| Content | STUDIO CONDENSER MICROPHONE C-1U
Studio Condenser Microphone with USB Audio Interface and software suite
Professional, large-diaphragm condenser microphone with built-in USB interface, ideal for podcasters and musicians
Plug this amazing USB-mic straight into your computer and turn your PC or Mac computer into a recording system without the need for any other hardware
Directly works with your PC or Mac computer—ultra-low latency ASIO and WDM drivers for PC audio optimization included
Exceptionally flat frequency response and ultra-high sound resolution perfect for voice, acoustic instruments, etc.
Cardioid pickup pattern for outstanding sound source separation and feedback rejection
Pressure-gradient transducer with shock-mounted capsule
- Professional large-diaphragm condenser microphone with built-in 48 kHz USB interface for unsurpassed audio quality
- Gets phantom power directly from PC USB output
- Comes with Audacity audio editor, Kristal audio engine, Podifier uploading software, and Juice and Podnova downloading software
- Maximum SPL (sound pressure level) of 136 dB
- Ideal as main and support microphone for studio and live applications
- Exceptionally flat frequency response and ultra-high sound resolution
- Cardioid pickup pattern for outstanding sound source separation and feedback rejection
- Ultra low-noise transformerless FET input circuitry
- LED indicates phantom power operation
- Ultra-rugged construction with die-cast body
- USB connector and swivel stand mount included
| Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a unique crisp sound. With its extremely compact external dimensions, this microphone will keep a low profile on the drum kit without compromising audio quality. Response is 20-20kHz, with 126dB max SPL, and requires phantom power.
Specifications
Polar Pattern: cardioid
Frequency Response: 20?20.000 Hz
Sensitivity: 7 mV/Pa=-43 dBV to 1 V/Pa
Max. SPL for 1% / 3% THD: 126/130 dB SPL
Equivalent Noise Level: 33 dB to DIN 45 412
Electrical Impedance: 200 ohms
Recommended Load Impedance: >2.000 ohms
Power Requirement: 9 to 52 volts universal phantom power
Current Consumption: approx. 2 mA
Connector : 3-pin XLR
Cable Length: 1.5 m (5 ft.)
Finish: matte black
Size : dia.: 19 mm (0.7 in.), length: 79 mm (3.1 in.)
Net / Shipping Weight: 23/192 g (0.8/6,8 oz.)
Optional Accessorires: B15, B18 | The NT-USB Mini is a compact, studio-quality USB microphone designed for recording direct to a computer or tablet.
It is simple to set-up and use, and a smooth frequency response and directional pickup pattern make the NT-USB Mini perfect for recording vocals and instruments, livestreaming and gaming, podcasting, voice calls and more.
The included desk stand features a magnetic base that can be detached for easy mounting on mic stands or studio arms, and with its in-built pop filter and zero-latency headphone monitoring, the NT-USB Mini delivers crisp, clear audio in all recording applications.
Acoustic Principle: Pressure gradient Active Electronics: Electret condenser, A/D and USB interface Polar Pattern: Cardioid
Frequency Range: 20 Hz – 20 kHz
Input SPL @ 1%THD: 121dB (A-weighted, as per IEC651) Sample Rate: 48 kHz
Bus Powered: Yes
Bit Depth: 24-bit Analog Output: 3.5mm headphone
Computer Connectivity: USB - simultaneous I/O Mono input, stereo output
Output Connection: USB-C OS Requirements: macOS 10.12 / Windows 10
Weight (grams): 585
Dimensions (millimetres): Height: 141.9 Width: 54.5 Diameter (base): 89.3
• Studio-quality microphone with U SB-C connectivity
• 3.5mm headphone output with zero-latency monitoring
• Easy set-up, plug in and play
• Detachable magnetic desk stand
• In-built pop ? lte
| Polar Chart: |
Cardioid |
| USB compatibility: |
Yes |
|
Combining high-resolution audio with increased connectivity options, the AT2020USBi cardioid condenser microphone adds a new level of sound-quality and convenience to the expanding lineup of Audio-Technica USB microphones. Modeled after the critically acclaimed AT2020, this digital output mic features an A/D converter with a 24-bit/96 kHz sampling rate to deliver high-resolution articulation and intelligibility thatʼs perfect for home studio recording, field recording, podcasting and voiceover use.
The AT2020USBi works with both USB and Lightning cables (included), so you can use it straight from the box to digitally capture audio on the device of your choice: PC, Mac or lightning equipped iOS device. The integrated gain control adds to the convenience, allowing you to adjust the input level directly on the microphone.
The AT2020USBi cardioid condenser microphone brings state-of-the-art sound for the on-the-go lifestyle to the family of Audio-Technica USB mics.
- Condenser microphone with digital output for convenient, high-resolution recording
- High-quality A/D converter with 24-bit/96 kHz sampling rate for superb, high-resolution audio
- Mic gain control allows you to adjust input level on the mic itself
- Smooth, extended frequency response ideally suited for podcasting, home studio recording, field recording and voiceover use
- Compatible with Windows 7 and above, Mac OS 10.6 and above, and iOS 7.02 and above (requires Lightning connector).
- Tripod desk stand with folding legs for secure and easily portable tabletop use
- Included USB and Lightning cables provide ready connectivity to computers and iOS devices
| ELEMENT | Fixed-charge back plate, permanently polarized condenser | | POLAR PATTERN | Cardioid | | FREQUENCY RESPONSE | 20 – 20,000 Hz | | POWER REQUIREMENTS | USB (5V DC); Lightning (3.3V DC) | | BIT DEPTH | 24 bit | | SAMPLE RATE | Up to 96 kHz | | VOLUME CONTROL | Mic gain control | | WEIGHT | 350 g (12.3 oz) | | DIMENSIONS | 162.0 mm (6.38“) long, 52.0 mm (2.05“) maximum body diameter | | OUTPUT CONNECTOR | Micro-HDMI | | ACCESSORIES FURNISHED | Pivoting stand mount for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch; tripod desk stand; 4.9' (1.5 m) USB cable; 4.9' (1.5 m) Lightning cable |
| The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg) |
In the tradition of the SM58?, the Beta 58A dynamic microphone has become a top choice among vocalists and touring sound professionals.
The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech.
- Smooth, extended frequency response for outstanding sound for professional live vocal use
- Consistent supercardioid pattern provides the best gain-before-feedback among dynamic microphones
- Pneumatic shock mount reduces handling noise
- Frequency response: 50 to 16,000 Hz
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Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
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Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
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Neodymium magnet for high signal–to–noise output
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Hardened steel mesh grille that resists wear and abuse
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Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
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Minimally effected by varying load impedance
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Legendary Shure quality and reliability
| Transducer |
(Moving Coil, with Neodymium Magnet) Dynamic |
| Polar Pattern |
Supercardioid |
| Frequency Response |
50 Hz - 16 kHz |
| Maximum Input Sound Level |
not specified by manufacturer |
| Power Requirements |
None Dynamic, Requires No Phantom or Battery Power |
| Output Impedance |
150 Ohms (290 Ohms Actual) |
| Output Connectors |
XLR-3 Type |
| Dimensions |
6.375 x 2" (162 x 51mm) LxDiameter |
| Weight |
9.92 oz. (278 g) |
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