BEHRINGER XENYX QX1204USB 12-Input 2/2-Bus Mixer with Effect

229.00 incl. GR VAT

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Availability: Available in 4-10 d. Available in 4-10 d. SKU: E005355 Category:
  • Type: Analog Mixing Desk
  • Manufacturer: Behringer
  • Model: XENYX QX1204USB
  • Number of chanels: 8
  • Inputs – Mic Preamps: 4x XLR
  • Phantom Power: Yes
  • Inputs – Line: 8x 6.3mm TRS, 2x RCA
  • Inputs – Other: 1x 6.3mm (Footswitch)
  • Outputs: 2 x XLR, 2 x 6.3mm TRS, 2x RCA
  • Send/Return I/O: 2 x 6.3mm (Send), 4 x 6.3mm (Return)
  • Busses: 2x Bus
  • EQ Bands: 3-band
  • USB: 1x Type-B
  • Headphones: 1x 6.3mm jack TRS
  • Dimensions: 97 x 270 x 328 mm
  • Weight: 2.8 kg
  • Type: Analog Mixing Desk
  • Manufacturer: Behringer
  • Model: XENYX QX1204USB
  • Number of chanels: 8
  • Inputs – Mic Preamps: 4x XLR
  • Phantom Power: Yes
  • Inputs – Line: 8x 6.3mm TRS, 2x RCA
  • Inputs – Other: 1x 6.3mm (Footswitch)
  • Outputs: 2 x XLR, 2 x 6.3mm TRS, 2x RCA
  • Send/Return I/O: 2 x 6.3mm (Send), 4 x 6.3mm (Return)
  • Busses: 2x Bus
  • EQ Bands: 3-band
  • USB: 1x Type-B
  • Headphones: 1x 6.3mm jack TRS
  • Dimensions: 97 x 270 x 328 mm
  • Weight: 2.8 kg

 

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BEHRINGER XENYX QX1204USB Premium 12-Input

Premium 12-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface.

The compact QX1204USB mixer allows you to effortlessly achieve premium- quality sound, thanks to its 4 onboard studio-grade XENYX Mic Preamps and ultra-musical “British” channel EQs. And our easy-to-use “one-knob” compressors provide total dynamic control for the ultimate in punch and clarity, while respecting all the power and emotion you pack into every note. Add to this, the sweet forgiveness of our British-style EQs and a KLARK TEKNIK Multi-FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings – and the QX1204USB becomes an incredibly versatile mixer for your live performances. But XENYX QX1204USB isn’t just designed to handle your live gigs; they also provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, these mixers come with all the recording and editing software needed to turn your computer system into a complete, high-performance home recording studio.

Sonically Superior Mic Preamps

The XENYX QX1204USB gets its name from our legendary, high headroom XENYX mic preamps, which have been praised by audio engineers all over the world. These state-of- the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, the XENYX QX1204USB provides such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren’t looking.

One-Knob Compression

Ask professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous – dynamic compression. What is compression? We’re glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs find challenging. Our “one-knob” compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class – but standard on all XENYX QX Series USB mixers.

• Premium ultra-low noise, high headroom mixer
• 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
• 4 studio-grade compressors with super-easy “one-knob” functionality and control LED for professional vocal and instrumental sound
• Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings
• “Wireless-ready” for high-quality BEHRINGER digital wireless system (not included)
• Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com
• Neo-classic “British” 3-band EQs for warm and musical sound
• 2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
• Clip LEDs, mute/alt 3-4, solo and PFL functions on all channels
• 2 subgroups with separate outputs for added routing flexibility
• 2 multi-functional stereo aux returns with flexible routing
• Balanced main mix outputs with gold-plated XLR connectors plus separate control room, headphones and 2-track outputs
• Control room/phones outputs with multi-input source matrix
• Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
• “Planet Earth” switching power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• High-quality components and exceptionally rugged construction ensure long life

 

Specifications:

