Behringer BA 19A Condenser boundary microphone

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Only 1 left in stock (can be backordered)

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The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even […]

 

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The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level.
Switch the Presence Filter and Change the Sound

The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy.
Place It and You Won’t Ever Replace It

Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack. This is how you capture the best of both worlds.
Features:

Condenser boundary microphone for acoustic instruments
Frequency response for kick drums, piano and bass-heavy instruments
Integrated preamplifier for outstanding signal integrity
Half-cardioid polar pattern minimizes background noise and feedback
Switchable filters for stronger lows and high-frequency attack
Extremely high signal output which lets the sound cut through
Requires no external mounting
Impact-resistant carrying case included
Rugged, reliable metal construction
3-Year Warranty Program
Designed and engineered in Germany

Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g

Weight 0.50 kg

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Quick Comparison

Behringer BA 19A Condenser boundary microphone removeAKG C 547 BL HYPERCARDIOID CONDENSER BOUNDARY LAYER MICROPHONE removeElectro voice RE90B Half-cardioid Pattern Boundary Layer Microphone removeAudio Technica U851RW Cardioid condenser boundary microphone removeAudio Technica U843R Three channel boundary cardioid condenser microphone removeLD SYSTEMS LDBM1 CONDENSER BOUNDARY ELECTRET MICROPHONE remove
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SKUE015448C 547BLE003936U851RWU843RLDBM1
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Description
ContentThe Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level. Switch the Presence Filter and Change the Sound The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy. Place It and You Won’t Ever Replace It Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack. This is how you capture the best of both worlds. Features: Condenser boundary microphone for acoustic instruments Frequency response for kick drums, piano and bass-heavy instruments Integrated preamplifier for outstanding signal integrity Half-cardioid polar pattern minimizes background noise and feedback Switchable filters for stronger lows and high-frequency attack Extremely high signal output which lets the sound cut through Requires no external mounting Impact-resistant carrying case included Rugged, reliable metal construction 3-Year Warranty Program Designed and engineered in Germany Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g

C 547 BL 

"Non-crush" case
Inconspicuous
Hypercardioid polar pattern
Easy to repaint
 
Hypercardioid, studio-quality boundary microphone with rugged, "non-crush" case and
switchable bass-cut filter for reducing footfall noise, ideal for tough on-stage assignments.
Other benefits include optimum acoustic properties, high directivity, and neutral sound.
Having the same frequency response, the C 547 BL can be combined with the CK 47 with
excellent results.
Primarily designed for use in places of worship, theaters, and conferencing, the C 547 BL
is also a good choice for miking kick drums and other instruments.

SPECIFICATIONS:
Polar pattern hypercardioid
Frequency range 30 to 18,000 Hz
Sensitivity 8.5 mV/Pa (-42 dBV)
Max. SPL 133 dB (for 1% THD)
Equivalent noise level 22 dB-A
Signal/noise ratio (A-weighted) 72 dB
Bass filter 12 dB/octave at 150 Hz
Impedance 400 ohms
Recommended load impedance >1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption

    Designed for Broadcast, House of Worship, Pro Music, and other applications.
    Half-cardioid polar pattern
    Boundary layer
    Ultra-thin profile (16 mm) housing
    Rubber non-slip bottom pad and strong steel screen
    Integrated pop filter

Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Back Electret Condenser
Finish    Non-reflecting Black
Finish    White
Impedance, Low-Z balanced    200 Ω
Mic Type    Boundary
Open Circuit Voltage    25 mV/Pascal
Polar Pattern    Cardioid
Wired/Wireless    Wired
Height    16 mm (0.63“)
Width    94 mm (3.7“)
Depth    123 mm (4.84“)
Weight Net    12.63 oz (358 g)

The white-finished version of the U851R, the phantom-powered U851RW features a PivotPoint® rotating output connector, UniSteep® filter and UniGuard® RFI-shielding technology. Offering outstanding speech intelligibility and transparent sound quality for surface-mount applications, the U851RW accepts interchangeable condenser elements - available for boundary microphones in cardioid, hypercardioid and omnidirectional polar patterns. With a heavy die-cast case and silicon foam bottom pads to minimize coupling of surface vibration to the microphone, the U851RW is equipped with self-contained electronics, eliminating the need for an external power module.

