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BC1200
A package of 7 drum microphones provide an accurate representation of the entire drum set for both live and studio applications. Different sets of microphones are tuned to capture kick drums, toms, snares and cymbals efficiently. These compact and versatile microphones are suitable for precision and close mic recordings.
Kick Drum Microphone
This KM1200 large diaphragm dynamic capsule is especially tuned for kick drums. Mount this mic onto a short microphone stand, then position it just inside the kick drum opening. Aim the mic directly at beater for more attack, or toward the far edge of the drum for more resonant tone.
Tom/Snare Microphones
The TM1200 medium diaphragm dynamic capsules are especially tuned for toms and snares. Mount clamps onto each mic then attach each of them onto the hoop of a tom or snare drum. The angle and distance from mic to drumhead is adjustable. Position each toward the center of the drumhead for best results.
Cymbal Microphones
The CM1200 directional small diaphragm condenser capsules are especially tuned for crash, hat and ride cymbals. Mount the mics onto a pair of tripod boom stands and position them to get the desired delicate/silky highs. Each mic should be positioned about 1 m (3 ft) above a ride cymbal and hi hat, pointing directly down. You can also have both mics positioned directly above the snare drum in an “XY” pattern, with capsule ends nearly touching, one pointing at ride cymbal and other at the hi hat.
( Note that these mics require 48 V phantom power for operation)
Extraordinary Value
The Behringer BC1200 is a high quality set of 7 microphones tuned and matched to capture every nuance of a full drum kit. The set includes wind noise filters for overhead mics, clamps for tom/snare mics and 5/8” threaded adapters in an easy carry case. The rugged die-cast construction makes the BC1200 withstand the rigors of studio and stage life. Visit your local authorized dealer today and see just how easy and affordable it is to hop on the BC1200 bandwagon – or get yours online.
Tom Mic
| Type |
Dynamic |
| Polar pattern |
Uni-directional |
| Frequency response |
70 Hz - 14 kHz |
| Sensitivity |
-56 dB (±3 dB) @ 1 kHz, 0 dB = 1 V/Pa |
| Impedance |
250 Ω (±30%) @ 1 kHz |
|
N/A |
| Max. SPL |
145 dB @ 1 kHz ≤1% THD |
| S/N ratio |
75 dB |
Bass Drum Mic
| Type |
Dynamic |
| Polar pattern |
Uni-directional |
| Frequency response |
50 Hz - 14 kHz |
| Sensitivity |
-58 dB (±3 dB) @ 1 kHz, 0 dB = 1 V/Pa |
| Impedance |
250 Ω (±30%) @ 1 kHz |
| Power supply |
N/A |
| Max. SPL |
150 dB @ 1 kHz ≤1% THD |
| S/N ratio |
79 dB |
Cymbal Mic
| Type |
Condenser |
| Polar pattern |
Uni-directional |
| Frequency response |
70 Hz - 18 kHz |
| Sensitivity |
-45 dB (±3 dB) @ 1 kHz, 0 dB = 1 V/Pa |
| Impedance |
250 Ω (±30%) @ 1 kHz |
| Power supply |
48 V phantom power |
| Max. SPL |
136 dB @ 1 kHz ≤1% THD |
| S/N ratio |
70 dB |
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The E-845S is a high-performance super-cardioid lead vocal microphone with an extended high-frequency response, specially designed for stage use.
Frequency Response : 40.....16000 Hz
Sensitivity in free field, no load : (1kHz) 1,8 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 46 x 185 mm
Weight : w/o cable 330 g
|
The first Neumann microphone with a dynamic capsule. Functionally optimized design
specifically for the broadcast field, featuring integrated pop protection, suppression of
structure-borne noise and a hypercardioid directional characteristic.
Emotion conveyed with technical perfection. This is the ideal which the Neumann
microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the
requirements of professional broadcast studios and the individual, functionally optimized
design* ensure that these are microphones of character.
The BCM 705 is Neumann?s first dynamic microphone. The housing and headgrille are
identical to those of the BCM 104; only the green logo indicates that this is something new
from Neumann. The principle of reduction to the essentials can be seen in the dynamic
capsule with a hypercardioid directional characteristic, specifically designed for speech
reproduction at close range. Multi-level isolation from structure-borne noise ensures operation
free of interference, even in a lively studio environment.
Mechanical Features
The microphone headgrille twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her
individual headgrille. Iin front of the capsule, mounted on a frame holder, a fine gauze serves
as a built-in popscreen.
The microphones of the Broadcast Line have an elastic mount against structure-borne noise,
that is compatible with standard broadcast-segment microphone arms.
Acoustic features
The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the
speech intelligibility. The bass frequency response is designed to compensate for the overemphasis
of the bass caused by the proximity effect.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm. The pop screen can be removed for cleaning without the use of tools.
Mounting
The preferred mode of operation is to suspend the BCM 104 or BCM 705 from a standard studio
boom arm.
A thread adapter to fit different connector threads is included. In order to provide protection from
structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the microphone by +/-90 degrees.
FEATURES:
Dynamic capsule
Hypercardioid directional characteristic
Characteristic, functionally optimized design*
Integrated, neutral pop protection
Integrated elastic suspension
Individual headgrilles for different users
Colored rings to identify the replacement headgrilles
Easy removal and cleaning of microphone headgrille (with bayonet mount)
Mechanical compatibility with standard studio boom arms
Multi-level isolation from structure-borne noise
No power supply required
APPLICATION HINTS:
Announcer's mic for broadcasting and studio
This is just one of the most common applications. We recommend
additional experimentation to gain maximum use from this microphone.
TECHNICAL DATA:
Acoustical operating principle Pressure gradient transducer
Directional pattern Hypercardioid
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 10 kohm 1,7 mV/Pa = ?55,4 dB ± 1 dB
Rated impedance 200 ohms
Rated load impedance >= 10,000 ohms
Equivalent SPL CCIR 468-3 32 dB
Equivalent SPL DIN/IEC 651 18 dB-A
S/N ratio CCIR 468-3 62 dB
S/N ratio DIN/IEC 651 76 dB
Weight 500 g
Diameter 64 mm
Length 85 mm
Height (without suspension) 110 mm
| By virtue of its design and features, the MD 431 II ranks amongst Sennheiserʼs most exceptional microphones and is suitable for vocal, speech and broadcasting applications. Colour: black, sound inlet basket: refined steel.
Pick-up pattern : super-cardioid
Sensitivity in free field, no load : (1kHz) 2,0 mV/Pa +- 3 dB
Nominal impedance : 250 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : d 49 x 200 mm, Griff d 31 mm
Weight :ca. 250 g | Dynamic largemembran-Microphone forBroadcast- and Syncronize-Studios and professionalPodcasting, internal Pop-Filter, Neodym Large membranCapsule (28 mm) cardiod, 40 Hz - 14 kHz, 115 dB SPL, Weight: 1.025g, Lenght: 215 mm, 520 mm diameter |
Professional dynamic microphone with On/Off switch. Very robust construction and excellent value-for-money. 4,5 m XLR male / XLR female cable included.
Product type
Microphones
Type
Vocals
Frequency response
80 - 15000lx @ 1m Hz
Directivity
cardioid
Nominal impedance
500 Ohm(s)
Max. SPL (1% THD @ 1kHz)
132 dB
Microphone input
XLR /3-pin, gold plated)
Length
165 mm
Diameter
52 mm
Accessories (included)
XLR / XLR cable, 4.5 m
Weight
0,652 kg
Features
on/off switch, locking |
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