Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator 16 balanced high-headroom line inputs for individual stereo or mono use of each section Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio Dedicated balance and level controls plus +4/-10 level selection per channel Monitor/FX Send control per section with global master send control for […]
Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator
16 balanced high-headroom line inputs for individual stereo or mono use of each section
Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio
Dedicated balance and level controls plus +4/-10 level selection per channel
Monitor/FX Send control per section with global master send control for flexible monitoring, recording or effects applications
Illuminated double-function “mute” button per section with additional “clip” indication provides comfortable input source/level information
Monitor/FX signal assignable to phones output for added flexibility
Highly accurate 2 x 7-segment LED level meters and individual level control for left and right main mix signal
1/4” TRS main mix outputs plus easily accessible headphones output on the front panel with dedicated level control
High-quality detented rotary controls for long-term reliability
Internal switch-mode power supply (100 – 240 V~) for noise-free audio and low power consumption
3-Year Warranty Program*
Designed and engineered in Germany
Audio Inputs
Type: 16 x 1/4″ / 6.3 mm TRS Connectors, Electronically Balanced, Line Level
Impedance: 20 Kilohms Balanced or Unbalanced
Gain Range: -∞ to +15 dB
Operating Level: +4 dBu / -10 dBV (Switchable)
Maximum Input Level: +22 dBu
Common-Mode Rejection CMRR at 1 kHz: >50 dB Typically
Audio Outputs
Main Out (L/R):
Type: 2 x 1/4″ / 6.3 mm TRS Connectors, Impedance Balanced
Gain Range: -∞ to +15 dB
Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced
Maximum Output Level: +22 dBuMonitor Out Send (Mono):
Type: 1 x 1/4″ / 6.3 mm TRS Connector, Impedance Balanced Mono
Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced
Maximum Output Level: +22 dBu
Headphones Output
Type: 1 x 1/4″ / 6.3 mm TRS Connector, Stereo
Minimum Load Impedance: 100 Ohms
System
Bandwidth: 20 Hz to 20 kHz (±0.2 dB)
Frequency Range: 10 Hz to 200 kHz, (±3 dB)
Signal-to-Noise Ratio: THD: 0.003% at +4 dB input, 1 kHz Unity Gain
Crosstalk:
Power Supply
Voltage: 100 to 240 VAC, 50/60 Hz
Power Consumption: 15 W
Mains Connection: Standard IEC Connector
Dimensions
1.7 x 19.0 x 5.9″ / 4.4 x 48.3 x 14.9 cm
Rack Space: 1 RU
Weight
4.0 lb / 1.8 kg
Weight
2.00 kg
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Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator
16 balanced high-headroom line inputs for individual stereo or mono use of each section
Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio
Dedicated balance and level controls plus +4/-10 level selection per channel
Monitor/FX Send control per section with global master send control for flexible monitoring, recording or effects applications
Illuminated double-function "mute" button per section with additional "clip" indication provides comfortable input source/level information
Monitor/FX signal assignable to phones output for added flexibility
Highly accurate 2 x 7-segment LED level meters and individual level control for left and right main mix signal
1/4'' TRS main mix outputs plus easily accessible headphones output on the front panel with dedicated level control
High-quality detented rotary controls for long-term reliability
Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
3-Year Warranty Program*
Designed and engineered in Germany
Audio Inputs
Type: 16 x 1/4" / 6.3 mm TRS Connectors, Electronically Balanced, Line Level
Impedance: 20 Kilohms Balanced or Unbalanced
Gain Range: -∞ to +15 dB
Operating Level: +4 dBu / -10 dBV (Switchable)
Maximum Input Level: +22 dBu
Common-Mode Rejection CMRR at 1 kHz: >50 dB Typically
Audio Outputs
Main Out (L/R):
Type: 2 x 1/4" / 6.3 mm TRS Connectors, Impedance Balanced
Gain Range: -∞ to +15 dB
Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced
Maximum Output Level: +22 dBuMonitor Out Send (Mono):
Type: 1 x 1/4" / 6.3 mm TRS Connector, Impedance Balanced Mono
Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced
Maximum Output Level: +22 dBu
Headphones Output
Type: 1 x 1/4" / 6.3 mm TRS Connector, Stereo
Minimum Load Impedance: 100 Ohms
System
Bandwidth: 20 Hz to 20 kHz (±0.2 dB)
Frequency Range: 10 Hz to 200 kHz, (±3 dB)
Signal-to-Noise Ratio: THD: 0.003% at +4 dB input, 1 kHz Unity Gain
Crosstalk:
Power Supply
Voltage: 100 to 240 VAC, 50/60 Hz
Power Consumption: 15 W
Mains Connection: Standard IEC Connector
Dimensions
1.7 x 19.0 x 5.9" / 4.4 x 48.3 x 14.9 cm
Rack Space: 1 RU
Weight
4.0 lb / 1.8 kg
Product Features:
Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel) Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input) 64 user memories for complete setups and/or individual module configurations Separate mic/line input with phantom power for RTA and Auto-EQ applications Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical) Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates Open architecture allowing future software updates via MIDI "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany
The Multicom Pro-XL MDX4600 gives you 4 channels of first-class dynamic
control in a single rack space. With a multitude of new features like the
advanced program-adaptive expander gate, extensive metering plus a variety
of configuration options, the Multicom Pro-XL puts a lot of dynamic processing
power in your rack.
