| Content | Master your domain with the Behringer Xenyx CONTROL2USB studio monitor controller. Whether recording, mixing, or mastering, the CONTROL2USB places you firmly in command with master volume, talkback, source selection, and monitor control. Easily toggle between up to three sets of studio monitors and four stereo input sources. There's even a monitor mix input for your DAW! Keep the lines of communication open between you and the artist with the built-in talkback function. Mono, mute, and dim functions are right at your fingertips. The CONTROL2USB employs VCA technology, ensuring precise level adjustments. The infinitely useful Behringer Xenyx CONTROL2USB studio monitor controller also functions as a USB audio interface.
Behringer Xenyx CONTROL2USB Studio Monitor Controller at a Glance:
- Ample I/O provides monitor options galore
- VCA technology ensures precise level adjustments
- Convenient built-in USB audio interface
Ample I/O provides monitor options galore
Your mix isn't complete unless it sounds great in the studio, car, and on bass-challenged speakers and earphones. The Behringer Xenyx CONTROL2USB toggles between up to three sets of studio monitors, equipping your studio with monitor options galore. Utilize high-quality nearfields to get your mix started. Add or remove a subwoofer to check your low end. Then reference your mix with cube-style speakers. There's also a monitor mix input for your DAW. A pair of individually adjustable headphone outputs provides even more monitoring flexibility. The CONTROL2USB accommodates up to four stereo input sources, so setting up reference sources is a piece of cake.
VCA technology ensures precise level adjustments
Because it employs high-end Voltage Controlled Amplifier (VCA) technology instead of inexpensive resistive faders, the Behringer Xenyx CONTROL2USB is incredibly precise. The engineers at Sweetwater have found that you can set levels quickly and accurately with the CONTROL2USB's large control knob. Make minute adjustments with ease. The CONTROL2USB actually controls the voltage that drives the amplifier rather than simply controlling how much signal passes to it. The result is faithful sound reproduction that you can trust.
Convenient built-in USB audio interface
The Behringer Xenyx CONTROL2USB's built-in USB audio interface creates an excellent centerpiece for your studio without requiring additional hardware or drivers. Just plug into one of your computer's spare USB ports and get to work.
- Volume controller, source selector, monitor switcher and talkback in one device
- Large, illuminated volume knob
- Integrated USB audio interface
- 4 stereo inputs with independent level
- Additional monitor mix input for DAW
- 3 independent and adjustable stereo monitor outputs
- Mono, mute and dim function
- Built-in talkback microphone
- With phono preamp for record players
- 2 Separately adjustable headphone outputs
- 12-Segment LED display with input / output switch
- "Planet Earth" power supply, 100 - 240 V
- Depth (mm): 198
- Height (mm): 87
- Width (mm): 389
- Product Dimensions (mm): 87x389x198
- Net weight (kg): 2.4
- Colour: Black
- Packing: Retail Box
- Weight (kg): 2.4
| Palmer Monicon, and the volume is right!
With Palmer Monicon, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal.
The inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking "little helper" that is a typical Palmer product.
- Type: passive
- Number of channels: 2
- Number of inputs: 2
- Input connections: XLR Combo / 3.5mm stereo jack
- Input type: balanced/unbalanced
- Maximum input level: +20 dBu
- Input impedance: 10 kohms balanced/ 5 kohms unbalanced
- Number of outputs: 2
- Output connections: XLR/m, 3.5 mm stereo jack
- Output type: balanced/unbalanced
- Max output level: +20 dBu
- Output impedance: 600 ohms
- Frequency response: 10Hz - 40 kHz +/- 1 dB
- THD: 0,001 %
- Max. attenuation: 85 dB (attenuator), 112 dB (attenuator + mute)
- Controls: Attenuation, Mute, Mono
- Housing material: sheet steel/wood
- Housing surface: powder-coated
- Width: 164 mm
- Height: 62 mm
- Depth: 85 mm
| Manage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer—all from your desktop. Switch quickly and easily between up to four audio sources with a selection of input types. Audition your music with your choice of three stereo pairs of speaker outputs, each with separate level control—and four screaming-loud headphone outs. With Monitor Station V2, you can evict the drummer from the main room, banish the guitarist to the bathroom, shove the singer into a closet, and make them like it. | The CMC7 is a compact 8 channel / 7.1 / 5.1 surround volume controller and cost-effective alternative to the more complex and feature rich MC7.1. In order to maintain it's compact proportions and to keep the product budget friendly the CMC7 does away with controls that can often be found within your workstation software and concentrates on essential features such as ease of use and the quality of the signal path, ensuring that the audio is transparent and accurate across all channels and operation intuitive.
Whether it is producing audio for film or television, or transporting the listener directly into the venue of an all-encompassing orchestral piece, one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever-increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. The budget friendly CMC7 allows you to do this without the large financial outlay that other setups will produce.
Coming from the same stable as the MC2.1, MC3.1 and MC7.1 you can be sure of the same high quality for the Drawmer CMC7 Surround Monitor Controller. The circuit is just as transparent and accurate. It's controls have the same quality feel and operation and the huge volume knob provides excellent channel matching, and smooth feel.
You hear exactly what you've recorded!
