BEHRINGER C1 Studio Condenser Microphone

57.00 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: N/A
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Behringer C-1 Studio Condenser Microphone   Behringer C-1 Studio Condenser Microphone The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure […]

 

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Behringer C-1 Studio Condenser Microphone

 

Behringer C-1 Studio Condenser Microphone

The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.

  • Professional large-diaphragm condenser microphone for unsurpassed audio quality
  • Ideal as main and support microphone for studio and live applications
  • Exceptionally flat frequency response and ultra-high sound resolution
  • Cardioid pickup pattern for outstanding sound source separation and feedback rejection
  • Ultra low-noise transformerless FET input circuitry
  • LED indicates phantom power operation
  • Gold-plated 3-pin XLR output connector for perfect signal transmission
  • Ultra-rugged construction with die-cast body
  • Swivel stand mount and carrying case included
Operating Principle Pressure Gradient
Capsule Condenser
Diaphragm 0.63″ / 16.0 mm
Polar Pattern Cardioid

Performance

Frequency Range 40 Hz to 20 kHz
Maximum SPL 136 dB SPL
Impedance 100 Ohms
Load Impedance 1000 Ohms
Sensitivity -33 dB
THD 1%

Connectivity

Output Connectors (Analog) 1 x XLR 3-Pin

Power

Operating Voltage 36 to 52 V
Operating Current Consumption 2.5 µA

Physical

0.93 lb / 0.42 kg

Dimensions ø: 2.13 x L: 7.09″ / ø: 54 x L: 180 mm
Weight

 

Weight 0.50 kg

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Quick Comparison

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Description
ContentBehringer C-1 Studio Condenser Microphone   Behringer C-1 Studio Condenser Microphone The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
  • Professional large-diaphragm condenser microphone for unsurpassed audio quality
  • Ideal as main and support microphone for studio and live applications
  • Exceptionally flat frequency response and ultra-high sound resolution
  • Cardioid pickup pattern for outstanding sound source separation and feedback rejection
  • Ultra low-noise transformerless FET input circuitry
  • LED indicates phantom power operation
  • Gold-plated 3-pin XLR output connector for perfect signal transmission
  • Ultra-rugged construction with die-cast body
  • Swivel stand mount and carrying case included
Operating Principle Pressure Gradient
Capsule Condenser
Diaphragm 0.63" / 16.0 mm
Polar Pattern Cardioid
Performance
Frequency Range 40 Hz to 20 kHz
Maximum SPL 136 dB SPL
Impedance 100 Ohms
Load Impedance 1000 Ohms
Sensitivity -33 dB
THD 1%
Connectivity
Output Connectors (Analog) 1 x XLR 3-Pin
Power
Operating Voltage 36 to 52 V
Operating Current Consumption 2.5 µA
Physical 0.93 lb / 0.42 kg
Dimensions ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm
Weight
 

NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
 
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
 
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range:  20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm

The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone



The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.

 

Professional true condenser microphone for studio and live applications
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
Low-mass gold sputtered diaphragm for ultimate sound reproduction
Perfect for acoustic instruments, voice and overhead etc.
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Smooth, super-wide frequency response and incredible musicality
Switchable low-frequency roll-off and -10 dB input attenuation
Gold-plated 3-pin XLR output connector
Rugged construction with satin nickel-plated brass body
Custom microphone stand adapter, windscreen and transport case included

 

 

 

Manual Download

Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.

Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter

Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)

Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount

Acoustical operating principlePressure gradient transducer
Directional patternOmnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm34/47/62 mV/Pa*
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-328/25/23 dB*
Equivalent SPL DIN/IEC 65116/13/11 dB-A*
S/N ratio CCIR 468-366/69/71 dB*
S/N ratio DIN/IEC 65178/81/83 dB*
Typical SPL (tube characteristic)K
Maximum output voltage18 dBu
Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for 101 (121) dB
PoweringPower supply N 149
Matching connectorsMicrophone DIN 8F, Power supply XLR 3F
Weight730 g
Diameter70 mm
Length201 mm
* Omnidirectional / cardioid / figure-8
Weight0.50 kg2.90 kg0.60 kg0.40 kg2.00 kg0.73 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 2.90 kg
Weight 0.60 kg
Weight 0.40 kg
Weight 2.00 kg
Weight 0.73 kg