Behringer CB 100 condenser microphone for acoustic instruments

53.43 incl. GR VAT

Only 1 left in stock (can be backordered)

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Condenser Gooseneck Microphone for Instrument Applications Universal condenser microphone for acoustic instruments Frequency response designed for string, brass, percussion and wind instruments Cardioid polar pattern brings clarity and details Flexible gooseneck shaft for effortless “sweet spot” positioning Integrated XLR cable for extreme mobility during performance Extremely high signal output lets the sound cut through XLR […]

 

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Condenser Gooseneck Microphone for Instrument Applications

  • Universal condenser microphone for acoustic instruments

  • Frequency response designed for string, brass, percussion and wind instruments

  • Cardioid polar pattern brings clarity and details

  • Flexible gooseneck shaft for effortless “sweet spot” positioning

  • Integrated XLR cable for extreme mobility during performance

  • Extremely high signal output lets the sound cut through

  • XLR phantom power adaptor

  • Effective wind and pop noise filters included

  • Compatible with most instrument clamps (not included)

  • Impact-resistant carrying case included

  • Rugged, reliable die-cast body construction

  • 3-Year Warranty Program*

  • Designed and engineered in Germany

Specifications

Type

Condenser

Frequency response

200 Ω

Impedance

1/8” TRS, unbalanced

Phantom power

48 V

Connector

3-pin

Polar pattern

Cardioid

Sensitivity

-50 dB ±3 dB @ 1 kHz (1 V / Pa)

Weight

140 g

Weight 0.20 kg

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Quick Comparison

Behringer CB 100 condenser microphone for acoustic instruments removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE removeAKG C 451B B/ST Matched Pair removeDAP AUDIO D1301 PL-07 Instrument Dynamic Microphone removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k remove
NameBehringer CB 100 condenser microphone for acoustic instruments removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE removeAKG C 451B B/ST Matched Pair removeDAP AUDIO D1301 PL-07 Instrument Dynamic Microphone removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k remove
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SKUCB 100H10SE00051C 451B STEREO PAIRD1301BETA 52AKSM141SL
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Price53.43 incl. GR VAT 115.00 incl. GR VAT 917.03 incl. GR VAT 43.39 incl. GR VAT 231.36 incl. GR VAT 515.99 incl. GR VAT
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Description
Content

Condenser Gooseneck Microphone for Instrument Applications

  • Universal condenser microphone for acoustic instruments

  • Frequency response designed for string, brass, percussion and wind instruments

  • Cardioid polar pattern brings clarity and details

  • Flexible gooseneck shaft for effortless "sweet spot" positioning

  • Integrated XLR cable for extreme mobility during performance

  • Extremely high signal output lets the sound cut through

  • XLR phantom power adaptor

  • Effective wind and pop noise filters included

  • Compatible with most instrument clamps (not included)

  • Impact-resistant carrying case included

  • Rugged, reliable die-cast body construction

  • 3-Year Warranty Program*

  • Designed and engineered in Germany

Specifications
Type

Condenser

Frequency response

200 Ω

Impedance

1/8” TRS, unbalanced

Phantom power

48 V

Connector

3-pin

Polar pattern

Cardioid

Sensitivity

-50 dB ±3 dB @ 1 kHz (1 V / Pa)

Weight

140 g

The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments. Features Rugged reinforced glass-fibre body Low sensitivity to impact and handling noise Very high sound pressure handling capability Low distortion microphone Hum compensating coil Easy to position due to compact design Integral stand mount Delivery Includes 1 e 604 1 drum clip 1 pouch Technical Data Frequency Response  40.....18000 Hz Sensitivity in free field, no load (1kHz)  1,8 mV/Pa Min. terminating impedance  1000 Ohm Dimensions  d 33 x 59 mm Weight w/o cable  60 g

Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

Features:

  • Identical acoustics of the legendary CK 1.
  • Rugged construction.
  • Ruler-flat on-axis frequency response.
  • Precise, nearly frequency independent cardioid.
  • Extremely accurate signal transfer.
  • Transformerless output stage for minimum distortion at low frequencies.
  • Protected against electrostatic and magnetic interference.
  • Selectable 10-dB and 20-dB preattenuation pads.
  • Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
  • Operates on phantom power to DIN/IEC between 12 V and 48 V.
  • Complete with SA 40 stand adapter and W 90 windscreen.
  • Each microphone comes with its own individual frequency response plot.

Specifications:

  • Polar pattern: Cardioid
  • Frequency range: 20 to 20,000 Hz
  • Sensitivity: 9 mV/Pa (-41 dBV)
  • Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
  • Equivalent noise level (CCIR 468-3): 29 dB
  • Equivalent noise level: 18 dB-A
  • Signal/noise ratio (A-weighted): 76 dB
  • Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
  • Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
  • Impedance: 1000 ohms
  • Supply voltage: 9 to 52 V phantom power to DIN 45596
  • Current consumption:
The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps. Technical Info Type: Dynamic, Moving coil. Freq.Resp.: 40 to 16.500 Hz. Polar Pattern: Cardioid Sensitivity (1000Hz): 1,7 mV/Pa* (*1 Pa = 94 dB SPL) Max SPL: 137dB Impedance: 600 Ohm Power supply: none Connector: 3p. XLR male-type). Net. Weight: 245 g Dimensions: (Ø 32 mm x L 157 mm) Accessories: 6 mtr balanced cable with XLR plugsOptimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum. The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. Features
  • Frequency response shaped specifically for kick drums and bass instruments
  • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Studio quality performance, even at extremely high sound pressure levels
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal–to–noise ratio output
  • Low sensitivity to varying load impedance
  • Legendary Shure quality and reliability
Type Dynamic (moving coil)
Frequency Response 20 to 10,000 Hz
Polar Pattern Supercardioid, rotationally symmetrical about microphone axis
Output Level Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
  • A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications Acoustic Guitar Acoustic Bass Cymbals Brass/Woodwinds Orchestra Ensemble Vocals Piano Strings Room Ambience Live Recording
Weight0.20 kg0.10 kg2.00 kg0.24 kg0.80 kg0.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.20 kg
Weight 0.10 kg
Weight 2.00 kg
Weight 0.24 kg
Weight 0.80 kg
Weight 0.50 kg