and carrying case included
Operating Principle
Pressure Gradient
Capsule
Condenser
Diaphragm
0.63" / 16.0 mm
Polar Pattern
Cardioid
Performance
Frequency Range
40 Hz to 20 kHz
Maximum SPL
136 dB SPL
Impedance
100 Ohms
Load Impedance
1000 Ohms
Sensitivity
-33 dB
THD
1%
Connectivity
Output Connectors (Analog)
1 x XLR 3-Pin
Power
Operating Voltage
36 to 52 V
Operating Current Consumption
2.5 µA
Physical
0.93 lb / 0.42 kg
Dimensions
ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm
Weight
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
34/47/62 mV/Pa*
Rated impedance
50 ohms
Rated load impedance
1000 ohms
Equivalent SPL CCIR 468-3
28/25/23 dB*
Equivalent SPL DIN/IEC 651
16/13/11 dB-A*
S/N ratio CCIR 468-3
66/69/71 dB*
S/N ratio DIN/IEC 651
78/81/83 dB*
Typical SPL (tube characteristic)
K
Maximum output voltage
18 dBu
Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for
101 (121) dB
Powering
Power supply N 149
Matching connectors
Microphone DIN 8F, Power supply XLR 3F
Weight
730 g
Diameter
70 mm
Length
201 mm
* Omnidirectional / cardioid / figure-8
AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish
Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Cardioid
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
23 mV/Pa
Rated impedance
50 ohms
Rated load impedance
1 kohms
Equivalent noise level, CCIR1)
17.5 dB
Equivalent noise level, A-weighted1)
7 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)
76.5 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)
87 dB
Maximum SPL for THD 0.5%2)
138 dB
Maximum output voltage
13 dBu
Dynamic range of the microphone amplifier (A-weighted)
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