  • Type: Analog Mixing Desk
  • Manufacturer: Behringer
  • Model: XENYX QX1204USB
  • Number of chanels: 8
  • Inputs – Mic Preamps: 4x XLR
  • Phantom Power: Yes
  • Inputs – Line: 8x 6.3mm TRS, 2x RCA
  • Inputs – Other: 1x 6.3mm (Footswitch)
  • Outputs: 2 x XLR, 2 x 6.3mm TRS, 2x RCA
  • Send/Return I/O: 2 x 6.3mm (Send), 4 x 6.3mm (Return)
  • Busses: 2x Bus
  • EQ Bands: 3-band
  • USB: 1x Type-B
  • Headphones: 1x 6.3mm jack TRS
  • Dimensions: 97 x 270 x 328 mm
  • Weight: 2.8 kg

 

Weight 3 kg

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NameBEHRINGER XENYX QX1204USB 12-Input 2/2-Bus Mixer with Effect removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT GB2R 12 channel rackmount MIXING CONSOLE removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeBEHRINGER Xenyx 502 Premium 5-Input 2-Bus Mixer removeSOUNDCRAFT LX7 16CH MKII MIXING DESK remove
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SKUE005355SPIRIT EPM6GB2R 12CHSPIRIT EFX8E005126SPIRIT LX7 16CH MKII
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Description
  • Type: Analog Mixing Desk
  • Manufacturer: Behringer
  • Model: XENYX QX1204USB
  • Number of chanels: 8
  • Inputs - Mic Preamps: 4x XLR
  • Phantom Power: Yes
  • Inputs - Line: 8x 6.3mm TRS, 2x RCA
  • Inputs - Other: 1x 6.3mm (Footswitch)
  • Outputs: 2 x XLR, 2 x 6.3mm TRS, 2x RCA
  • Send/Return I/O: 2 x 6.3mm (Send), 4 x 6.3mm (Return)
  • Busses: 2x Bus
  • EQ Bands: 3-band
  • USB: 1x Type-B
  • Headphones: 1x 6.3mm jack TRS
  • Dimensions: 97 x 270 x 328 mm
  • Weight: 2.8 kg
ContentBEHRINGER XENYX QX1204USB Premium 12-Input Premium 12-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface. The compact QX1204USB mixer allows you to effortlessly achieve premium- quality sound, thanks to its 4 onboard studio-grade XENYX Mic Preamps and ultra-musical “British” channel EQs. And our easy-to-use “one-knob” compressors provide total dynamic control for the ultimate in punch and clarity, while respecting all the power and emotion you pack into every note. Add to this, the sweet forgiveness of our British-style EQs and a KLARK TEKNIK Multi-FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings – and the QX1204USB becomes an incredibly versatile mixer for your live performances. But XENYX QX1204USB isn’t just designed to handle your live gigs; they also provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, these mixers come with all the recording and editing software needed to turn your computer system into a complete, high-performance home recording studio.
Sonically Superior Mic Preamps
The XENYX QX1204USB gets its name from our legendary, high headroom XENYX mic preamps, which have been praised by audio engineers all over the world. These state-of- the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, the XENYX QX1204USB provides such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren’t looking.
One-Knob Compression
Ask professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous – dynamic compression. What is compression? We’re glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs find challenging. Our “one-knob” compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class – but standard on all XENYX QX Series USB mixers. • Premium ultra-low noise, high headroom mixer • 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps • 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound • Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings • "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included) • Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com • Neo-classic "British" 3-band EQs for warm and musical sound • 2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send) • Clip LEDs, mute/alt 3-4, solo and PFL functions on all channels • 2 subgroups with separate outputs for added routing flexibility • 2 multi-functional stereo aux returns with flexible routing • Balanced main mix outputs with gold-plated XLR connectors plus separate control room, headphones and 2-track outputs • Control room/phones outputs with multi-input source matrix • Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls • "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving • High-quality components and exceptionally rugged construction ensure long life
 
