The U-PHORIA UMC22 2×2 USB Audio Interface from Behringer is a 2×2 audio interface that is capable of tracking your audio with sampling rates up to 48 kHz. It features a single Midas-designed combo XLR/TRS microphone preamplifier with selectable 48-volt phantom power. Additionally, the UMC22 has a front-panel 1/4″ instrument input. Its I/O is rounded up by 2 rear-panel 1/4″ outputs and a front-panel 1/4″ headphone output.
The UMC22 has selectable direct monitoring, and is housed in a metal chassis designed to be impact resistant. Behringer provides a free download of Tracktion 4 Audio Production software with registration.
Midas-Design Preamp
Behringer’s sister company, Midas, developed the preamps for the UMC202 interface. Thanks to the available +48 V phantom power, you can even use condenser mics to create tracks
Monitoring
All U-PHORIA models provide headphone output with level control and direct monitor select, status, signal and clip LEDs, and are powered via your computer’s USB port so they’re ready to go wherever you go
Tracktion 4 Software Download
When you register your UMC22, Behringer provide you with a complimentary download code for the full version of Tracktion 4 digital audio workstation software, with 150 instrument/effect plug-ins
Up to 48 kHz resolution
Compatible with recording software including Avid Pro Tools, Ableton Live, Steinberg Cubase, and others
Streams 2 inputs / 2 outputs with low latency to your computer, supporting Mac OS X and Windows XP or higher
USB port for connection and power
Impact-resistant metal chassis
Behringer UMC 22 Specs
Interface
Channels of I/O
2 Inputs / 2 Output
Max Sample Rate/Resolution
48 kHz / 24-Bit
Display and Indicators
2 x LED (Signal) 2 x LED (Clip) 1 x LED (+48V) 1 x LED (Power)
Connectivity
Host Connection
1 x USB Type-B (USB 2.0)
Analog I/O
1 x Combo XLR-1/4″ Mic/Line Input 1 x 1/4″ Hi-Z Input 2 x 1/4″ TRS Monitor Output 1 x 1/4″ TRS Headphone Output
Phantom Power
+48 V, Selectable On/Off
Digital I/O
None
MIDI I/O
None
Memory Card Slot
None
Performance
Frequency Response
Inputs, Outputs:
10 Hz to 30 kHz +0/-0.5 dB Interface:
10 Hz to 30 kHz +0/-3 dB
Max Input Level
Mic Inputs:
+2 dBu Line Inputs:
+22 dBu Hi-Z Inputs:
+2 dBu
Max Output Level
0 dBu
Dynamic Range
100 dBA
Impedance
Mic Inputs:
3 Kilohms Hi-Z Inputs:
1 Megohm
Digital Audio
Sample Rates
32, 44.1, 48 kHz
Latency
Zero-Latency Direct Monitoring
Compatibility
OS Compatibility
macOS 10 or Later
Windows XP or Later
Power
Power Requirements
USB Bus-Power
Power Consumption
2.5 W (Maximum)
Physical
Anti-Theft Features
Kensington Security Slot
Dimensions
6.4 x 4.9 x 1.8″ / 162.56 x 124.46 x 45.72 mm
Weight
1.1 lb / 0.5 kg
Weight
1.00 kg
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The U-PHORIA UMC22 2x2 USB Audio Interface from Behringer is a 2x2 audio interface that is capable of tracking your audio with sampling rates up to 48 kHz. It features a single Midas-designed combo XLR/TRS microphone preamplifier with selectable 48-volt phantom power. Additionally, the UMC22 has a front-panel 1/4" instrument input. Its I/O is rounded up by 2 rear-panel 1/4" outputs and a front-panel 1/4" headphone output.
The UMC22 has selectable direct monitoring, and is housed in a metal chassis designed to be impact resistant. Behringer provides a free download of Tracktion 4 Audio Production software with registration.
