Behringer RX1602 V2 16-channel monitor line mixer

162.63 incl. GR VAT

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Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator 16 balanced high-headroom line inputs for individual stereo or mono use of each section Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio Dedicated balance and level controls plus +4/-10 level selection per channel Monitor/FX Send control per section with global master send control for […]

 

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  • Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator
  • 16 balanced high-headroom line inputs for individual stereo or mono use of each section
  • Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio
  • Dedicated balance and level controls plus +4/-10 level selection per channel
  • Monitor/FX Send control per section with global master send control for flexible monitoring, recording or effects applications
  • Illuminated double-function “mute” button per section with additional “clip” indication provides comfortable input source/level information
  • Monitor/FX signal assignable to phones output for added flexibility
  • Highly accurate 2 x 7-segment LED level meters and individual level control for left and right main mix signal
  • 1/4” TRS main mix outputs plus easily accessible headphones output on the front panel with dedicated level control
  • High-quality detented rotary controls for long-term reliability
  • Internal switch-mode power supply (100 – 240 V~) for noise-free audio and low power consumption
  • 3-Year Warranty Program*
  • Designed and engineered in Germany
Audio Inputs Type: 16 x 1/4″ / 6.3 mm TRS Connectors, Electronically Balanced, Line Level
Impedance: 20 Kilohms Balanced or Unbalanced
Gain Range: -∞ to +15 dB
Operating Level: +4 dBu / -10 dBV (Switchable)
Maximum Input Level: +22 dBu
Common-Mode Rejection CMRR at 1 kHz: >50 dB Typically
Audio Outputs Main Out (L/R):
Type: 2 x 1/4″ / 6.3 mm TRS Connectors, Impedance Balanced
Gain Range: -∞ to +15 dB
Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced
Maximum Output Level: +22 dBu

Monitor Out Send (Mono):
Type: 1 x 1/4″ / 6.3 mm TRS Connector, Impedance Balanced Mono
Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced
Maximum Output Level: +22 dBu

Headphones Output Type: 1 x 1/4″ / 6.3 mm TRS Connector, Stereo
Minimum Load Impedance: 100 Ohms
System Bandwidth: 20 Hz to 20 kHz (±0.2 dB)
Frequency Range: 10 Hz to 200 kHz, (±3 dB)
Signal-to-Noise Ratio: THD: 0.003% at +4 dB input, 1 kHz Unity Gain
Crosstalk:
Power Supply Voltage: 100 to 240 VAC, 50/60 Hz
Power Consumption: 15 W
Mains Connection: Standard IEC Connector
Dimensions 1.7 x 19.0 x 5.9″ / 4.4 x 48.3 x 14.9 cm
Rack Space: 1 RU
Weight 4.0 lb / 1.8 kg
Weight 2.00 kg

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Behringer RX1602 V2 16-channel monitor line mixer removeDBX 266XS COMPRESSOR/GATE 2CH removeTOA L-1102 2 CHANNEL LIMITER-LEVELLER removeDBX 1046 COMPRESSOR/LIMITER 4 IN removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeBSS DPR-504 QUAD NOISE GATE remove
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SKURX1602 V2DBX 266XSL-1102DBX 1046E008167DPR-504
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Price162.63 incl. GR VAT 162.00 incl. GR VAT 564.32 incl. GR VAT 443.00 incl. GR VAT 196.00 incl. GR VAT 742.63 incl. GR VAT
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Description
Content
  • Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator
  • 16 balanced high-headroom line inputs for individual stereo or mono use of each section
  • Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio
  • Dedicated balance and level controls plus +4/-10 level selection per channel
  • Monitor/FX Send control per section with global master send control for flexible monitoring, recording or effects applications
  • Illuminated double-function "mute" button per section with additional "clip" indication provides comfortable input source/level information
  • Monitor/FX signal assignable to phones output for added flexibility
  • Highly accurate 2 x 7-segment LED level meters and individual level control for left and right main mix signal
  • 1/4'' TRS main mix outputs plus easily accessible headphones output on the front panel with dedicated level control
  • High-quality detented rotary controls for long-term reliability
  • Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
  • 3-Year Warranty Program*
  • Designed and engineered in Germany
Audio Inputs Type: 16 x 1/4" / 6.3 mm TRS Connectors, Electronically Balanced, Line Level Impedance: 20 Kilohms Balanced or Unbalanced Gain Range: -∞ to +15 dB Operating Level: +4 dBu / -10 dBV (Switchable) Maximum Input Level: +22 dBu Common-Mode Rejection CMRR at 1 kHz: >50 dB Typically
Audio Outputs Main Out (L/R): Type: 2 x 1/4" / 6.3 mm TRS Connectors, Impedance Balanced Gain Range: -∞ to +15 dB Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced Maximum Output Level: +22 dBu Monitor Out Send (Mono): Type: 1 x 1/4" / 6.3 mm TRS Connector, Impedance Balanced Mono Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced Maximum Output Level: +22 dBu
Headphones Output Type: 1 x 1/4" / 6.3 mm TRS Connector, Stereo Minimum Load Impedance: 100 Ohms
System Bandwidth: 20 Hz to 20 kHz (±0.2 dB) Frequency Range: 10 Hz to 200 kHz, (±3 dB) Signal-to-Noise Ratio: THD: 0.003% at +4 dB input, 1 kHz Unity Gain Crosstalk:
Power Supply Voltage: 100 to 240 VAC, 50/60 Hz Power Consumption: 15 W Mains Connection: Standard IEC Connector
Dimensions 1.7 x 19.0 x 5.9" / 4.4 x 48.3 x 14.9 cm Rack Space: 1 RU
Weight 4.0 lb / 1.8 kg

Bring a more professional sound to your mix

Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
 Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time
L-1102 Leveler/Limiter * Program dependent attack and release for transparent operation. * Noise gate to cut off system background noise when there is no signal. * In limiter mode sense signal is from the amplifier output. * Limits 4 ohm, 8 ohm, 25 V, 70 V and 100 V amplifier outputs. * 20 dB gain in signal leveler mode. * Security cover and rack-mount ears included. * Five year warranty.

