| Content |
Product Features:
16-channel digital stereo mixer to create your personal monitor mix
Ultra-intuitive \"analog\" operation with total recall and 16 presets for custom mixes
State-of-the-art 24-bit D/A converters for premium audio quality
16 Channel Select buttons with dual LEDs for perfect overview
Level and Pan/Spread control per channel with LED meter
3-band EQ per channel with mid-band frequency control
Solo and Mute functions per channel
Global Level and EQ controls plus Panic Mute function
High power and \"drummer proof\" headphones output
Fully adjustable limiter protects your ears and headphones
Additional mono/stereo line output to connect your powered monitor
MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc.
Standard CAT5e connection delivers power and 16 signals to each Personal Mixers
ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D)
Ultra-low system latency of less than 1 millisecond
Powered via external power supply (included) or P16-I / P16-D
Mounts easily on a mic stand with the P16-MB mic stand mount (not included)
Extremely rugged construction ensures long life even under the most demanding conditions
Conceived and designed by BEHRINGER Germany
User\'s Manual | WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
- Wireless Digital Audio Receiver System
- Operating Band ISM 2.4GHz (free band).
- One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
- GFSK digital modulation/demodulation.
- External antenna can help to increase the transmission distance.
- Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
- Automatic mute in bad channel quality conditions or high error code rate.
- Transmission distance higher than 30 meters in open places.
- Up to three transmitters WDT 24 in a zone
- Balanced XLR and unbalanced ¼\'\' jack outputs
- Working mode: stereo or mono
| Power Supply |
AC 9V-500 mA 50/60 Hz |
| Frequency |
2404-2476MHz |
| Channel |
25 |
| Modulation/Demodulation |
GFSK |
| Receive Sensitivity (WDR 24) |
-84dBm (min.) |
| Transmitted Power (WDT 24) |
6 dBm |
| Output Level (WDR 24) |
+13dBu (BAL max.) |
| Input Level (WDT 24) |
+5dBu (max.) |
| Bandwidth |
>=1.8 MHz |
| Frequency Response |
20Hz - 20kHz, +3dB / -3dB |
| S/N |
>80 dB |
| Dynamic Range @ 1 kHz |
>90 dB |
| Crosstalk @ 1kHz |
>90 dB |
| THD |
|
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SPECIFICATIONS
Input: Coaxial RCA digital audio, PCM stereo or Dolby Digital
Output: Left and Right RCA analog
Frequency Response: 20Hz to 20kHz, (+/- 0.5 dB)
THD: 0.025%
Power Requirement: Input: 100V~240V AC, Output: 5V DC (use Xantech supplied power supply only)
Dimensions (W x H x D):
Unit: 4-3/4” x 1” x 1-15/16” (119 x 25 x 48 mm)
Single pack carton: 7-1/4” x 3-1/2” x 6-1/2” (185 x 85 x 165 mm)
Weight:
Unit: 0.25 lbs (0.12 kg)
Single pack carton: 0.85 lbs (0.40 kg) |
The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.
Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting. |
mic/line for the BLU-80, BLU-32, BLU-16. |
For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510! |
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