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Condenser Gooseneck Microphone for Instrument Applications
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Universal condenser microphone for acoustic instruments
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Frequency response designed for string, brass, percussion and wind instruments
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Cardioid polar pattern brings clarity and details
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Flexible gooseneck shaft for effortless "sweet spot" positioning
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Integrated XLR cable for extreme mobility during performance
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Extremely high signal output lets the sound cut through
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XLR phantom power adaptor
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Effective wind and pop noise filters included
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Compatible with most instrument clamps (not included)
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Impact-resistant carrying case included
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Rugged, reliable die-cast body construction
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3-Year Warranty Program*
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Designed and engineered in Germany
Specifications
| Type |
Condenser
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| Frequency response |
200 Ω
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| Impedance |
1/8” TRS, unbalanced
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| Phantom power |
48 V
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| Connector |
3-pin
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| Polar pattern |
Cardioid
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| Sensitivity |
-50 dB ±3 dB @ 1 kHz (1 V / Pa)
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| Weight |
140 g
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The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g
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The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.
Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage
Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
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The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual
Technical Data
Pick-up pattern cardioid
Frequency response 20...18000 Hz
Sensitivity in free field, no load (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 128,5 x 60 mm
Weight 440 g
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The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments. |
Transducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin
Made in Germany
Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!
Flexible tool iN The studio
The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.
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