Specifications:
  • Type: Analog Mixing Desk
  • Manufacturer: Behringer
  • Model: XENYX QX1204USB
  • Number of chanels: 8
  • Inputs - Mic Preamps: 4x XLR
  • Phantom Power: Yes
  • Inputs - Line: 8x 6.3mm TRS, 2x RCA
  • Inputs - Other: 1x 6.3mm (Footswitch)
  • Outputs: 2 x XLR, 2 x 6.3mm TRS, 2x RCA
  • Send/Return I/O: 2 x 6.3mm (Send), 4 x 6.3mm (Return)
  • Busses: 2x Bus
  • EQ Bands: 3-band
  • USB: 1x Type-B
  • Headphones: 1x 6.3mm jack TRS
  • Dimensions: 97 x 270 x 328 mm
  • Weight: 2.8 kg
 
Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:

The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.

This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.

On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.

Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.

  • Technical Specifications
  • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
  • THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
  • Noise Measured RMS, 22Hz to 22kHz Bandwidth
  • Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
  • Mix Output, 40 inputs routed to mix..
  • Group & Centre Outputs..
  • Aux Outputs (GB2 Groups only)..
  • Matrix Outputs..
  • Crosstalk Input Channel Mute..
  • (@1kHz, typical) Input Fader cut-off..
  • Pan isolation..
  • Mix route isolation..
  • Group route isolation..
  • Adjacent channel crosstalk..
  • Group to Mix..
  • Aux Send pots offness (typical)..
  • Matrix Send pots offness (typical)
  • CMRR Typical @ 1kHz.. 80dB
  • Input & Output Mono & Stereo Mic Inputs.. +15dBu
  • Max Levels Mono & Stereo Line Inputs.. +30dBu
  • Stereo Returns & Insert Returns.. +20dBu
  • Any output.. +20dBu
  • Nominal Operating Level.. 0dBu
  • Headphone Power.. 2 x 250mW into 200Ω
  • Input & Output Mic Inputs.. 2kΩ
  • Impedances Line Inputs and Stereo Returns.. 10kΩ
  • Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
  • Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
  • Insert sends.. 75Ω
  • Recommended Headphone Impedance.. 100 - 600Ω
  • High pass filter (Mono input).. 100Hz, 18dB per octave
  • EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
  • Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
  • Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
  • LF.. 80Hz, +/-15dB, 2nd order shelving
  • EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
  • Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
  • Lo-Mid.. 450Hz, +/-15dB, Q=0.8
  • LF.. 80Hz, +/-15dB, 2nd order shelving
  • Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
  • Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
  • Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
  • + Meterpod with 3 VU meters (L/R/C)
  • Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
  • (indicates monitor source level)
  • Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
  • Power consumption.. Less than 150W
  • Operating conditions Temperature range.. -10ºC to +30ºC
  • Relative humidity.. 0% to 80%
  • Features
  • * 19” Rackmountable console
  • * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
  • * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
  • * Rotatable connector pod for top or rear cable entry
  • * 8 (GB2R-16) or 10 (GB2R-12.2) busses
  • * 2 full feature stereo inputs (GB2R-12.2 version)
  • * GB30 Mic preamp and precision EQ on inputs
  • * Switchable +48V phantom power on every mic input
  • * 100Hz Hi-pass filter
  • * Direct outputs on every channel
  • * 100mm faders
  • * Stereo Mix Output and separate Mono Sum output
  • * Record output
  • * Internal Universal switched mode PSU


Soundcraft EFX



(EFX8, EFX12)

The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.

The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.

The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone

Key Features:
  • 8+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and ¼” metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.
  • Premium ultra low-noise, high headroom analog mixer
  • State-of-the-art XENYX Mic Preamp comparable to stand-alone boutique preamps
  • Neo-classic "British" 2-band EQ for warm and musical sound
  • Main mix, stereo CD/tape plus separate headphone outputs
  • CD/tape inputs assignable to headphone output or main mix outputs
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Weight3 kg5.20 kg5.00 kg3.00 kg0.55 kg18.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3 kg
Weight 5.20 kg
Weight 5.00 kg
Weight 3.00 kg
Weight 0.55 kg
Weight 18.20 kg