In today's recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that: 4 channels of great sounding dbx compression for a variety of applications. Incorporating the industry standard dbx designs and the latest available manufacturing techniques, the dbx 1046 provides pristine sonic quality with that classic dbx sound.

The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.

All four channels have the following controls:

Threshold - allows you to set the level at which the compressor starts affecting the gain

OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the original dbx 160.

Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.

Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.

Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.

Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.

PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.

Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.

All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.

So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you.

 

  • Four independent channels of operation, stereo linkable in two pairs
  • PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
  • Independent Threshold and ratio controls
  • Switchable OverEasy® or Hard Knee compression
  • Classic dbx® compression
  • Differentially balanced gold-plated XLR and 1/4" inputs and outputs
  • True RMS level detection
  • Precision metering of input level, output level, and gain reduction
  • Dual True stereo or quad mono operation
  • Switchable +4dBu or -10dBV operation per channel

 

Input Connectors XLR and 1/4" TRS (Pin 2 and tip hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced > 40 kOhm, unbalanced >20 kOhm
Max Input > +22 dBu balanced or unbalanced
CMRR Typically >50 dB at 1 kHz
Output Connectors XLR and 1/4" TRS (Pin 2 and tip hot)
Output Type Servo-balanced/unbalanced, RF filtered
Output Impedance Balanced 30 Ohm, unbalanced 15 Ohm
Max Output > +22 dBm balanced, > +20 dBm unbalanced
Bandwidth 20 Hz to 20 kHz, +0/-0.5 dB
Frequency Response 0.35 Hz to 90kHz, +0/-3 dB
Noise
Dynamic Range > 118 dB, unweighted
THD+Noise >0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
IMD
Interchannel Crosstalk
Stereo Coupling True RMS Power Summing
Compressor Threshold Range -40 dBu to +20 dBu
Compressor Ratio 1:1 to infinity:1
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Attack/Release Characteristic AutoDynamic™
Compressor Attack Time Program-dependent
Compressor Release Time Program-dependent
Compressor Output Gain -20 to +20 dB
Limiter Threshold Range 0 dBu to +24 dBu (off)
Limiter Ratio infinity:1
Limiter Type PeakStopPlus® two-stage limiter
Limiter Stage 1 PeakStop® brickwall limiter
Limiter Stage 1 Attack Time Zero
Limiter Stage 1 Release Time Zero
Limiter Stage 2 Predictive intelligent program limiter
Limiter Stage 2 Attack Time Program-dependent
Limiter Stage 2 Release Time Program-dependent
OverEasy® Switch Activates the OverEasy compression function
I/O Meter Switch Switches between monitoring input and output levels on the Input/Output Level meter
Bypass Switch Activates the direct input-to-output hard-wire bypass
Operating Level Switch (rear panel) Switches the nominal operating level between -10 dBV and +4 dBu simultaneously for both input and output levels
ST Link Switch Links channels in stereo pairs. Channels One and Three become the master channels
Gain Reduction Meter 8 segment LED bar graph at 1, 3, 6, 10, 15, 20, 25, and 30 dB
I/O Meter 8-segment LED bar graph at -24, -18, -12, -6, 0, +6, +12, and +18 dBu
PeakStop™ Indicator 1 LED to indicate PeakStop™ limiting
Function Switches LED indicator for each front-panel switch
Output Transformer Options Jensen® JT-123-dbx or JT- 11-dbx, BCI RE- 123-dbx or RE-11-dbx
Operating Voltage Switchable:100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
Power Consumption 20 Watts
Fuse 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
Power Connector IEC receptacle
Dimensions 1.75“Hx19“Wx9“D (4.4cmx48.3cmx20.1cm)
Unit Weight 5.2 lbs. (2.4 kg)
Shipping Weight 7.6 lbs. (3.5 kg)
High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System  
  • Professional 31-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated mono subwoofer output with adjustable crossover frequency
  • Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
  • Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
  • Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
  • Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • 3-Year Warranty Program*
  • Conceived and designed by BEHRINGER Germany

The DPR-504 is a 4-channel noise gate.

Each channel features:
A parametric key filter with key filter listening.
Simultaneous key level and threshold metering with average and
peak metering.
A gate status LED.
A RELEASE/HOLD control (hold tracks proportionally with release
times).
Attack switchable auto/fast (auto tracks signal dynamics for optimum
setting).
Link (links two channels together).
Key source allows external triggers.

The Range switch selects between 7OdB and 2OdB gating depth to
provide alternative release profiles.
The unit features electronically balanced inputs and outputs. 

Weight2.003.004.003.502.505.00
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
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Weight 5.00 kg