  • Designed for surface-mount applications such as high-quality sound reinforcement, professional recording, television, conferencing and other demanding sound pickup situations
  • PivotPoint® rotating output connector allows cable to exit from either the rear or the bottom of the microphone
  • Superior off-axis rejection for maximum gain before feedback
  • UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)
  • Self-contained electronics eliminate need for external power module
  • Small-diameter UniPoint® capsule near boundary eliminates phase distortion and delivers clear, high-output performance
  • Heavy die-cast case and non-slip silicon foam bottom pads minimize coupling of surface vibration to the microphone
  • Low-profile design with low-reflectance finish for minimum visibility
  • Available in two colors: black (U851R) and white (U851RW)

 

  • Element: Fixed-charge back plate, permanently polarized condenser
  • Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
  • Frequency Response: 30-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 34 dB (19.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 134 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 108 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 68 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 4 mA typical
  • Switch: Flat, roll-off
  • Weight: 9.2 oz (262 g)
  • Dimensions: 4.25" (108.0 mm) long, 3.31" (84.0 mm) maximum width, 0.91" (23.0 mm) height
  • Output Connector: TB3M-type
  • Cable: 25.0' (7.6 m) long, 0.13" (3.2 mm) diameter, 2-conductor, shielded cable with TA3F and XLRM-type connectors

 

With three cardioid condenser elements in a single housing, the phantom-powered U843R offers a remarkably versatile tool for surface-mount installations. Levers on the microphone base allow easy reorientation of two elements to offer 360° or 300° coverage. Since elements can be powered and used individually or in any combination, further flexibility is easily achieved. For example, with two elements powered, the microphone can provide a figure-of-eight polar pattern; with a single element powered, the microphone functions as a standard cardioid boundary microphone. Installation and repositioning are extremely quick, thanks to four recessed pathways on the base of the microphone that enable the user to route the cable as required to accommodate any installation requirements; no tools or disassembly are needed. The microphone also offers Audio-Technicaʼs innovative UniGuard® RFI-shielding technology.

  • Three cardioid condenser elements mounted in a single housing
  • Easily reposition two elements (via levers on the microphone base) to offer 360° or 300° coverage; each element can be powered and used individually or in any combination
  • Also functions as a stereo boundary microphone
  • Provides full, efficient and flexible coverage—fewer microphones required
  • Small-diameter capsules near boundary eliminate phase distortion and deliver clear, high-output performance
  • Low-frequency attenuation improves sound pickup without affecting voice quality
  • Cable routes through any of four recessed pathways on the microphone base (or down for direct feed through a table surface); no tools or disassembly required
  • UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)
  • Heavy die-cast case and non-slip silicone foam bottom pad minimizes coupling of surface vibration to the microphone
  • Low-profile design with low-reflectance finish for minimum visibility

 

  • Element: Fixed-charge back plate, permanently polarized condenser
  • Polar Pattern: Hemispherical Cardioid x3 (combine to omni-directional or bidirectional)
  • Frequency Response: 70-16,000 Hz
  • Open Circuit Sensitivity: –37 dB (14.1 mV) re 1V at 1 Pa
  • Impedance: 100 ohms
  • Maximum Input Sound Level: 134 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range (Typical): 105 dB, 1 kHz at Max SPL
  • Signal-to-Noise Ratio: 65 dB, 1 kHz at 1 Pa
  • Phantom Power Requirements: 11-52V DC, 2 mA typical
  • Switch: The lever of elements can adjust the proper position
  • Weight (Less Cable): 160 g
  • Dimensions: 20.0 mm - height
    85.0 mm – maximum body diameter
  • Cable: 7.6 m long (permanently attached to microphone), 4 mm diameter, 6 conductor, shielded cable; output end stripped and tinned for connection to electronic device
  • Accessories Furnished: Soft protective pouch

 

Boundary-layer Microphone The LD Systems BM1 is an electret condenser microphone with a hemispherical directional characteristic.

For micing upright and grand pianos on stage or in the studio. Additional applications in the area of conference technology, transmission of roundtable discussions and theatrical performances.

Product type Microphones
Type Installations
Frequency response 50 - 20000 Hz
Directivity half ball
Nominal impedance 250 Ohm(s)
Max. SPL (1% THD @ 1kHz) 135 dB
Phantom power requierements 48 V
Microphone input XLR (3-pin)
Width 27 mm
Height 74.5 mm
Diameter 93.5 mm
Accessories (included) cables (Mini-XLR / XLR, 6 m)
Weight 0,345 kg
Weight0.500.420.360.100.100.35
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.42 kg
Weight 0.36 kg
Weight 0.10 kg
Weight 0.10 kg
Weight 0.35 kg