Midas-Design Preamp
Behringer's sister company, Midas, developed the preamps for the UMC202 interface. Thanks to the available +48 V phantom power, you can even use condenser mics to create tracks
Monitoring
All U-PHORIA models provide headphone output with level control and direct monitor select, status, signal and clip LEDs, and are powered via your computer's USB port so they're ready to go wherever you go
Tracktion 4 Software Download
When you register your UMC22, Behringer provide you with a complimentary download code for the full version of Tracktion 4 digital audio workstation software, with 150 instrument/effect plug-ins
Up to 48 kHz resolution
Compatible with recording software including Avid Pro Tools, Ableton Live, Steinberg Cubase, and others
Streams 2 inputs / 2 outputs with low latency to your computer, supporting Mac OS X and Windows XP or higher
USB port for connection and power
Impact-resistant metal chassis
Behringer UMC 22 Specs
Interface
Channels of I/O
2 Inputs / 2 Output
Max Sample Rate/Resolution
48 kHz / 24-Bit
Display and Indicators
2 x LED (Signal)
2 x LED (Clip)
1 x LED (+48V)
1 x LED (Power)
Connectivity
Host Connection
1 x USB Type-B (USB 2.0)
Analog I/O
1 x Combo XLR-1/4" Mic/Line Input
1 x 1/4" Hi-Z Input
2 x 1/4" TRS Monitor Output
1 x 1/4" TRS Headphone Output
Phantom Power
+48 V, Selectable On/Off
Digital I/O
None
MIDI I/O
None
Memory Card Slot
None
Performance
Frequency Response
Inputs, Outputs:
10 Hz to 30 kHz +0/-0.5 dB
Interface:
10 Hz to 30 kHz +0/-3 dB
Max Input Level
Mic Inputs:
+2 dBu
Line Inputs:
+22 dBu
Hi-Z Inputs:
+2 dBu
Max Output Level
0 dBu
Dynamic Range
100 dBA
Impedance
Mic Inputs:
3 Kilohms
Hi-Z Inputs:
1 Megohm
Digital Audio
Sample Rates
32, 44.1, 48 kHz
Latency
Zero-Latency Direct Monitoring
Compatibility
OS Compatibility
macOS 10 or Later
Windows XP or Later
Power
Power Requirements
USB Bus-Power
Power Consumption
2.5 W (Maximum)
Physical
Anti-Theft Features
Kensington Security Slot
Dimensions
6.4 x 4.9 x 1.8" / 162.56 x 124.46 x 45.72 mm
Weight
1.1 lb / 0.5 kg
Yamaha AUDIOGRAM3 Computer Recording System Specifications:
Mic/Hi-Z input: 1
Audio Format: USB AUDIO 1.1, 16bit/44.1kHz
Combo Connectors: 1
Stereo In connectors: Phone connector x 2 (L/MONO x 2, R x 2)
USB Connector: To Host x 1
Headphone connector: Stereo Phone connector x 1
Stereo Out connector: Phone connector x 2 (L, R)
Power Supply: USB powered
Dimensions (W x H x D): 180 mm x 61 mm x 112 mm (7-1/8" x 2-3/8" x 4-3/8“)
Accessories: CUBASE AI DVD, Owner's Manual, USB Cable
System Requirements
Windows Vista
Windows-based computer with built-in USB interface
CPU: Intel CPU / Macintosh G3 processor 300 MHz or better
Memory: More than 128MB
Cubase AI4 System Requirements:
Windows
OS: Windows XP Professional SP1 / XP Home Edition SP1 / Windows Vista (32-bit)
CPU: Intel Pentium 1.4GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
Audio Interface: Windows DirectX / ASIO compatible
Macintosh
OS: Mac OS X 10.4 or higher
CPU: Power Mac G4 1GHz or Core Solo 1.5GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle
Behringer U-Control UCA202
2 In/2 Out USB Audio Interface
Mac or PC, no drivers required
16-bit/48kHz converters
Low latency
Headphone output
S/PDIF optical out
USB powered
Free Software
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
Works with your PC or Mac computer—no setup or drivers required
High-resolution 48 kHz converters for high-end audio quality
Stereo Headphone output with dedicated Level control lets you monitor both input and output
Additional S/PDIF optical output for direct digital conversion
Powered via USB—no external power supply needed
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications.
High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222.
Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution.
Super Simple Setup
As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware.
The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
“Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
Expandable — add additional interfaces for more I/O as your needs grow.
Separate TRS main outs with front panel volume control.
Stereo 24-bit 96kHz S/PDIF in/out.
Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
100% compatible with all host-based effects processing in today's popular audio programs.
Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
Plug-and-play operation with your Mac or PC via FireWire or USB2.
Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
Front panel headphone jack with volume control.
Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
nio 2 | 4 is a 2 In / 4 Out mobile USB interface for the modern music maker. Nio 2 | 4 features Novationʼs unique ʽDirect FXʼ technology, placing a powerful multi-effects engine within nio 2 | 4ʼs custom drivers. These effects rest close to the core of your computer, working independently of other software and providing powerful ultra-low latency effects for hassle-free, real time jamming and recording. This same unique environment ensures rock-solid, lightning-fast performance, making it the ideal interface solution for home recording, live performing and DJʼing alike; one size fits all. With two headphones outputs, itʼs also an ideal solution for the classroom environment.