Features
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression
circuitry combines the advantages of hard-knee and soft-knee characteristics
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise
suppression
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable low contour filter prevents "pumping" due to low-frequency dominated
compression
Stereo couple function selectable for channels 1/2 and 3/4
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 8-segment LED meters for input/output levels and gain reduction
Selectable operating level (+4 dBu/-10 dBV)
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Manufactured under ISO9000 certified management system
In today's recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that: 4 channels of great sounding dbx compression for a variety of applications. Incorporating the industry standard dbx designs and the latest available manufacturing techniques, the dbx 1046 provides pristine sonic quality with that classic dbx sound.
The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.
All four channels have the following controls:
Threshold - allows you to set the level at which the compressor starts affecting the gain
OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the original dbx 160.
Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.
Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.
Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.
Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.
PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.
Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.
All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you.
Four independent channels of operation, stereo linkable in two pairs
PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
Independent Threshold and ratio controls
Switchable OverEasy® or Hard Knee compression
Classic dbx® compression
Differentially balanced gold-plated XLR and 1/4" inputs and outputs
True RMS level detection
Precision metering of input level, output level, and gain reduction
Dual True stereo or quad mono operation
Switchable +4dBu or -10dBV operation per channel
Input Connectors
XLR and 1/4" TRS (Pin 2 and tip hot)
Input Type
Electronically balanced/unbalanced, RF filtered
Input Impedance
Balanced > 40 kOhm, unbalanced >20 kOhm
Max Input
> +22 dBu balanced or unbalanced
CMRR
Typically >50 dB at 1 kHz
Output Connectors
XLR and 1/4" TRS (Pin 2 and tip hot)
Output Type
Servo-balanced/unbalanced, RF filtered
Output Impedance
Balanced 30 Ohm, unbalanced 15 Ohm
Max Output
> +22 dBm balanced, > +20 dBm unbalanced
Bandwidth
20 Hz to 20 kHz, +0/-0.5 dB
Frequency Response
0.35 Hz to 90kHz, +0/-3 dB
Noise
Dynamic Range
> 118 dB, unweighted
THD+Noise
>0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
IMD
Interchannel Crosstalk
Stereo Coupling
True RMS Power Summing
Compressor Threshold Range
-40 dBu to +20 dBu
Compressor Ratio
1:1 to infinity:1
Compressor Threshold Characteristic
Selectable OverEasy® or hard knee
Compressor Attack/Release Characteristic
AutoDynamic™
Compressor Attack Time
Program-dependent
Compressor Release Time
Program-dependent
Compressor Output Gain
-20 to +20 dB
Limiter Threshold Range
0 dBu to +24 dBu (off)
Limiter Ratio
infinity:1
Limiter Type
PeakStopPlus® two-stage limiter
Limiter Stage 1
PeakStop® brickwall limiter
Limiter Stage 1 Attack Time
Zero
Limiter Stage 1 Release Time
Zero
Limiter Stage 2
Predictive intelligent program limiter
Limiter Stage 2 Attack Time
Program-dependent
Limiter Stage 2 Release Time
Program-dependent
OverEasy® Switch
Activates the OverEasy compression function
I/O Meter Switch
Switches between monitoring input and output levels on the Input/Output Level meter
Bypass Switch
Activates the direct input-to-output hard-wire bypass
Operating Level Switch
(rear panel) Switches the nominal operating level between -10 dBV and +4 dBu simultaneously for both input and output levels
ST Link Switch
Links channels in stereo pairs. Channels One and Three become the master channels
Gain Reduction Meter
8 segment LED bar graph at 1, 3, 6, 10, 15, 20, 25, and 30 dB
I/O Meter
8-segment LED bar graph at -24, -18, -12, -6, 0, +6, +12, and +18 dBu
PeakStop™ Indicator
1 LED to indicate PeakStop™ limiting
Function Switches
LED indicator for each front-panel switch
Output Transformer Options
Jensen® JT-123-dbx or JT- 11-dbx, BCI RE- 123-dbx or RE-11-dbx
Operating Voltage
Switchable:100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
Power Consumption
20 Watts
Fuse
100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
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