Smooth mid-frequency presence rises for excellent voice, drums and guitars
Ultra-wide frequency response for brilliant and transparent sound
Extremely high signal output lets your performance cut through
Cardioid characteristic minimizes background noise and feedback
Integrated spherical wind and pop noise filter
Shock mount system to cut down handling noise
3-pin XLR connector for highest signal integrity
Microphone stand adapter and impact-resistant carrying case included
3-Year Warranty Program*
Designed and engineered in Germany
Dynamic microphone
Polar pattern: Cardioid
Integrated wind and pop filters
Shock Mount System suppresses handling noise
Wide frequency response for transparent sound
“Soft” mid frequencies especially for voice, drums and guitar
3-Pin XLR connector
Frequency range: 40 – 15,000 Hz
Impedance: 310 ohms
Max. sound pressure level: 150 dB
Weight: 260 g
Includes microphone stand adapter and impact-resistant case
Frequency Range
40 Hz to 15 kHz
Maximum SPL
150 dB SPL
Impedance
310 Ohms
Sensitivity
-54 dBV/Pa
Weight
0.3 kg
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Dynamic microphone perfect for vocal and instrument capture
Cardioid polar pattern provides tight, focused sound without any compromises
Compact size guarantees precise positioning
Comes complete with mic clip and premium protective case
Content
Dynamic Cardioid Microphone
Dynamic cardioid microphone
Smooth mid-frequency presence rises for excellent voice, drums and guitars
Ultra-wide frequency response for brilliant and transparent sound
Extremely high signal output lets your performance cut through
Cardioid characteristic minimizes background noise and feedback
Integrated spherical wind and pop noise filter
Shock mount system to cut down handling noise
3-pin XLR connector for highest signal integrity
Microphone stand adapter and impact-resistant carrying case included
3-Year Warranty Program*
Designed and engineered in Germany
Dynamic microphone
Polar pattern: Cardioid
Integrated wind and pop filters
Shock Mount System suppresses handling noise
Wide frequency response for transparent sound
"Soft" mid frequencies especially for voice, drums and guitar
3-Pin XLR connector
Frequency range: 40 - 15,000 Hz
Impedance: 310 ohms
Max. sound pressure level: 150 dB
Weight: 260 g
Includes microphone stand adapter and impact-resistant case
Frequency Range
40 Hz to 15 kHz
Maximum SPL
150 dB SPL
Impedance
310 Ohms
Sensitivity
-54 dBV/Pa
The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.
New volume control knob allows musicians to adjust the volume to fit each musical situation
New rugged, dynamic cartridge with improved response
The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments.
Features
Rugged reinforced glass-fibre body
Low sensitivity to impact and handling noise
Very high sound pressure handling capability
Low distortion microphone
Hum compensating coil
Easy to position due to compact design
Integral stand mount
Delivery Includes
1 e 604
1 drum clip
1 pouch
Technical Data
Frequency Response 40.....18000 Hz
Sensitivity in free field, no load (1kHz) 1,8 mV/Pa
Min. terminating impedance 1000 Ohm
Dimensions d 33 x 59 mm
Weight w/o cable 60 g
Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.
The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.
The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.
The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).
Features:
Identical acoustics of the legendary CK 1.
Rugged construction.
Ruler-flat on-axis frequency response.
Precise, nearly frequency independent cardioid.
Extremely accurate signal transfer.
Transformerless output stage for minimum distortion at low frequencies.
Protected against electrostatic and magnetic interference.
Selectable 10-dB and 20-dB preattenuation pads.
Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
Operates on phantom power to DIN/IEC between 12 V and 48 V.
Complete with SA 40 stand adapter and W 90 windscreen.
Each microphone comes with its own individual frequency response plot.
Specifications:
Polar pattern: Cardioid
Frequency range: 20 to 20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV)
Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
Equivalent noise level (CCIR 468-3): 29 dB
Equivalent noise level: 18 dB-A
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
Impedance: 1000 ohms
Supply voltage: 9 to 52 V phantom power to DIN 45596
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