Specifications
Audio Interfacing
Inputs:
1 XLR (with phantom power)
1 TS Jack
2 RCA Phono
Two inputs simultaneously only - either stereo RCA phono or the XLR and Jack
Outputs:
4 RCA Phono
2 stereo 1/4" Headphones Jacks
Digital Audio:
44.1/48kHz sample rate
24-bit resolution
Other interfacing
Data ports: 1 x USB 1.1
MIDI i/o
System requirements
Operating system: Mac OSX 10.3.9 or greater (Leopard also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 also supported)
Minimum Computer spec: Mac - G3/600MHz or G4/667MHz, both with 256MB RAM or PC - Pentium 3/500MHz/256MB RAM (machines running Vista will require a higher spec)
Interfacing: USB 1.1 compatible USB connector (also compatible with USB 2.0), 28/24 awg USB cable recommended
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%20dynamic%20range%20ADC%20/%20DACbr/%20br/%20-%206%20channel%20analog%20output%20plus%20separate%20mix%20outputbr/%20br/%20-%20Microphone%20input%20with%20balanced%20XLR%20input%20and%20switchable%20+48V%20supportbr/%20br/%20-%20Hi-Z%20input%20signal%20support%20(i.e.%20for%20electric%20guitars)br/%20br/%20-%204%20channel%20analog%20line%20input%20(4%20simultaneous%20input%20channels%20in%20total)br/%20br/%20-%20Bus%20powered%20(no%20extra%20power%20supply%20needed)br/%20br/%20-%20EWDM%20driver%20with%20MME,%20WDM%20and%20ASIO%202.0%20support;%20supports%20DirectWIREbr/%20br/%20-%20Compatible%20to%20current%20Windows%20versions%20including%20Windows%20XP%20and%20Windows%20Vista/7,%20Mac%20OS%20X%20compatible%20(from%2010.3)br/%20br/%20-%20Cubase%20LE%204%20from%20Steinberg%20included,%20for%20Mac%20&%20PC%20%20zZounds%20is%20an%20authorized%20dealer%20of%20ESI%20Audio%20products.%20%20/p/tdtdulliHybrid%20FireWire/USB2%20connectivity%20—%20connect%20to%20your%20computer%20via%20either%20bus-powered%20FireWire%20or%20hi-speed%20USB2.%20%20%20%20%20/liliCueMix%20FX™%20—%20flexible%2010%20input/14%20bus%20mixer%20with%20on-board%20DSP%20%20effects,%20including%20reverb%20with%20sends/returns,%20plus%20EQ%20and%20compression%20on%20%20every%20input%20and%20output.%20%20%20/lili10%20inputs%20/%2014%20outputs%20—%20there's%20no%20channel%20sharing%20in%20the%20%20UltraLite-mk3%20Hybrid;%20the%20mic%20inputs,%20S/PDIF%20I/O,%20headphone%20out%20and%20main%20%20outs%20are%20all%20handled%20as%20separate%20channels.%20%20%20%20/liliClassic%20Reverb™%20—%20provides%20five%20different%20room%20types,%20three%20%20frequency%20shelves%20with%20adjustable%20crossover%20points,%20shelf%20filtering%20and%20%20reverb%20lengths%20up%20to%2060%20seconds.%20%20%20/liliTwo%20forms%20of%20compression%20—%20a%20standard%20compressor%20with%20conventional%20%20threshold/ratio/attack/release/gain%20controls%20and%20the%20Leveler™,%20an%20%20accurate%20model%20of%20the%20legendary%20LA-2A%20optical%20compressor,%20which%20provides%20%20vintage,%20musical%20automatic%20gain%20control.%20%20%20/liliModeled%20EQ%20—%20provides%207-band%20parametric%20EQ%20modeled%20after%20British%20%20analog%20console%20EQs,%20featuring%204%20filter%20styles%20(gain/Q%20profiles)%20to%20%20effectively%20cover%20a%20wide%20range%20of%20audio%20material.%20LP%20and%20HP%20filters%20are%20%20also%20supplied%20with%20slopes%20that%20range%20from%206%20to%2036%20dB.%20%20%20/liliCueMix%20FX%20cross-platform%20mixing%20software%20—%20attractive%20graphic%20%20mixing,%20graphic%20editing%20of%20parametric%20EQ%20and%20a%20convenient%20tabbed%20%20interface%20for%20quick%20access%20to%20all%20features%20in%20one%20window.%20Also%20provides%20%20full-screen%20real-time%20FFT%20display,%20spectrogram)
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