Surround Sound
The 8 inputs and outputs are provided via two balanced 25 pin d-sub connectors wired to the Tascam standard making connecting easy. It allows for 8 independent channels, 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc, the setup is up to the user.
With the Stereo Mix switch active the surround mix can be bounced down to a 2.1 signal in the front left and right monitors and sub-woofer, to test the quality of the recording when in stereo. In addition, it has a professional quality stereo headphone output with a separate amplifier and level control, that provides private mix checking, a DIM switch reduces output by 20dB and a MUTE switch is also available to cut the output completely.
Precision
The circuit design of the CMC7 ensures that the channel matching of all 8 channels is consistent throughout the full range of the volume control. Other manufaturers of surround controllers use multi-ganged potentiometers to achieve the levels of the 8 channels, this is especially true of passive surround controllers, this simplifies the circuit but leads to discrepancies in the level of each channel, especially at the lower and upper volumes, where accurate channel matching can vary wildly.
Compact
The CMC7 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC7 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.
Tough & Secure
Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC7 is built to last. In addition, a Kensington security slot provides protection from thieves.
Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.
Features:
- Ultra low noise and transparent circuit design.
- All 8 inputs and outputs are via 2 tascam standard 25 Pin D-Sub connectors making connection to interfaces and speakers simple and intuitive.
- Mix down switch enables you to check the Surround as a Stereo mix with an independent Sub switch controlling the LFE/Sub.
- Timed relay protection on all speaker outputs to prevent power up/down bangs.
- A large volume knob incorporating excellent channel matching and smooth feel.
- An independent Headphone Amplifier with Individual Level Control with jack on the rear.
- Kensington security slot (also called a K-Slot or Kensington lock).
- Very low profile desktop enclosure with a footprint of just 18x16cm.
- Stylish and Rugged Enclosure will withstand the knocks of the studio.
| Palmer Monicon, and the volume is right!
With Palmer Monicon, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal.
The inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking "little helper" that is a typical Palmer product.
- Type: passive
- Number of channels: 2
- Number of inputs: 2
- Input connections: XLR Combo / 3.5mm stereo jack
- Input type: balanced/unbalanced
- Maximum input level: +20 dBu
- Input impedance: 10 kohms balanced/ 5 kohms unbalanced
- Number of outputs: 2
- Output connections: XLR/m, 3.5 mm stereo jack
- Output type: balanced/unbalanced
- Max output level: +20 dBu
- Output impedance: 600 ohms
- Frequency response: 10Hz - 40 kHz +/- 1 dB
- THD: 0,001 %
- Max. attenuation: 85 dB (attenuator), 112 dB (attenuator + mute)
- Controls: Attenuation, Mute, Mono
- Housing material: sheet steel/wood
- Housing surface: powder-coated
- Width: 164 mm
- Height: 62 mm
- Depth: 85 mm
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MC3.1 - Monitor Controller Hear the music - not the equipment! Building on the success of the MC2.1, the MC3.1 Monitor Controller is just as accurate and transparent and of the same build quality. It can still faithfully reproduce what has been recorded without colouring the sound, but comes with a much expanded feature set, including more inputs, better control, extended channel routing and a desk top \'wedge\' form factor. Additions include a combined digital AES/SPDIF (24 bit/192kHz) input, giving a total of 5 individually switchable sources, including a front panel auxilary input with level control for the easy connection of your mp3 player, smartphone or tablet. Full cue mix facilities, with level control, provide separate source selection for main or cue outputs and the two headphone amplifiers, so the artist can listen to a completely different mix to the engineer, for example. A dedicated cue mix output is also available. A secondary preset volume control on the front provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls. The MC3.1 incorporates three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. Furthermore each can be switched individually and simultaneously and in any order. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether. Other improvements include additional mix checking capabilities, which now incorporate low, mid, high solo switches to hear how the lows bleed into the mid, or the stereo width of each, for example, and also the ability to swap the left and right channels. The talkback has been expanded to include an external mic in addition to the internal, and footswitch operation. Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller. - Ultra low noise and transparent circuit design.
- Source switches for both Main & Cue can be active in any combination. 5 Inputs in Total - 1x Digital AES/SPDIF Neutrik XLR/JACK COMBI & 2 balanced analogue Neutrik XLR/JACK COMBI and 1 stereo RCA Analogue on the Rear Panel & 1 3.5mm Front Panel Aux.
- 3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons. Each has level trims to provide precise channel matching.
- Timed relay protection on all speaker outputs to prevent power up/down bangs.
- Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has parallelled custom quad pots for excellent channel matching and smooth feel.
- 2x Headphone Amplifiers with Individual Level Controls & Switching between Main & Cue Inputs so the Artist can listen to a Different Mix to the Engineer.
- Front Panel 3.5mm AUX Input & Level Control for connecting MP3 player, smartphone or tablet etc.
- Cue Level Control adjusts the volume for the Artist\'s Monitors.
- Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, a Mono Output Jack & Internal Routing to Headphone and Cue Outputs.
- Comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
- Desktop \'wedge\' form factor.
- Kensington security slot (also called a K-Slot or Kensington lock).
- Rugged steel chasis and stylish brushed aluminium cover.
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